[Televisionary]

Last year, Revenge was a thrill-a-minute vengeance fantasy but now, in its second season, it’s a convoluted mess. My take on the show’s head-scratching fall from grace. Over at The Daily Beast, you can read my latest feature, " Revenge : What Went Wrong with ABC’s Once-Daring Thriller?" In it, I ponder just what went wrong with ABC's Revenge that caused its shocking second-season drop in quality. What a difference a year makes, particularly in the life of a serialized television narrative. At this time last year, ABC’s Revenge —Mike Kelley’s modern-day retelling of Alexandre Dumas’s The Count of Monte Cristo , set among the Hamptons polo set—was a dazzling vengeance fantasy, reveling in its dark nature and the even darker journey of Emily Thorne (Emily VanCamp), a woman scorned who was out for payback against the wealthy clan who destroyed her life and shattered her family. It functioned on several levels and tapped into the zeitgeist of 2012; it could be seen

Her two previous Doctor Who characters all look alike... and they've all died. Jace Lacob rounds up five facts about new Doctor Who companion Jenna-Louise Coleman. At The Daily Beast, you can read my latest feature, "Five Facts About the New Doctor Who Companion, Jenna-Louise Coleman," in which I round up five facts about the new Doctor Who companion, Jenna-Louise Coleman, who joins Matt Smith's Eleventh Doctor when the show returns to BBC America and BBC One on March 30. Clara... who? The Doctor—the centuries old time-traveler whose 11th incarnation is played by Matt Smith—has had his fair share of companions over the last 50 years, but the Time Lord is about to get yet another in the form of 26-year-old British actress Jenna-Louise Coleman, who steps into the TARDIS officially when Doctor Who's seventh season returns for its back half on March 30. Coleman has turned up on Doctor Who twice already in the past year, playing very different characters w

The story of crime novelist Michael Peterson, convicted of murdering his wife Kathleen in 2001, takes yet another strange turn as he gets his shot at an appeal and a possible overturn of his guilty verdict, captured in the two-part sequel to the riveting documentary The Staircase . Director Jean-Xavier de Lestrade offers his take on Peterson’s story and the possibility of justice finally being served. Over at The Daily Beast, you can read a feature that I had a hand in bringing to life, "At the Bottom of The Staircase ," in which Jean-Xavier de Lestrade, the director of Sundance's addictive documentary series The Staircase , writes about Michael Peterson, the owl theory, justice, and more. Jean-Xavier de Lestrade is an Academy Award–winning documentary filmmaker and the director of the riveting 2004 documentary The Staircase (a.k.a. Soupçons), currently airing on Sundance Channel. The eight-hour cinema verité series recounts the serpentine trial of crime novelist Mic

Almost 25 years to the day after the student protest at Gallaudet University began in 1988, ABC Family’s ‘Switched at Birth’ features a storyline about a deaf student uprising in an episode, airing March 4, that’s told almost entirely in American Sign Language. At The Daily Beast, you can read my latest feature, "Do Not Adjust Your TV: ABC Family’s Switched at Birth ASL Episode Recalls Gallaudet Protest," in which I offer praise of ABC Family's extraordinary Switched at Birth , which presents a nearly all-ASL episode on Monday, a landmark installment that connects both to Deaf culture/history and to the seminal 1988 Gallaudet student protests (DPN). Not to be missed. A generation has passed since the weeklong act of protest known as Deaf President Now, and its influence on deaf culture is likely a distant memory for the hearing community. That may change, however, thanks to a pivotal and landmark episode of ABC Family’s Switched at Birth, which will present a tel

TNT’s gripping police drama Southland is back for a fifth season, but hardly anyone’s tuning in. My take on television’s most criminally overlooked show. Over at The Daily Beast, you can read my latest feature, " Southland : Television’s Most Underrated Drama," in which I take a look at a superlative yet underrated drama: Southland , which returned last week for a fifth season. Why aren’t more of you watching Southland ? Created by Ann Biderman ( NYPD Blue ) and executive-produced by John Wells ( ER ), TNT’s uncompromising cop drama returned for a fifth season last week to only 1.16 million viewers, down 34 percent from last year. In a television season that has given us dreck like Zero Hour, Mob Doctor , and Do No Harm, Southland should be a hit. That it’s not is a shame, as Southland remains one of the most morally complex and insightful dramas on television today. It deftly juggles multiple crimes and incidents, as well as the private lives of these LAPD office

My take on the frustrating finale of Downton Abbey , which ended its spectacular third season with heartbreak. WARNING: Spoilers ahead if you haven’t seen Sunday’s episode. At The Daily Beast, you can read my latest feature, " Downton Abbey : Why Last Night’s Season Finale Has Fans Seeing Red," in which I offer my thoughts about the controversial Season 3 finale, which aired last night on PBS's Masterpiece Classic . He had to die. There was no other way for Dan Steven’s Matthew Crawley to leave Downton Abbey other than in a body bag. As the heir to the grand estate and the title, it would have been impossible for sensible, responsible Matthew to shirk his responsibilities and head to America to start a career on the New York stage, or—to borrow from Monarch of the Glen, a Scottish Highlands-set drama that featured Downton Abbey creator Julian Fellowes as part of its cast—to go climb a mountain somewhere. No, Matthew Crawley was not only wedded to Lady Mary (Miche

ABC tries to get back in the Lost game with the ridiculous Zero Hour . My take on the show, launching Thursday, that just might be the dumbest ever on television. Over at The Daily Beast, you can read my review of the first episode of ABC's overhyped adventure drama "Zero Hour" (entitled " " Zero Hour : Is This the Dumbest Show Ever to Air on TV?" ), in which I call the Anthony Edwards-led drama "nothing more than stale schlock, an hour full of zeroes. Ever since Lost went off the air—and, actually, before—the broadcast networks have desperately searched for a show that could tempt viewers eager to get, well, lost in the complexity, mythology, and mystery of the Damon Lindelof/Carlton Cuse drama. Zero Hour is not that show. The ABC drama, which begins Thursday night at 10 p.m., recalls fiascos like FlashForward more than Lost . Created by former Prison Break writer Paul Scheuring, Zero Hour is no valentine to television, offering up a l