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The Daily Beast: "Community: Season 4 of the NBC Comedy Ponders the End"

(Jordin Althaus/NBC/Sony Pictures) The absurdist comedy returns to NBC on Thursday after a lengthy delay and many behind-the-scenes changes, including the exit of creator Dan Harmon. Over at The Daily Beast, you can read my latest feature, " Community : Season 4 of the NBC Comedy Ponders the End," in which I review the fourth season of NBC's Community , which returns Thursday evening and after many behind-the-scenes changes. Does the show look and feel as it once did? Or does it feel as though not every came back from summer break? “What’s the deal, Jessica Biel?” Community, after an absence of what feels like five years and numerous timeslot and launch date changes, finally unveils its fourth season on Thursday. For the faithful, waiting this long to return to Greendale has been an arduous trial, particularly as curiosity is running high amid the many behind-the-scenes changes made since the show wrapped up its third season way back in May 2012. For one, seri

The Daily Beast: "House of Cards: Should You Binge-Watch Netflix’s Political Drama?"

Netflix just released all 13 episodes of its first original show. Having binge-watched all 13 episodes this weekend, I ponder whether the strategy behind House of Cards represents a new narrative format for television—and if it could backfire. Over at The Daily Beast, you can read my latest feature, " House of Cards : Should You Binge-Watch Netflix’s Political Drama?" in which I discuss binge-viewing and Netflix's strategy regarding House of Cards . Is this television's new narrative form? Bet you can’t eat just one. A lot has been written lately about consumer patterns and television, specifically the rise of what has been coined “binge-watching” or “binge-viewing,” the practice of marathoning an entire season or multiple episodes of a television show in a highly concentrated period of time. It might occur during a single evening or over the course of a weekend, but the notion of consumption is apt. Netflix, the streaming video service that started out as a d

The Daily Beast: "House of Cards: Inside Netflix's First Show"

Netflix is jumping into the original programming arena with a remake of the BBC miniseries ‘House of Cards,’ all 13 episodes of which will be available for streaming on Friday. I talk to David Fincher, Beau Willimon, and Kate Mara about the adaptation, Frank and Zoe’s twisted dynamic, television antiheroes, and more. Over at The Daily Beast, you can read my latest feature, " House of Cards : Inside Netflix's First Show, " in which I sit down with David Fincher, Beau Willimon, and Kate Mara (as well as Andrew Davies) to discuss Netflix's upcoming (and paradigm-shifting) original series, House of Cards, which launches Friday with all 13 episodes available same day on the streaming service. The quest for power knows no nationality or political allegiance. In House of Cards , the BBC’s seminal 1990 miniseries , based on the novel by Michael Dobbs, Ian Richardson’s Francis Urquhart is the Machiavellian chief whip of the Conservative Party in the days following Margar

The Daily Beast: "Keri Russell On The Americans, Sleeper Agents, Motherhood & More"

On FX’s The Americans , which begins Wednesday, Keri Russell plays a Soviet sleeper agent in 1980s suburban D.C. I talk with the former Felicity star about Russian spies, secret lives, and being a mom. At The Daily Beast, you can read my latest feature, "Keri Russell On The Americans , Sleeper Agents, Motherhood, and More," in which I sit down with Keri Russell to talk about FX Networks's new 1980s espionage drama The Americans (and why it's perhaps the anti- Felicity ), motherhood, and more. In the opening scene of The Americans, Joe Weisberg’s tense new 1980s spy drama, Soviet sleeper agent Elizabeth Jennings (Keri Russell) flirts with a middle-aged stranger in a Washington, D.C., bar. Donning a blond Pretty Woman-style wig and a short dress, Russell is nearly unrecognizable, convincingly transformed into a barfly who pretends to be turned on by a G-man’s security clearance. Elizabeth and her mark head to a hotel room, where she proceeds to seduce him in or

The Daily Beast: "30 Rock Wraps Up Seven Iconic Seasons"

Blerg. 30 Rock will end its seven-season run later this month, meaning that we'll have to say goodbye to Liz Lemon, Jack Donaghy, and the TGS crew... though the show's creator, Tina Fey, isn't going anywhere just yet. In this week's Newsweek (and over at The Daily Beast), you can read my latest feature, " 30 Rock Wraps Up Seven Iconic Seasons," in which I examine the comedic legacy that the show leaves behind. Back in 2006, one of the year’s most highly anticipated new shows was a roman à clef set at a Saturday Night Live–style sketch comedy show. No, it wasn’t Tina Fey’s 30 Rock, but Aaron Sorkin’s Studio 60 on the Sunset Strip, which also aired on NBC and died in 22 episodes. In fact, 30 Rock was very nearly canceled right out of the gate, with nearly half its 8.2 million viewers fleeing by the fourth week. But instead of being axed, 30 Rock became a sleeper hit. The show that gave us Liz Lemon and launched a thousand catchphrases (“Blerg!”) wraps up

The Daily Beast: "Mad Men: Creator Matthew Weiner Shares 10 Facts About Season 6"

Mad Men returns on April 7! I talk with creator Matthew Weiner about what to expect from Season Six of the period drama, from a time jump to Don and Megan’s marriage. Over at The Daily Beast, you can read my latest feature, " Mad Men : Creator Matthew Weiner Shares 10 Facts About Season 6," in which I talk to Mad Men creator Matthew Weiner about what lies ahead for Don Draper and the staffers of Sterling Cooper Draper Pryce in Season Six of AMC's Mad Men. Hold on to your period-appropriate hats: AMC’s Mad Men will return for its sixth season on Sunday, April 7 at 9 p.m. with a two-hour premiere, the network announced today. (The Emmy Award-winning drama will settle into its regular time at 10 p.m. ET/PT the following week, with an episode directed by series star Jon Hamm.) “To be able to continue exploring the stories of these characters for a sixth season is an amazing opportunity,” said series creator and executive producer Matthew Weiner in a statement. “We lo

The Daily Beast: "Parenthood: In Praise of Season 4, Monica Potter, and More"

Following the conclusion of the show’s fourth season, I examine NBC’s underrated Parenthood and offer why television needs a fifth season of this remarkable drama. Over at The Daily Beast, you can read my latest feature, " Parenthood : In Praise of Season 4, Monica Potter, and More," in which I sum up my feelings about the fourth season of NBC's Parenthood and praise the show's subtlety and bravery. Dry your eyes: it’s time to celebrate this season of NBC’s Parenthood, not to mourn it. The show’s fourth season, which concluded Tuesday night, was arguably its best to date, one that captured the emotional highs and lows of family life with bravery, subtlety, and realism. Overall, Season 4 was both somber and uplifting—often at the same time—depicting and playing with the notion of change, as seen through the adults and children of the sprawling Braverman family. Change, as we know, comes in many forms: from the pangs of puberty and the leap into adulthood to th