Skip to main content

Dispatches from San Diego: Comic-Con 2011 Preview Night

I'm not in San Diego for this year's Comic-Con (marking the first year in about six that I haven't traveled south for the annual pop culture confab) for a number of reasons. While I'm sad to be missing some friends and some of the events (particularly the Game of Thrones panel moderated by George R.R. Martin), I'm feeling a rare sense of Zen that I never do this time of year.

However, Mark DiFruscio was on the scene to offer his report on Wednesday's opening Preview Night and some photos from the convention floor.

* * *

The 2011 San Diego Comic-Con kicked off Wednesday night with an uncharacteristically subdued Preview Night.

While a throng of Con-goers still managed to pack the aisles of the exhibit floor-- frequently to suffocating degrees-- absent were the more overtly eye-catching feature film promotional displays of recent years such as the life-sized Owl Ship from WATCHMEN, the Light Cycles from TRON, and even a deceased Abin Sur under glass from GREEN LANTERN.

Although Marvel Studios did fill up a fair amount of real estate to promote AVENGERS and Sony offered up a few life-sized replicas from MEN IN BLACK III, there was an undeniable shift in focus this year, away from the big budget blockbuster films, and toward upcoming television projects and Blu-ray releases. Particularly noteworthy was WALKING DEAD's rooftop display centered around a frighteningly realistic Michael Rooker mannequin caught between a hacksaw and a handful of zombies.

The evening's Most Incongruous Award goes to the "NBA Garden," which was apparently there to promote some rather odd Kobe Bryant and Derek Rose dolls.

Ultimately it remains to be seen whether the reduced role of blockbuster films at this year's San Diego Comic-Con signals the beginning of a trend but it's hard to recall the last time the convention felt this much like trade show.

[Photos from Preview Night follow, after the jump...]


Popular posts from this blog

Katie Lee Packs Her Knives: Breaking News from Bravo's "Top Chef"

The android has left the building. Or the test kitchen, anyway. Top Chef 's robotic host Katie Lee Joel, the veritable "Uptown Girl" herself (pictured at left), will NOT be sticking around for a second course of Bravo's hit culinary competition. According to a well-placed insider, Joel will "not be returning" to the show. No reason for her departure was cited. Unfortunately, the perfect replacement for Joel, Top Chef judge and professional chef Tom Colicchio, will not be taking over as the reality series' host (damn!). Instead, the show's producers are currently scouring to find a replacement for Joel. Top Chef 's second season was announced by Bravo last month, but no return date has been set for the series' ten-episode sophomore season. Stay tuned as this story develops. UPDATE (6/27): Bravo has now confirmed the above story .

Have a Burning Question for Team Darlton, Matthew Fox, Evangeline Lilly, or Michael Emerson?

Lost fans: you don't have to make your way to the island via Ajira Airways in order to ask a question of the creative team or the series' stars. Televisionary is taking questions from fans to put to Lost 's executive producers/showrunners Damon Lindelof and Carlton Cuse and stars Matthew Fox ("Jack Shephard"), Evangeline Lilly ("Kate Austen"), and Michael Emerson ("Benjamin Linus") for a series of on-camera interviews taking place this weekend. If you have a specific question for any of the above producers or actors from Lost , please leave it in the comments section below . I'll be accepting questions until midnight PT tonight and, while I can't promise I'll be able to ask any specific inquiry due to the brevity of these on-camera interviews, I am looking for some insightful and thought-provoking questions to add to the mix. So who knows: your burning question might get asked after all.

What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous seas