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Sunshine in a Pretty Blonde Bottle: Bargains on True Blood

There is a price for everything. Whether it's a spell to resurrect the dead or a new screen door (plus a microwave, to boot), there are strings attached to every bargain, no matter how slight or how severe. Whether or not that toll is immediately clear remains to be seen, but what is inexorable is that the collector will come courting eventually, whether it's for your blood or your soul. This week's fantastic installment of True Blood ("You Smell Like Dinner"), written by Brian Buckner; directed by Scott Winant, presented the residents of Bon Temps with some new bargains thrown into their already overwrought status quo. After last week's lackluster season opener, this week's episode represented a seismic leap forward in terms of quality. No B-grade sci-fi shenanigans here, but rather a taut (and at times quite funny) installment that depicted Sookie integrating back into her old life, only to find that things--including her best friend Tara and her ch

Time Flies: Thoughts on the Season Premiere of HBO's True Blood

I don't know about you, but I'm kind of sick of faeries, and it's only the first episode of the season... In my advance review, I was extremely upfront about my feelings about the handling of the faerie court and the opening sequence of the first episode of Season Four of True Blood ("She's Not There"), written by Alexander Woo and directed by Michael Lehmann, which depicted just what happened to Sookie Stackhouse (Anna Paquin) after she disappeared into the light at the end of last season. What we encounter is a seemingly, well, fairy tale kingdom where human-faerie hybrids snack on light fruits and hang out interminably by a lush fountain courtyard. Alas, nothing is as it seems and all that glitters is not gold... the tranquility that the tableau presents is once more a false front, a shiny facade concealing the waste and desolation of the faerie realm, which looks rather like the dusty canyons near Calabasas. What follows is a B-movie chase as faeries

Time Flies: Thoughts on the Season Premiere of HBO's True Blood

I don't know about you, but I'm kind of sick of faeries, and it's only the first episode of the season... In my advance review, I was extremely upfront about my feelings about the handling of the faerie court and the opening sequence of the first episode of Season Four of True Blood ("She's Not There"), written by Alexander Woo and directed by Michael Lehmann, which depicted just what happened to Sookie Stackhouse (Anna Paquin) after she disappeared into the light at the end of last season. What we encounter is a seemingly, well, fairy tale kingdom where human-faerie hybrids snack on light fruits and hang out interminably by a lush fountain courtyard. Alas, nothing is as it seems and all that glitters is not gold... the tranquility that the tableau presents is once more a false front, a shiny facade concealing the waste and desolation of the faerie realm, which looks rather like the dusty canyons near Calabasas. What follows is a B-movie chase as faeries

Faerie Tales: An Advance Review of Season Four of True Blood

We're heading back to Bon Temps at long last, as Season Four of HBO's libidinous and deliciously addictive vampire drama True Blood kicks off this weekend. When we last caught up with Sookie Stackhouse (Anna Paquin) and the other denizens of the sleepy Louisiana town turned supernatural hot spot, she had vanished into the light with her faerie godmother after learning that her vampire paramour, Bill Compton (Stephen Moyer) had perhaps not been quite so honest about the circumstances surrounding their first meeting. In true, er, True Blood fashion, multiple characters were either placed into jeopardy or decided to flee Bon Temps altogether in the third season ender, which closed a creatively uneven season that overflowed with vampire kings, werewolves, drug-induced nightmare visions, and creepy baby dolls. With Season Four, showrunner Alan Ball has the opportunity to right the cart a bit, introducing an overarching storyline that involves witchcraft and some devious spirit

The Daily Beast: "Inside True Blood's Fourth Season"

True Blood withdrawal getting you down? Fret not, fangbangers. Over at The Daily Beast, you can read my latest feature, entitled "Inside True Blood 's Fourth Season, " in which I sit down with executive producer/showrunner Alan Ball about the fourth season of the HBO vampire drama at his Hollywood office to get some details on what's to come this season. If that weren't enough True Blood -related deliciousness for you, you can also check out "Nine Things to Know About Season 4 of True Blood ," in which Ball teases what's to come for Sookie, Eric, Pam, Tara, Jessica and Hoyt, the faeries, the witches, and more. And there might be a hint or two about what's to come in Season Five as well... Season Four of True Blood begins this Sunday evening at 9 pm ET/PT on HBO.

The Daily Beast: "Summer 2011 TV Preview: 15 Reasons to Watch TV This Summer"

We’re starting our summer at a bit of a disadvantage: there is no new season of Mad Men to look forward to this year, as we’ll have to wait until March 2012 to find out what happens to Don Draper and the other staffers at Draper Cooper Sterling Pryce. It’s enough to put a damper on anyone’s television-viewing this summer, but there are still some bright points amid a series of repeats and burn-offs like NBC’s Love Bites . (Seriously, avoid that one like you would the plague.) Over at The Daily Beast, you can read my latest feature, entitled "Summer 2011 TV Preview: 15 Reasons to Watch TV This Summer," in which I round up what’s new and noteworthy on the telly in the coming months, from True Blood and Torchwood: Miracle Day to British period drama The Hour and the return of Damages and Breaking Bad . All in all, 15 reasons to come in from the warmth of the summer evening and sit down on the couch for a few hours. What are you most excited about heading to the small scree

Back to Bon Temps: True Blood Return Date Announced

Warm up a bottle of Tru Blood, because we're heading back to the Louisiana bayou for another season come June. HBO today announced the official launch date for Season Four of the vampire drama, which will kick off its twelve-episode season on Sunday, June 26th at 9 pm ET/PT. The pay cabler also announced return dates for Curb Your Enthusiasm , which will launch its ten-episode eighth season on Sunday, July 10th at 10 pm ET/PT, and the final season of Entourage , which will begin on Sunday, July 24th at 10:30 pm. Glad to finally have a date to circle on your calendar, True Blood fans? You're not the only ones anxious to sink your teeth into the fourth season this summer...

PaleyFest 2011: Details From HBO's True Blood Panel

The fans are hungry for blood. Or, in this case, more True Blood , which doesn't return for another few months yet, sadly. However, the cast and crew of HBO's seductive vampire drama was on hand last night for the Paley Festival's True Blood panel, which brought together an astonishing 17 actors from the series on stage with creator Alan Ball. The evening, moderated by TV Guide Magazine 's Debra Birnbaum, kicked off with a selection from the Paley Center's archives--in this case, a fitting scene from the pilot episode of the similarly fanged Buffy the Vampire Slayer --before presenting a sizzle reel from the first three seasons of True Blood ... and a scene from the upcoming fourth season. So just what did we lucky attendees get to see from Season Four? The scene that Ball presented was set outside Fangtasia as a mob gathered outside the club to protest, chanting "Steve Newman's right; you're devils of the night." (Hmmm, any chance we might get to

Press Release: The Paley Center for Media Announces PaleyFest2011 (True Blood, Freaks and Geeks, The Walking Dead, American Idol!)

THE PALEY CENTER FOR MEDIA ANNOUNCES PALEYFEST2011 THE TWENTY-EIGHTH ANNUAL WILLIAM S. PALEY TELEVISION FESTIVAL March 4–18, 2011, at Saban Theatre in Beverly Hills, CA Evenings Honoring True Blood, The Walking Dead, 10 seasons of American Idol and a reunion of the casts of Judd Apatow’s Freaks & Geeks and Undeclared are the first four honorees revealed from PaleyFest2011’s 12-Event Lineup Los Angeles, CA—The Paley Center for Media will present the twenty-eighth annual PaleyFest: The William S. Paley Television Festival (PaleyFest2011) from March 4 to 18, 2011, returning to the historic Saban Theatre in Beverly Hills, California. The Festival is also revealing four of its 2011 honorees: HBO’s True Blood, AMC’s The Walking Dead, FOX’s American Idol, which will be honored for its ten seasons on the air, and the seminal cult classics Freaks & Geeks and Undeclared, which will be jointly honored on one special evening. PaleyFest is an extraordinary interactive pop culture event

Grave Times: The Witching Hour Approaches on Season Finale of True Blood

Bon Temps has long been a place where telepathic waitresses could rub shoulders with vampires while a shifter barkeep looked on enviously, but of late this backwoods Louisiana berg feels positively overflowing with supernatural types. From vamps and werepanthers to witches and faeries, this season of True Blood brought out just about every thing that goes bump in the night and deposited them in this once sleepy town, leaving the human-to-creature ratio dwindling even further. While I understand that the confluence of supernatural entities is part of the overarching mythology of the series, it's beginning to make Bon Temps seem like it's on top of a Hellmouth or something. While it's been mentioned in the past that supernaturals feel drawn to the site, I'm hoping next season can shed some light on just why Bon Temps is a nexus of supernatural occurrence, particularly as now it seems that just about everyone that passes by Merlotte's has some sort of otherworldly nat

Channel Surfing: WBTV Developing Sandman, JJ Abrams' Alcatraz, Evil Wheaton Back to Big Bang, Free Agents, True Blood, and More

Welcome to your Thursday morning television briefing. Hollywood Reporter 's Borys Kit and James Hibberd are reporting that Warner Bros. Television is in the process of acquiring television rights to Neil Gaiman's DC/Vertigo comic series "Sandman" with the view of adapting it as an ongoing television series. Among the contenders to tackle the project: Supernatural creator Eric Kripke. It's not the first time that Hollywood has courted the mythopoeic comic series: HBO nearly had a version in development at one time with James Mangold attached; Roger Avery attempted to get a feature film version off the ground in the mid-90s. It's still early days for the project as Kripke is said to be cautious about treading on such hallowed ground and attempting to translate the deeply complex and layered narrative for television. [Editor: Personally, I'd rather that Kripke and WBTV didn't: the plot of "Sandman" isn't a strict narrative in the traditiona

Daywalking: Angels and Demons on True Blood

I'm back from break, which meant racing home to watch this week's episode of True Blood , the season's penultimate installment which left devotees on the edge of their seats after a gripping cliffhanger designed to keep us hungry for more over the Labor Day weekend. (Which, yes, means we'll have to wait another week for the season finale.) This week's episode of True Blood ("Fresh Blood"), written by Nancy Oliver and directed by Daniel Minahan, pushed several characters past their breaking points--particularly Sookie, Tara, and Sam, among others--and seemed to deal heavily with themes of sight and blindness. After all, we can see without understanding, just as we can finally open our eyes to certain uncomfortable, glaring truths. The sun might be a pleasant glowing orb in the sky and warm our skin, or it's a painful reminder of things lost, of burning and unbearable torment. In a series where so many characters want to be more than ordinary, something

Channel Surfing: Fox Snags Locke and Key, Trouble for Tilda, Torchwood Star Lands Three Inches, Temps, The Office, and More

Welcome to your Wednesday morning television briefing. Vulture's Josef Adalian is reporting that FOX is in talks with 20th Century Fox Television and Dreamworks to develop a series based on Joe Hill's comic book "Locke and Key," which revolves around "three kids who end up watching over a secret, spooky New England mansion filled with mystical doors that transport them to different worlds and give them special powers (like turning into a ghost)," according to Adalian. But FOX isn't turning to just anyone to adapt the series created by Hill (who happens to be the son of Stephen King): Alex Kurtzman and Roberto Orci ( Fringe, Hawaii Five-0 ) and Josh Friedman ( Terminator: The Sarah Connor Chronicles ) as well as Steven Spielberg are attached as executive producers. ( Vulture , Hollywood Reporter ) Entertainment Weekly 's Michael Ausiello is reporting that there's some major behind the scenes drama brewing at HBO's much anticipated dark comedy