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The Good Wife: What is the Deal With Kalinda?

I've been fairly obsessed with CBS' The Good Wife this season as the series continues to effortlessly fuse together taut legal drama, compelling family conflict, and a smart serialized storyline that has tackled everything from infidelity to personal desire, politics to underage sex. But the thing that's keeping me awake at night is the mystery surrounding Archie Panjabi's Kalinda Sharma, the kick-ass investigator employed by Lockhart-Gardner-Bond who might not be what she appears. Throughout the season, the formidable Kalinda been thrown off her balance by the inquiries made by her rival at the law firm, Scott Porter's devious Blake, who seems hell-bent on revealing the truth about her past. And now State's Attorney's office--under the orders of Glenn Childs himself--is conducting their own investigation into Kalinda, something that rubs Cary the wrong way. (I loved the scene between Matt Czruchy's Cary and Blake in the prison parking lot. Was it just

Fighting the Hydra: Thoughts on the Semi-Season Finale of Chuck

I've been candid over the years about my love for Chuck , supporting it and nurturing it and standing up for it whenever renewal seemed like a distant proposition rather than a sure thing. But I've also been upfront about my thoughts about this creatively uneven season, which seemed to veer from strong episodes to really weak ones on a weekly basis. Last night's episode ("Chuck Versus the Push Mix"), written by Rafe Judkins and Lauren LeFranc and directed by Peter Lauer, was originally intended to be the season finale for Season Four of Chuck , back when the season had only gotten a thirteen-episode commitment, but as with last season, an eleventh hour order of additional episodes meant that the semi-season finale wrapped up several storylines but wouldn't be the end to the season. Which brings us to the here and now, as I have to take an unpopular stand and say that I didn't enjoy this episode as much as others seemed to. In fact, I'll admit that I

Indestructible: Truth and Consequences on Big Love

"We're not holy. We're all unholy." - Barb As dire as things have been for the Henricksons in the past, things looked especially bleak at Christmas, even as Bill noted that they had made it through the darkest day of the year and into the light. But that's the problem with the sunlight sometimes: in the harsh light of day, you can't avoid the seeing the truth right in front of you. Things are not what they seem: plum pudding contains no plums, after all. On this week's gut-wrenching episode of Big Love ("Certain Poor Shepherds"), written by Jami OʼBrien and directed by David Petrarca, the family has to contend that their own inner secrets may be the thing that destroys them in the end. Even as they make their way onto the ice--to the ironic strains of ABBA's "Knowing Me, Knowing You"--in a show of unity, Bill and his wives are anything but a singular unit, each concealing something in turn, a hurtful truth that puts further strain

The Daily Beast: "Charlie Sheen, Two and a Half Men, and the Hollywood Machine"

Yes, Charlie Sheen, the troubled star of CBS’ Two and a Half Men , has finally entered rehab, amid a production shutdown on his CBS sitcom, produced by Warner Bros. Television. Over at The Daily Beast, you can read my latest feature, entitled, "Charlie Sheen, Two and a Half Men , and the Hollywood Machine," in which I talk to television industry insiders--from writer/producers to household name showrunners--about why the hell it took so long for Sheen to go into rehab. And I look at the self-perpetuating system that enables stars like Sheen to indulge in such bad behavior as showrunners and producers--speaking on condition of anonymity--discuss their own culpability in the issue.

Fringe Fridays: 140-Character Testimonials

I asked, you answered. To celebrate the arrival of another Fringe Friday, I took to Twitter to ask you to sum up why you loved FOX's Fringe in 140 characters or less . No small feat, given the rampant love for this mind-bending sci-fi drama, which recently moved to Friday evenings during its fantastic third season. The responses I got were not surprisingly impassioned and intelligent, and demonstrated why Fringe has struck a chord with its devoted viewers. (Among whom, I count myself as a member.) Curious to see just what Fringe -philes had to say about why they love the show? You can check out the responses below, which I will continue to update throughout the day. And don't forget: there's an all-new Fringe tonight at 9 pm ET/PT on FOX! Fringe in 140 Characters or Less : mtoddcohen: "I love #FRINGE b/c it's dynamic, intelligent, and perfectly blended with unexpected humor. In short, it's science with charm." SterlingCooper1: "I love Fringe b/c

Sick Day: Parks and Recreation's Cast Shines in "Flu Season"

"Stop. Pooping." The MVP award for last night's fantastic episode of Parks and Recreation ("Flu Season") goes to Rob Lowe, for his sensational delivery of the above two words as Chris succumbs to the virulent strain of flu infecting everyone in Pawnee. Chris' ouright outrage and horror, upon learning that the "microchip has been compromised," is transformed into self-loathing and ultimately a complete and utter breakdown as he vomits into a drawer, makes friends with the hospital room floor, and manages to make would-be girlfriend Ann at ease with him for the first time during their nascent courtship. But the heights that "Flu Season" reached (which, I might add, for all of their strengths are topped by other upcoming episodes this season) are due to the tremendous work being done by all of the members of Parks and Rec 's talented ensemble. For all of the scene-stealing done by Lowe here, there are standout moments for Aubrey Plaza (

Leave It, Ricky: What Did You Think of The Office's Scranton/Slough Crossover?

I'm of two minds about last night's crossover cold open on NBC's The Office ("The Seminar"), which, if you missed it, can be viewed in full below. Let's be upfront about this: I'm an obsessive fan of the original UK Office , so the chance to see Ricky Gervais don David Brent's goatee was absolutely priceless, but I've also given up watching the US version for a while now as, in the last few seasons, it's descended into a bit of a tired and humorless mess. Having said that, I thought that the chance encounter between Steve Carell's Michael Scott and Gervais' David Brent was a bit of a hoot at first, and easily the funniest cold open The Office has pulled off in quite some time (from what I remember of the last few seasons I watched). Seeing the simpatico spirit that exists between the two men, each versions of each other, was unexpectedly touching, even as the two joked around and David asked if there were any jobs going around at Dund