[Televisionary]

Community fans, this is your St. Crispin’s Day moment. Dumping Community in favor of shifting around the Thursday-night comedies feels a bit like rearranging the deck chairs on the Titanic. Community, after all, is not the iceberg that’s sinking NBC. Over at The Daily Beast, you can read my latest story, " Community on Hiatus: Why NBC Is Making a Mistake," in which I look at the case for and against keeping the brilliant and subversive comedy around. For right now, Community airs Thursday evening at 8 p.m. on NBC.

The most divisive show on television is FX’s American Horror Story , a haunted-house drama created by Glee ’s Ryan Murphy and Brad Falchuk, with viewers and critics loving it, hating it, or loving to hate it. Over at The Daily Beast, you can read my latest feature, " American Horror Story : The Craziest Show on TV," in which Maria Elena Fernandez and I, in our latest He Said/She Said discussion, examine the show's merits and failings and attempt to come to something resembling an agreement about the show. (Spoiler: we don't.) What is your take on American Horror Story ? Head to the comments section to discuss, debate, and react. American Horror Story airs Wednesdays at 10 pm ET/PT on FX.

In NBC’s Parenthood , the show’s teens--including Mae Whitman, Sarah Ramos, and Miles Heizer--often walk away with the most heartbreaking and emotional storylines. Over at The Daily Beast, you can read my latest feature, entitled "TV's Most Talented Teens" (formerly known as "The Teens of Parenthood "), in which I sit down with Whitman, Ramos, and Heizer to discuss their characters, on-set camaraderie, and, yes, the haircut that launched a thousand tweets. Parenthood returns with new episodes tonight at 10 pm ET/PT on NBC.

HBO’s Boardwalk Empire revolves around mob feuds, illegal bootlegging, and the corruption and venality that accompanied Prohibition. But beneath the surface, the show is about grasping at the American dream. That quest for happiness has never been more vivid—nor more painfully realized—than in Boardwalk Empire ’s Richard Harrow, a Great War sniper who now kills for profit, wearing a tin half-mask. Jack Huston, the grandson of legendary director John Huston (and nephew to Anjelica and Danny Huston), is stealing nearly every scene of HBO’s Boardwalk Empire , where he plays disfigured sniper turned hitman Richard Harrow. At The Daily Beast, you can read my latest feature, " Boardwalk Empire 's Scene-Stealer," in which I talk to Huston about this week’s episode, wearing the mask, and whether Richard still has a soul.

Warning: You do not want to miss Thursday's episode of Community . It's a given that some of the most ambitious episodes of NBC's Community are often the ones with the seemingly most straightforward concepts. Look at Season Two's fantastic "Cooperative Calligraphy" for a strong example of this: the gang at Greendale is locked in the study room when Annie's pen goes missing. A bottle episode is turned on its head (no pun intended) here, transforming a slight idea into a larger one as the group is beset by paranoia and fractures in front of our eyes. The same holds true for Thursday's upcoming episode, "Remedial Chaos Theory," another bottle episode that defies the laws of logic and probability in a way. With Dan Harmon and the writing staff achieving such dizzying heights with "Cooperative Calligraphy," it seemed nearly impossible that they would be able to approach another bottle episode with the same gonzo spirit that made the

At 66 and four-feet-nine, Linda Hunt is an unlikely action heroine. But as the enigmatic Hetty Lange on NCIS: LA , Oscar winner Hunt (who won for her staggering performance as a male Indonesian-Australian dwarf in Peter Weir's The Year of Living Dangerously ) has become a Teen Choice Award recipient and the show’s breakout character. Over at The Daily Beast, you can read my latest feature, entitled "The Cult of Linda Hunt," in which I sit down with the Oscar (and Teen Choice Award!) winner Hunt to discuss NCIS: Los Angeles' Hetty, The Year of Living Dangerously , water from the moon, and what the future holds. (I also talk to creator Shane Brennan and Chris O'Donnell about the remarkable Hunt and her character.) NCIS: Los Angeles airs Tuesday evenings at 9 pm ET/PT on CBS.

The wait is over. After months of waiting breathlessly for the repercussions of Alicia (Julianna Margulies) and Will (Josh Charles) entering that hotel room together (with Alicia taking control of the situation), The Good Wife returned for the start of its third season ("A New Day"), written by Robert and Michelle King, with a new night and timeslot, a new haircut for Alicia, and a new office for our erstwhile good wife, who proved this week just how bad she can be. Among other areas, The Good Wife has excelled in its handling of female sexuality, particularly in terms of how it's handled within the confines of a primetime broadcast network drama. This hasn't been a show featuring much bed-hopping from its main character, who spent the first two seasons coming to terms with her husband's infidelity, her passion towards her boss, and her decision to kick said husband to the curb after learning that he had slept with one of the few friends she had (that would