The Daily Beast: "Most Memorable TV Deaths of 2011"

Looking back, 2011 proved to be a particularly deadly one for television characters, whose bodies were stacking up even before the return of AMC’s The Walking Dead, which rather notoriously raises the body count each season.

From Breaking Bad and Game of Thrones to Downton Abbey and Boardwalk Empire, TV-show creators this year proved that they were only too willing to kill off beloved characters or shock their respective audiences with deaths involving characters long believed to be “safe,” whether those were little girls, Halloween trick-or-treaters, or heroes.

Safety, it seems, is an outmoded idea. Head over to The Daily Beast to read my and Maria Elena Fernandez's latest feature, "Most Memorable TV Deaths of 2011," in which we examine our choices for the most memorable TV demises this year, rounding up an unlucky 13 who left their fictional lives too soon. But beware: if you’re not up to date on the 12 shows discussed below, you’ll want to avoid reading any further, as there are SPOILERS.

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Comments

Anonymous said…

Gus Fring's death wins for me, surprising and awesome and wonderfully over the top.

1/03/2012

Ricardo said…

Thank you so much for 4 big spoilers on your main page. I had seen them all but Boardwalk Empire.

I know people say once its aired, it isn't a spoiler, but in the age of DVD and DVR, I think it proves lack of respect for your readers.

This is the first time I visited this blog because of a friend's recomendation. Unfortunately, it's also the last one.

1/07/2012

What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous season

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Have a Burning Question for Team Darlton, Matthew Fox, Evangeline Lilly, or Michael Emerson?

Lost fans: you don't have to make your way to the island via Ajira Airways in order to ask a question of the creative team or the series' stars. Televisionary is taking questions from fans to put to Lost 's executive producers/showrunners Damon Lindelof and Carlton Cuse and stars Matthew Fox ("Jack Shephard"), Evangeline Lilly ("Kate Austen"), and Michael Emerson ("Benjamin Linus") for a series of on-camera interviews taking place this weekend. If you have a specific question for any of the above producers or actors from Lost , please leave it in the comments section below . I'll be accepting questions until midnight PT tonight and, while I can't promise I'll be able to ask any specific inquiry due to the brevity of these on-camera interviews, I am looking for some insightful and thought-provoking questions to add to the mix. So who knows: your burning question might get asked after all.

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Pilot Inspektor: CBS' "Smith"

I may just have to change my original "What I'll Be Watching This Fall" post, as I sat down and finally watched CBS' new crime drama Smith this weekend. (What? It's taken me a long time to make my way through the stack of pilot DVDs.) While it's on following Gilmore Girls and Veronica Mars on Tuesday nights (10 pm ET/PT, to be exact), I'm going to be sure to leave enough room on my TiVo to make sure that I catch this compelling, amoral drama. While one can't help but be impressed by what might just be the most marquee-friendly cast in primetime--Ray Liotta, Virginia Madsen, Jonny Lee Miller, Amy Smart, Simon Baker, and Franky G all star and Shohreh Aghdashloo has a recurring role--the pilot's premise alone earned major points in my book: it's a crime drama from the point of view of the criminals, who engage in high-stakes heists. But don't be alarmed; it's nothing like NBC's short-lived Heist . Instead, think of it as The Italian

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