Skip to main content

Sick Day: Parks and Recreation's Cast Shines in "Flu Season"

"Stop. Pooping."

The MVP award for last night's fantastic episode of Parks and Recreation ("Flu Season") goes to Rob Lowe, for his sensational delivery of the above two words as Chris succumbs to the virulent strain of flu infecting everyone in Pawnee.

Chris' ouright outrage and horror, upon learning that the "microchip has been compromised," is transformed into self-loathing and ultimately a complete and utter breakdown as he vomits into a drawer, makes friends with the hospital room floor, and manages to make would-be girlfriend Ann at ease with him for the first time during their nascent courtship.

But the heights that "Flu Season" reached (which, I might add, for all of their strengths are topped by other upcoming episodes this season) are due to the tremendous work being done by all of the members of Parks and Rec's talented ensemble.

For all of the scene-stealing done by Lowe here, there are standout moments for Aubrey Plaza (throwing her blankets on the floor and getting under Ann's skin), Chris Pratt (the super-straw; yanking the desk drawer off of its track), Nick Offerman (the giggle alone as Ron and Andy run off alone was worth the price of admission), Aziz Ansari (the spa scenes), and Rashida Jones (Ann's end-of-shift freakout at April).

But it was Amy Poehler's Leslie Knope who took the cake as she attempted to make her way to the "Chamber of Secrets" to make her presentation, creating a denim scarf out of her jeans, stealing powerful flu medication from her fellow convalescent patients, and generally behaving in a hysterically delirious fashion. (Two words: "Leslie Monster.")

But most comedies would have had Leslie deliver her speech in a stupor, having her wreck the moment with bizarre non sequiturs and fever-dream ramblings. Which is why Parks and Recreation has managed to establish itself as one of the smartest comedies on television, as it doesn't fall into this sitcom trope but instead inverts it, having Leslie step in and save the day with a brilliant speech about being a part of history, transforming her from a sick woman who believes the floor and the walls have switched places to an accomplished public speaker with the audience in the palm of her hands.

And that's really the magic of Poehler's Leslie Knope: her dynamic optimism comes from the heart. Unlike the vast majority of politicos or public servants, she means the words that she says and nothing, not even mind-altering illness, will stand in her way when the crunch arrives. Standing at the podium, Leslie is nothing less than perfect, nothing less than persuasive, and nothing less than the Leslie Knope that we know and love.

(It's also, perhaps, the moment where Adam Scott's Ben really sees Leslie for the first time.)

There is no "nope" for our Leslie, the eternal cockeyed optimist and big dreamer, and this week's episode went a long way to reaffirming just what makes the character tick. While the humor might come from Leslie's attempts at flight and evasion in the face of illness (loved the bit about her throwing up the Claritin), the episode truly soars when it lets Leslie be her passionate self, getting her to the podium with her red folder and her attempts to save the Parks Department.

When push comes to shove, this is a woman who you want in your corner, whether she's trying to save a pit (or a lot), a parks department, or pony-sized horse (watch "Harvest Festival" for that one). And that's a testament to both Poehler and the writers operating under showrunners Greg Daniels and Mike Schur: it's a rarity to have a character that can be both funny and sympathetic, brazen and compassionate, out-there and relatable, all of which Leslie embodies. It's even more rare when that character is the female anchor of an ensemble cast.

All in all, "Flu Season" was a fantastic episode that showcased the charm and skill of this fantastic comedy ensemble and managed to advance the plot, while giving a very pregnant Poehler plenty of tummy camouflage. And, as fantastic as this installment was, the third season of Parks and Recreation just gets better and better. Take it from someone who has now seen the first seven episodes no less than five times. This is one season--truncated though it might be--that you will want to watch again and again.

And I didn't even need to have any flu medicine to say that.

Next week on Parks and Recreation ("Time Capsule"), Leslie wants to bury a Pawnee time capsule, but an odd suggestion from a local man (guest star Will Forte) causes unforeseen consequences.


greebs said…
You had me at Meat Tornado.
CJ said…
I totally agree, this episode worked so well because it used everyone involved, and not only for comedy. The reason I think P&R is so enjoyable from week to week is that, generally, even if it's not hilarious it's either sweet or heartwarming. And there were moments of all three in abundance this week.

Andy and Ron's man-bonding was both hilarious and sweet, because you could tell how much they both wanted to have a guy friend around. Ben's comments after Leslie's miraculous speech - comparing her to Jordan and Gibson - were a nice heartwarming moment. And the final scene with April and Andy was a perfect way to end the episode. If the coming episodes really are better than this one, I may have a new favorite TV show on my hands.
CJ said…
By the way, I think this is the first time I've ever seen a sitcom have two legitimate sports discussions in an episode. First there was Ron and Andy discussing the Colts' ability to draft wide receivers, then Ben's comparisons to Jordan and Gibson, two of the most epic performances in their respective sports.

As a sports nut, I loved that they worked these in. I particularly liked the Pierre Garcon/Austin Collie discussion, because I feel like that's an actual conversation people would have in a small Indiana town.
Laz said…
The MJ flu game reference caused me to undulate with whimsy.

Popular posts from this blog

Katie Lee Packs Her Knives: Breaking News from Bravo's "Top Chef"

The android has left the building. Or the test kitchen, anyway. Top Chef 's robotic host Katie Lee Joel, the veritable "Uptown Girl" herself (pictured at left), will NOT be sticking around for a second course of Bravo's hit culinary competition. According to a well-placed insider, Joel will "not be returning" to the show. No reason for her departure was cited. Unfortunately, the perfect replacement for Joel, Top Chef judge and professional chef Tom Colicchio, will not be taking over as the reality series' host (damn!). Instead, the show's producers are currently scouring to find a replacement for Joel. Top Chef 's second season was announced by Bravo last month, but no return date has been set for the series' ten-episode sophomore season. Stay tuned as this story develops. UPDATE (6/27): Bravo has now confirmed the above story .

Have a Burning Question for Team Darlton, Matthew Fox, Evangeline Lilly, or Michael Emerson?

Lost fans: you don't have to make your way to the island via Ajira Airways in order to ask a question of the creative team or the series' stars. Televisionary is taking questions from fans to put to Lost 's executive producers/showrunners Damon Lindelof and Carlton Cuse and stars Matthew Fox ("Jack Shephard"), Evangeline Lilly ("Kate Austen"), and Michael Emerson ("Benjamin Linus") for a series of on-camera interviews taking place this weekend. If you have a specific question for any of the above producers or actors from Lost , please leave it in the comments section below . I'll be accepting questions until midnight PT tonight and, while I can't promise I'll be able to ask any specific inquiry due to the brevity of these on-camera interviews, I am looking for some insightful and thought-provoking questions to add to the mix. So who knows: your burning question might get asked after all.

What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous seas