[Televisionary]

After a six-year wait, George R.R. Martin’s "A Dance With Dragons" finally hits bookstores next week. Over at The Daily Beast, you can read my latest feature, "George R.R. Martin’s Triumphant Return," in which I review "A Dance With Dragons," the fifth installment and the latest in Martin’s bestselling "A Song of Ice and Fire" series, on which HBO's Game of Thrones is based. "A Dance With Dragons" will hit bookshelves on Tuesday.

When all we have in life is stripped away from us, what do we have left? What is life worth then? These questions hover over the breathtaking finale of HBO's Game of Thrones ("Fire and Blood"), written by David Benioff and D. B. Weiss and directed by Alan Taylor, which depicts transformative moments in the lives of several characters, who must come to terms with not only palpable grief but also the realization that a brutal new status quo is upon them. It's a somber throughline that links the separate story threads of Daenerys, Arya, Sansa, and Catelyn, each of whom suffers a grievous loss and who must find their inner strength to face the day again. For a series that engendered some criticism at its outset from critics and viewers about its depiction of women, particularly the lead female characters at its center, it's a remarkable turning point. Each of these women has suffered at the hands of their enemies, losing the men in their lives, until they must st

Just a heads up that I'll be conducting a live chat over at The Daily Beast on Monday at 11 am PT/ 2 pm ET time to discuss the season finale of HBO's Game of Thrones ("Fire and Blood"), airing Sunday evening. Join me and other television critics--including AOLtv's Maureen Ryan, Time 's James Poniewozik, and Cultural Learnings' Myles McNutt--and Game of Thrones experts (such as the brains behind Westeros.org and Winter is Coming.Net) and fans, as we discuss the end of the groundbreaking first season and the various twists and turns therein. You can enter your email address below for a reminder ahead of time as we move closer to the live event. <p><a href="http://www.coveritlive.com/mobile.php/option=com_mobile/task=viewaltcast/altcast_code=b4ba98ee43" >Live Chat: Game of Thrones Season Finale</a></p> The season finale of Game of Thrones airs this Sun

Fly, fly away, little bird. Just like that, the stakes of George R.R. Martin's world became even higher, the pain even more intense, and the searing sense of loss all the more unbearable. These are cruel times that the Starks and their enemies find themselves. The quality of mercy, as we know, is not strained... but there are often greater reasons to restrain oneself from enacting punishment upon others. Sometimes the open hand is the wiser council than the keen edge of a blade. The cost of life--and the folly of youthful, headstrong kings--is keenly felt in the latest episode of HBO's Game of Thrones ("Baelor"), written by David Benioff and D. B. Weiss and directed by Alan Taylor, which depicts one of the most shocking moments within the first season of the adaptation. For those of us who have read the novels, it didn't come as a surprise, but I will say that I was watching this with my wife--who has remained wholly unspoiled about any plot developments wi

While HBO hasn't shied away from abundant sex in the Game of Thrones books (even amping it up), the presence of rape within George R.R. Martin's novels has been nearly eliminated. Over at The Daily Beast, you can read my latest feature, entitled " Game of Thrones ' Sexual Politics," in which I examine why sex and violence, but not sexual violence, has played out on the show—and why some viewers and critics are angry. Do you agree with the assessment? Head to the comments section to discuss and debate, but remember: keep it fair.

"When you look at me, do you see a hero?" - Varys William Shakespeare's Portia said it best in The Merchant of Venice : "The quality of mercy is not strained/It droppeth as the gentle rain from heaven." That is, mercy can't be forced; it's either a natural inclination or it isn't. Do you lean towards the pointy end of the sword or the open palm of mercy? Do you enact vengeance or forgiveness? Do you tread meekly or engage your enemy? In this week's episode of Game of Thrones ("The Pointy End"), written by George R.R. Martin and directed by Daniel Minahan, the notion of mercy hovered over the action as viewers saw multiple characters grapple with the questions above. Daenerys attempts to stop her bloodriders from taking their spoils of war when they encounter the sheep people, preventing the women of the tribe from being "honored" by the Dothraki on the ground. Robb chooses to free a Lannister scout rather than redden his blad

"I did warn you not to trust me." - Littlefinger The world of George R.R. Martin's novels depicts the internal landscape as much as it does the external and epic; the plots of "A Game of Thrones" and the subsequent books in the "A Song of Ice and Fire" novel series balances on a knife's edge between grand battles and stirring soliloquies enacted by the chapters' viewpoint narrator. In a television show, we're denied the ability to enter into the characters' minds, to slip away behind the eyes and see the truths that they keep hidden from everyone but themselves, to hear the words that they whisper as they fall asleep, to see the lies that they tell others. Instead, showrunners David Benioff and Dan Weiss have had to create ways of sharing information without it seeming obtrusive; the medium largely demands scenes of action rather than long drawn-out moments of inaction. And in this week's episode of Game of Thrones ("You Win

"He was no dragon. Fire cannot kill a dragon." - Daenerys More than halfway through the season of HBO's Game of Thrones , we've come to what was arguably my favorite episode of the run so far (though, now that I've seen Episode Seven, I think I've changed my mind), which reveals several secrets lurking in the background of the series ("the seed is strong") and begins to move the players into place for the climactic gamesmanship ahead. On this week's episode of Game of Thrones ("A Golden Crown"), written by Jane Espenson, David Benioff, and D.B. Weiss and directed by Daniel Minahan, it's an installment that revolves around changes both great and small, about the way the scales can fall from our eyes and we can see the truth that has been standing in front of us for so long. For Ned, it's a realization of just why Jon Arryn died, of the terrible secret he had gleaned from the book of royal lineages, and just what this could mean

"Some doors close forever. Others open in most unexpected places." - Varys When it is wise to commit a horrific act in the name of the greater good? Does one life matter more than that of millions? Can you cross a moral line in order to keep a larger peace? Such questions of moral relativism hovered over this week's fantastic episode of Game of Thrones ("The Wolf and the Lion"), written by David Benioff & D.B. Weiss and directed by Brian Kirk, which presented both King Robert and Ned Stark with a weighty dilemma: do they act to keep the peace and murder a pregnant girl? Is Daenerys' existence alone enough the shatter the tenuous union of the Seven Kingdoms? By employing an assassin, would they avert a larger war down the road? Should she and her brother have been murdered as children? By allowing them to survive, did they curse themselves to a potential Dothraki invasion from across the Narrow Sea? And if Robert gets his way and Dany is slain by some se

"Everyone who isn't us is an enemy." - Cersei The brutality of the Seven Kingdoms of Westeros--and the vantage point of the Lannister clan--is eloquently summed up in Queen Cersei's words of advice to the young prince Joffrey: it's a paranoid and arrogant declaration of their family's separation from the rest of mankind, a testament to the roar of the Lannister pride and of Cersei's own suspicious nature. Trust no one, she tells her son. This is, after all, a woman involved in an incestuous romance with her twin brother, willing to conspire in the death of a ten-year-old boy in order to protect their dark secret. (It's also a creepy scene in which she instructs her son to sleep with "painted whores" or virtuous virgins if he wishes, in addition to bedding his betrothed when the time comes.) In this week's episode of Game of Thrones ("Lord Snow"), written by David Benioff and D.B. Weiss and directed by Brian Kirk, we're give

"You may not have my name, but you have my blood." Matters of life and death hung over this week's episode of Game of Thrones ("The Kingsroad"), written by David Benioff and D.B. Weiss and directed by Tim Van Patten, in which Bran Stark--nearly killed from his fall--hovered uneasily after nearly shuffling off his mortal coil, thanks to the Lannisters. While Jaime and Cersei--so careful to protect their secret--didn't hesitate to silence young Bran, their treachery is now doubly dangerous as the fall didn't kill the little climber of Winterfell. But as Bran lies motionless in his room, change is taking place all around him: Ned leaves for King's Landing, where he will serve as the Hand of the King, and takes his daughters Arya and Sansa with him; Jon Snow heads north for the Wall, where he will take the black and become one of the sworn brothers of the Night's Watch; Robb steps forward and assumes the lordship of Winterfell in his father's ab

It doesn't take the greensight to know that HBO was going to issue a second season pickup for its fantasy series Game of Thrones , based on the "A Song of Ice and Fire" novels by George R.R. Martin, after the premium cable network touted an impressive 4.2 cumulative viewers for the Sunday broadcasts of the first installment. The announcement about the renewal was issued by Michael Lombardo, president of HBO Programming. “We are delighted by the way David Benioff and D.B. Weiss have brought George R.R. Martin’s amazing book series to the screen, and thrilled by the support of the media and our viewers,” he said in a prepared statement. “This is the continuation of an exciting creative partnership.” No word on when we can expect to see the arrival of Season Two of Game of Thrones or how many episodes the sophomore season will contain, though I'm hoping to see something closer to thirteen episodes as Benioff and Weiss begin to adapt "A Clash of Kings," the hef

Winter is coming, as we're told several times throughout the first episode of HBO's lavish and gripping new series, Game of Thrones , based on the George R.R. Martin novel series "A Song of Ice and Fire." It's a belief that the halcyon days of summer will soon be behind us, that the icy grip of winter--true winter--will soon wrap its fingers around our throats. Those happy days are behind us. In the series premiere of Game of Thrones ("Winter is Coming"), written by David Benioff and D.B. Weiss and directed by Tim Van Patten, the signs and omens are gathering around us. A direwolf has been slain by a stag, in turn killed by the great wolf itself, her children spilling from her bellies as orphans. In a world that moving forward away from superstitions, it's a tableau that should give even the deepest cynics of Westeros pause for thought. Change is coming to Winterfell and, by the time the closing credits of this first episode roll, the Starks have be