Skip to main content

The Daily Beast: "Inside The Good Wife Writers’ Room"

There is an emergency session underway within the writers’ room of CBS’s critically acclaimed drama, The Good Wife, which returns for its third season on Sunday, Sept. 25.

With 48 hours to go, the writers—overseen by husband-and-wife creators Robert and Michelle King—must rewrite the latest script and untangle a Gordian knot to come up with a new procedural case for hotshot lawyer Alicia Florrick (recent Emmy Award winner Julianna Margulies) and the firm to tackle.

In the second season of the critical and ratings hit, the personal loomed large for all of the show’s characters. Alicia gave into temptation and slept with her boss, Will (Josh Charles), after years of having bad timing. Kalinda (Archie Panjabi) went to great lengths to conceal a long-buried secret—that she had, years before, slept with Alicia’s husband, Peter (Chris Noth)—in a storyline that involved baseball bats, smashed-out windows, and assaulting rival investigator Blake (Scott Porter).

With its deft plotting and character-driven storytelling, The Good Wife—this season moving to a new night and time (Sundays at 9 p.m.)—is hard-hitting drama at its best. So it’s all the more surprising that the writers’ room appears almost serene, even as the clock ticks away. This is not your typical writers’ room, a litter-strewn battlefield where exhausted scribes butt heads, argue, and quaff vast quantities of coffee. Here, on a quiet studio lot in Culver City, coproducer Corinne Brinkerhoff—who runs the @GoodWifeWriters Twitter feed with Meredith Averill—stands at a whiteboard. Her neat handwriting is just one of many ordered particulars of the vintage room: color-coded notecards are perfectly positioned on a nearby bulletin board; whiteboards stand at the ready, bursting with plot details; and the writers—split equally between genders—around the polished mahogany table are taking turns to speak. Wait, this is an emergency meeting?

Yes, the smartest show on TV, CBS’s The Good Wife, is back for a third season. Over at The Daily Beast, you can read my latest feature, "Inside The Good Wife Writers’ Room," in which I report from the writers’ room and sit down with creators Robert and Michelle King in the editing bay and the office they share.

If that's not enough Good Wife-related goodness for you, I also got the Kings to spill on what lies ahead in Season Three for Alicia, Kalinda, Eli, and the others in a second feature, entitled "Inside The Good Wife Season Three." We discuss not only what's coming up for our favorite characters, but also what might have been, with an in-depth analysis of what would have comprised a killer love triangle between Cary, Kalinda, and Kelli Giddish's Sophia Russo. (Sigh.) WARNING: CONTAINS SPOILERS!

Comments

Popular posts from this blog

What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous season

Have a Burning Question for Team Darlton, Matthew Fox, Evangeline Lilly, or Michael Emerson?

Lost fans: you don't have to make your way to the island via Ajira Airways in order to ask a question of the creative team or the series' stars. Televisionary is taking questions from fans to put to Lost 's executive producers/showrunners Damon Lindelof and Carlton Cuse and stars Matthew Fox ("Jack Shephard"), Evangeline Lilly ("Kate Austen"), and Michael Emerson ("Benjamin Linus") for a series of on-camera interviews taking place this weekend. If you have a specific question for any of the above producers or actors from Lost , please leave it in the comments section below . I'll be accepting questions until midnight PT tonight and, while I can't promise I'll be able to ask any specific inquiry due to the brevity of these on-camera interviews, I am looking for some insightful and thought-provoking questions to add to the mix. So who knows: your burning question might get asked after all.

Pilot Inspektor: CBS' "Smith"

I may just have to change my original "What I'll Be Watching This Fall" post, as I sat down and finally watched CBS' new crime drama Smith this weekend. (What? It's taken me a long time to make my way through the stack of pilot DVDs.) While it's on following Gilmore Girls and Veronica Mars on Tuesday nights (10 pm ET/PT, to be exact), I'm going to be sure to leave enough room on my TiVo to make sure that I catch this compelling, amoral drama. While one can't help but be impressed by what might just be the most marquee-friendly cast in primetime--Ray Liotta, Virginia Madsen, Jonny Lee Miller, Amy Smart, Simon Baker, and Franky G all star and Shohreh Aghdashloo has a recurring role--the pilot's premise alone earned major points in my book: it's a crime drama from the point of view of the criminals, who engage in high-stakes heists. But don't be alarmed; it's nothing like NBC's short-lived Heist . Instead, think of it as The Italian