Comic-Con 2009: Who's In?

Written by Jace | Friday, July 10, 2009 | 8 comments »

With the schedule for San Diego Comic-Con ever so slowly making its way onto the official website (Thursday and Friday are up so far with scheduling for more days to be announced soon), I thought I'd ask once again this year: who's in for Comic-Con 2009?

Passes are once again impossible to purchase at this year's festival (with no on-site registration available for professions or press, no less), which boasts a lineup that includes panels for such series as Lost, True Blood, Chuck, Doctor Who, Flash Forward, V, Torchwood, 24, Bones, The Mighty Boosh, Eureka, Caprica, The Prisoner, Human Target, Dollhouse, Fringe, Psych, Stargate Universe, Smallville, Supernatural, Burn Notice, Robot Chicken, and a host of others. (Seriously, the list goes on and on this year.)

For my part, I'll be covering as many panels and press rooms as humanly possible and reporting from the convention as long as the WiFi connection holds. (My must-see panels this year: Lost, Caprica/BSG, True Blood, Doctor Who, The Mighty Boosh, and Entertainment Weekly's Wonder Women: Female Power Icons in Pop Culture with Elizabeth Mitchell, Kristin Bell, and Sigourney Weaver. Unfortunately, the Chuck panel lets out at the same time that Lost begins, making it rather tricky to negotiate...)

But I am curious to know: which panels are you attending and which are you most looking forward to? What are the must-have seats of this year's Comic-Con?

Discuss and see you in San Diego!

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Throughout its run, Eureka, which returns tonight to Syfy with the first of its back ten episodes of Season Three, has more or less offered a safe haven on television: a rather cozy yarn about a quirky town of scientists whose inventions often improve--as much as threaten--the lives of the populace of this idyllic berg.

That very relaxed, homey feel that so many of Eureka's fans gravitate towards often results in a decided lack of tension in the plots. And, you know what, that's okay. Not every series needs to be as mercilessly bleak as, say, The Shield. There's a place for a more homespun series that offers a winsome charm and snugness like Eureka.

Season 3.5 of Eureka picks up right where we last saw Jack Carter (Colin Ferguson) and the other assorted denizens of Eureka, with Jack cast out of his role as town sheriff, Jack's star-crossed would-be lover Allison (Salli Richardson-Whitfield) pregnant with her dead husband's child, and a surprised Henry (Joe Morton) taking over as mayor of Eureka.

I had the opportunity last week to watch the first two episodes of Season 3.5 or Eureka ("Welcome Back Carter" and "Your Face or Mine") and was struck by the way that the series continues to go its own way, refusing to conform to expectations about serialized plotting or losing its inherent optimism and aw-chucks allure.

This is a series that really shouldn't work and yet it does, even when it introduces some blatantly obvious solutions to the procedural mystery of the week (always involving some random scientist) or puts its lead through a physical and mental test of endurance that's jettisons him from the overarching plot. Even when Carter's not on screen, Colin Ferguson's presence is felt, an after-effect of his overwhelming charisma. Hell, even the introduction of a new sheriff in town--Men in Trees' Ty Olsson as robotic Sheriff Andy--does nothing to diminish Ferguson's hold on the viewers.

I have to say that I loved Olsson's turn as Andy here. He gives the robotic small town cop the appeal of a grinning copper straight out of Mayberry, only more impervious to destruction. That his first case would coincide with Carter's decision to leave for Eureka for good is the icing on the cake. Just when Carter thinks he's out... Despite being stripped of his clearance, Carter and Jo (Erica Cerra), who quits her gig when she's passed over for promotion in favor of a robot in a box, investigate the cause of the strange gravity wells popping up all over Eureka, a fact that Sheriff Andy doesn't seem too bothered about. (I do have to say that I was surprised by the reveal of the just who is behind the mystery.)

And Cerra herself gets a chance to shine when she holds down the season's second episode ("Your Face or Mine"), which is directed with skill by Ferguson himself. The Jo-centric episode features DNA-modification, virtual karaoke, a torch song from a smoking-hot Cerra, and some rather unexpected twists involving both Zane (Niall Matter) and Fargo (Neil Grayston).

All in all, Eureka isn't groundbreaking television but it does offer something that's definitely lacking in an era of gritty drama: an opportunity to escape to a happy, simpler time where small towns weren't filled with seedy underbellies of depravity and crime and where robots patrol the streets, fighting crime with a warm smile and a firm handshake. Or something like that, anyway.



Eureka kicks off Season 3.5 tonight at 9 pm ET/PT on Syfy.

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Welcome to your Friday morning television briefing. I was lucky enough to see an advance screening of upcoming film Julie & Julia last night and urge all you film-loving foodies to head out and watch it when it's released. Just make sure you eat beforehand!

Comedy Central has ordered ten episodes of an untitled multi-camera comedy series starring Jon Heder (Blades of Glory, Napoleon Dynamite). Project, about an unemployed IT specialist who returns to his smalltown to move in with his parents and younger brother, will be written by Will Ferrell, Adam McKay, and Chris Henchy. Series hails from Debmar-Mercury and Gary Sanchez and will have an initial run on Comedy Central; if it scores with audiences, another 90 installments will be automatically picked up with Comedy Central having the first window while Debmar-Mercury will sell the series into first-run syndication at the same time. (Variety)

ABC has announced that it will launch FTVS' internationally produced drama series Defying Gravity, which it acquired last week, on August 2nd at 9 pm with a two-hour premiere. The week after, Defying Gravity will move into its regular timeslot Sundays at 10 pm ET/PT. Series, which stars Ron Livingston, Laura Harris, Malik Yoba, Christina Cox, Florentine Lahme, Paula Garces, Eyal Podell, Dylan Taylor, Andrew Airlie, Karen LeBlanc, Zahf Paroo, and Maxim Roy, revolves around four male and four female astronauts from five countries who are on a mysterious six-year international space mission. Action will flash between their current mission and their rigorous training in the past. (via press release, Variety)

Gregory Smith (Everwood) will star opposite Missy Peregrym in Canadian police drama Copper, which will air Stateside on ABC. Smith will play Dov, a recent graduate from the police academy who attempts to make his way as a rookie cop. Elsewhere, Taylor Kinney (Fashion Show) has been cast as a regular on NBC's medical drama Trauma, where he will play Glen, an EMT that joins the rapid response team. (Hollywood Reporter)

SPOILER: Production on Season Four of HBO's sensational drama series Big Love begins August 13th and producers are on the hunt for two new recurring roles next season. Producers are looking to cast the roles Christie, the problem child daughter of Barb's sister Cindy who has been sent to Mormon Disciplinary Camp several times and who finds a seething jealousy towards new cousin Cara Lynn, and Dale, an closeted gay Mormon who is a partner at a big eight accounting firm and who becomes the new trustee of the Juniper Creek assets. (Spoiler TV)

The Chicago Tribune's Maureen Ryan has a absolutely fantastic piece on the power of San Diego Comic-Con and its enduring appeal. (Chicago Tribune's The Watcher)

MTV has given a series order to teen comedy Hard Times, which revolves around an unpopular fifteen year old whose, er, endowment is revealed in front of the whole school during a prank and instantly finds popularity. Project, written and executive produced by David Katzenberg and Seth Grahame-Smith, is being compared to a teen version of HBO's similarly-themed Hung. (Hollywood Reporter)

Syfy's launch for drama series Warehouse 13 drew 3.5 million viewers, making it the third most watched network series debut behind Stargate Atlantis (4.2 million) and Eureka (4.1 million). (Broadcasting & Cable)

E! Online's Watch with Kristin is reporting that Catherine Bell isn't leaving Lifetime's Army Wives anytime soon. "I'll tell you this. I'm still in South Carolina, and I was filming the show this morning," said Bell via telephone. "Frank and Denise struggle for a while. It's not over. There are some really, really wonderful scenes coming—there's going to be some more communication about this... There's some really cool stuff coming up where you see a different side of him and their relationship. There's some positive stuff. He's a big teddy bear, and Frank adores Denise. He's going to change a bit this season. You're going to see a different side of him, that's very exciting." (E! Online's Watch with Kristin)

Stay tuned.

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"If I'm going to sing like someone else, then I don't need to sing at all." - Billie Holiday

Confession: I wasn't crazy about the pilot episode of FOX's Glee, which the network aired in May as a teaser for a full series launch, kicking off this fall on September 16th.

But I'm an open-minded guy. So when FOX invited me to screen two episodes of Glee that will air this fall--the season opener ("Showmance") and the series' third episode ("Preggers")--I happily accepted the invitation in order to see if the series had fallen more in line with my own expectations of what it should be like.

I'm happy to say that it has.

These two episodes of Glee, each written and directed respectively by series creators Ryan Murphy and Brad Falchuk, have a better balance of darkness and light, humor and pathos, and an abundance of dry wit that I found a better fit than the pilot episode. (Hell, it's rather hysterically raunchy at times.)

Which isn't to say that Glee strays into the bleakness of Nip/Tuck territory because it doesn't. Tonally, these two installments display a better balance of cheerfulness and angst than displayed in the pilot episode and it's a balance that better suits my own cynical vantage point.

Assisting in this delicate tightrope walk is the supremely talented Jane Lynch, who embodies the sinister Sue Sylvester with a, well, gleeful abandon. I felt that Sue was too shallowly drawn in the pilot and was bordering on cartoonish, but I take that back completely after seeing Lynch's bravura performance in these episodes. Her Sue Sylvester is a seething morass of complex emotions, bitter vendettas, imagined slights, and raw ambition.

Sue moves more towards the forefront of the series, becoming an even bigger celebrity in their small town (look for a local news spot on the benefits of caning) as she makes bare her own motivations for wanting so terribly to succeed. I won't give any specific plot points away but I will say that Sue complicates things not only for Matthew Morrison's Will Schuester but for the Glee Club as a whole and her path to their destruction takes an intriguing and Machiavellian route that brings back a face from the pilot in a rather unexpected way.

That is, if the Glee Club doesn't implode from within first. There are some new tensions within the group that threaten to derail the work that the kids and Will have attempted to achieve in such a short time and Sue masterfully preys on everyone's weaknesses with cunning precision. The effect not only reveals their shortcomings and fears but also further deepens the characters.

As for the kids, they have their own issues to work out, including some rivalries that begin to rear their ugly heads among several members of the group, even as they attempt to lure in some new members by using sex as a recruitment tool, culminating with the painfully hilarious use of Salt 'n Pepa's "Push It." (Yes, folks, this must be seen to be believed.)

Elsewhere, look for Chris Colfer's Kurt Hummel to steal the series in a major way and make it impossible for you to stop singing Beyonce's "Single Ladies (Put A Ring On It)" round the clock. I'm told that each episode of Glee will focus on a different character and I think that's a very good thing when you have as diverse an ensemble cast as this one. The third episode puts the emphasis squarely on Kurt and the result is a sweet, funny, and surprising installment involving unitards, football, and dance routines.

And Will has enough on his plate including a romantic rivalry with Ken Tanaka (Patrick Gallagher) over adorable OCD-prone counselor Emma Pillsbury (Jayma Mayes), a second job, his manic (and maniacal) wife Terri (Jessalyn Gilsig), and dissension in the ranks of New Directions.

Will, er, Will keep it together? Will New Directions fail to move forward? Will Sue's plots come to fruition? Is Terri nuttier than a fruitcake? That would be telling but suffice it to say that there are some rather unexpected twists to come, including some major shockers that will have people very surprised by what's still to come.

All in all, if these two upcoming installments are any indication, Glee has found its footing among some fancy footwork, imaginative obstacles, and a winning juxtaposition of dark comedy, teen angst, and a technicolored heightened reality where anything would seem to be possible. It's made a grinning Glee convert of me and I can't wait to see what happens next.

Glee returns to FOX this fall on September 16th.

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I can't tell you how excited I was that Top Chef Masters finally returned to the airwaves last night after a far-too long two week hiatus.

The series has become a highlight in my telly-viewing week and last night's episode of Top Chef Masters ("Magic Chefs") was no exception as the four latest master chefs--Anita Lo, John Besh, Mark Peel, and Douglas Rodriguez--has to prepare a dinner for actor Neil Patrick Harris and his friends at Los Angeles' famed Magic Castle using the four elements of stage magic: surprise, illusion, spectacle, and mystery.

I was a guest at the Magic Castle, a private club for professional magicians, about two weeks ago and fell in love with the quirky charms of the place, a former mansion turned clubhouse and multi-staged venue where magic reigns supreme. It was only fitting then that our master chefs should have this unique location to use as a backdrop for their most magical meal yet.

So how did the cheftestants do? Let's discuss.

Before the magic-themed dinner, the masters had to fight their way through the Quickfire Challenge, a repeat of a favorite Top Chef challenge in which the chefs have to prepare a perfectly cooked egg with one hand tied behind their back.

The challenge, which recalls both Georges Auguste Escoffier and the more humbling aspects of this culinary competition series, really did put these chefs through their paces. I was surprised to see just how many of them really did underestimate the challenge at hand and didn't really consider timing or plating in advance. An egg is a delicate thing at the best of times and the thin line between a perfectly cooked oeuf and an overcooked one is transparent at best.

I have to say that I was majorly impressed with Mark Peel for attempting to make fresh pasta in such a brief time span as this... much less with one hand tied behind his back, a real Herculean feat if there was one. His dish was a truly ambitious one then: fresh duck egg pasta with an egg and olive oil cream sauce. I feel it would have been a hell of a lot more successful if he managed to get the olive oil in there and had more of a contrast with the fresh herbs. But still impressive.

Less impressive with John Besh, who completely underwhelmed with a slow-cooked egg in a miniature crock pot... that wasn't actually cooked. Besh, whom many pegged as a major player in this competition, scored only half a star for his single egg serving that was still uncooked on one side and lacked any components. Sad, really.

Douglas Rodriguez, on the other hand, prepared perfectly cooked scrambled eggs with ham and an open-faced corn cake that showcased precision, thoughtfulness, and an understanding of the task at hand. But it was chef Anita Lo who wowed the judges with her artful preparation of soft scrambled eggs and shiitake mushrooms with truffle oil and oyster sauce served in the eggshell. Just a dazzling display of ingenuity, playfulness, and art, really, and no surprise at all that Lo walked away with the top spot. That she constructed this amazing dish with one hand is what truly inspires. Well done, Anita!

As for the Elimination Challenge, the chefs would have to create dishes that embodied one element of magic, whether it be illusion, mystery, spectacle, or surprise, and serve it at the Magic Castle to guest judge Neil Patrick Harris and a collection of actors and magicians. Given that Harris is reputed to be a major fan of magic, I expected to see more enthusiasm from the How I Met Your Mother actor but he seemed rather low-key and quiet throughout the proceedings, which struck me as odd.

First up: Mark Peel's Mystery, which was a thai snapper en papillote served with garlic mashed potatoes and leeks. Heightening the mystery of what was in the parcel, Peel also offered up a ceramic spoon of scallion oil and Oassi sake. This dish could have easily backfired if the fish were overcooked (no way to check it without tearing into the pouch, after all, and Peel had let them sit before they went out into the dining room) but the result was a lovely surprise: perfectly cooked fish with gorgeous leeks and creamy mash, heightened by the slightly bitter flavor of the scallion oil.

John Besh's Surprise went a little askew though he did have the forethought to remember his surroundings and play up the theatricality of the setting, crafting a little magic of his own with a fresh horseradish and creme fraiche sorbet that he attempted to solidify using liquid nitrogen. This was a real gambit as it's hard to pull off a liquid nitrogen tableside serving. The Bazaar at the SLS Hotel here in LA does liquid nitrogen-frozen cocktails and it is hard work and time-consuming. Besh should have kept whisking for another five minutes at least to give the sorbet some body and solidity. As for the rest of the dish, he offered up three miniature servings: salmon tartare with a frozen cauliflower blini, salmon roe with the aforementioned sorbet and dill fronds, tempura-fried lobster wrapped in smoked salmon with micro-greens. The judges loathed the frozen blini, with James Oseland complaining that it gave him brain freeze. Ouch. The lobster, however, was perfectly cooked and the most successful of the three offerings.

Douglas Rodriguez's Spectacle tried to bring the pomp and circumstance one might expect from the magic but didn't quite hit the mark with his sterno-flamed coconut shells which did offer some spectacle but also some danger to eating his course. It was also a little too ambitious, to boot, with four preparations of duck on a single plate: there was an oyster ceviche with duck broth, empanada with foie gras and figs, a seared duck breast with butternut squash puree, and a duck soup with young coconut. Way too much going on on the plate, an overabundance of ingredients, and some confusion.

Finally, Anita Lo's Illusion, a crackling sand-based seascape that held up a braise daikon with kombu caviar that resembled a perfect scallop... but actually contained a steak tartare in its pearly depths. The addition of a shellfish stock in a small bowl added some salt and flavor to the tartare when poured over the top. Once again, I thought Lo did an incredible job of going beyond the brief to really wow in terms of presentation and flavor and she absolutely nailed the "illusion" part of the challenge. It was such a dead ringer for a scallop yet conceals such a different story on the interior that I would have been amazed if she didn't walk away with a spot in the champions round.

Sure enough, the judges felt the same way about Lo's Illusion, a perfectly crafted dish that captured the requisite magic and transformed a lowly daikon into a centerpiece of illusory power. I can't wait to see what she comes up with next...

What did you think of this week's episodes? Were the judges fair to give John Besh such low scores? Did you think Anita Lo deserved the top prize? What did you think of the chefs' performances? And was Neil Patrick Harris uncharacteristically quiet? Discuss.

Next week on Top Chef Masters ("Miniaturize Me"), four new master chefs--Michael Chiarello, Lachlan Mackinnon-Patterson, Nils Noren, and Rick Moonen--are tasked with reinventing junk-food classics and then later, they create three-course mini-meals for 100 guests. Plus, Flipping Out's Jeff Lewis and Jenni Pulos guest star.

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BBC One announced their fall line up of programs today, which includes the third (and likely final season) of the award-winning comedy series Gavin & Stacey and the latest Doctor Who special starring David Tennant (entitled "The Waters of Mars").

Also on tap for UK viewers this autumn: a slew of other programming that includes a new adaptation of Jane Austen's Emma, starring Romola Garai (Atonement), Jonny Lee Miller (Endgame, Melinda And Melinda), Michael Gambon (Harry Potter, Cranford), Tamsin Greig (Black Books, Green Wing), Robert Bathurst (Cold Feet), and Jodhi May (Einstein And Eddington, The Amazing Mrs Pritchard); the return of Peter Moffat's BAFTA-award winning thriller Criminal Justice, starring Maxine Peake, Matthew Macfadyen, Denis Lawson, Steven Mackintosh, Eddie Marsan, and Sophia Okonedo.

Also announced: family drama Framed starring Waking the Dead's Trevor Eve and Torchwood's Eve Myles; period legal drama Garrow's Law; fashion drama Material Girl, starring Being Human's Leonora Crichlow, Doctor Who's Dervla Kirwan, and Love Soup's Michael Landes; five-episode sci-fi series Paradox; and an adaptation of Andrea Levy's romantic novel Small Island from Paula Milne.

Below you'll find the official descriptions of both Doctor Who: The Waters of Mars and Gavin & Stacey's third season as well as a one-minute clip from Doctor Who: The Waters of Mars, which is expected to air in the UK in November.

Doctor Who – The Waters Of Mars

David Tennant returns as The Doctor in The Waters Of Mars, the second of four Doctor Who specials being screened on BBC One this year. He is joined by his cleverest and most strong-minded companion yet, Adelaide, played by acclaimed British actress Lindsay Duncan.

Adelaide is head of the Mars Base and doesn't take kindly to an uninvited appearance by The Doctor. Peter O'Brien, star of Neighbours, Flying Doctors and Casualty, also guest stars as Ed, Adelaide's second in command.

The Waters Of Mars is written by Russell T Davies and Phil Ford and is directed by Graeme Harper.



Gavin & Stacey

With four British Comedy Awards, two Baftas and a South Bank award to its name, Gavin & Stacey returns for a new series on BBC One.

As Gavin starts his new job, the move to Barry Island means big changes for the whole family. Pam and Mick have to adjust to an empty nest while Gwen's got a full house again. Stacey is in her element, but will this finally be the solution to the couple's long-distance problem? And how will Gavin take to living in Wales?

Smithy questions their friendship along with his own role as father – and with Dave Coaches on the scene and now engaged to Nessa, will Smithy find himself pushed out of the frame? How will life in a caravan work out for Nessa and her soon-to-be husband Dave?

Written by James Corden and Ruth Jones, Gavin & Stacey stars Mathew Horne, Joanna Page, Ruth Jones and James Corden, with Alison Steadman, Rob Brydon, Larry Lamb and Melanie Walters. Guest stars include Julia Davis, Adrian Scarborough, Steffan Rhodri and Sheridan Smith.

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Welcome to your Thursday morning television briefing.

Dollhouse creator Joss Whedon will write and direct the second season opener of the FOX drama. Meanwhile, Miracle Laurie--who played November/Mellie in Season One of Dollhouse WILL be returning for the sophomore season... in some form, anyway. "All I know for sure is that I'm coming back next season," Laurie told the Baltimore Sun. "I don't actually know in what form I'll be back. The writers are kind of teasing me…everybody knows but me." (Baltimore Sun, Twitter)

io9 speaks to Syfy vice president of original programming Mark Stern about the channel's rebrand and its promise to find the next big space opera along the lines of Battlestar Galatica or Firefly. "The next thing that I really want to do is find the next great space opera; it's been a long time," said Stern. "And we have Stargate, but that's really not that show. And Caprica isn't really that show. So where's the next Star Trek or Farscape? Let's find one of those... We don't want to do something that is the same old. You don't want it to feel recycled. So that's the challenge of doing that. I'm a huge fan of Firefly, and shows that take that idea and take that part of the genre and reinvent it in a whole new way. I'd love to find our version of, not specifically Firefly, but similar to what Joss [Whedon] tried to do with that in terms of, "lets recast the Western in space." Love that idea, and I love that show. What's another way to approach that?" (io9)

The Unusuals' Terry Kinney has been cast in Season Two of CBS' The Mentalist, where he will recur as Sam Bosco, "a by-the-book California Bureau of Investigations agent who heads up the division overseeing the Red John case." According to Entertainment Weekly's Micheal Ausiello, Bosco is an ex-lover of Lisbon (Robin Tunney) as well as her mentor and "[t]he two share a deep, dark secret!" (Entertainment Weekly's Micheal Ausiello)

In other Dollhouse-related news, The Chicago Tribune's Maureen Ryan reports that the missing thirteen episode of Dollhouse's first season, entitled "Epitaph One," will be available for download on iTunes beginning August 11th. The episode will NOT be available via Hulu. (Chicago Tribune's The Watcher)

CSI creator Anthony Zuiker's Dare to Pass shingle has signed a new two-year first-look deal with CBS Television Studios, under which he will develop scripted and unscripted series. "Making a one-off TV show is not going to sustain a real business anymore," said Zuiker. "It starts with a great TV show, but then becomes a 24/7 experience. It's Web, mobile, gaming. From device to device to device." (Variety)

FOX has given a script commitment with a penalty to an untitled dramedy project, from Greg Malins (How I Met Your Mother) and mystery novelist Harlan Coben, about a psychotic former private investigator with a lack of inhibitions (the result of a bullet wound to his frontal lobe) who teaches a university criminology class in Los Angeles and solves crimes with his graduate students. Project hails from 20th Century Fox Television, where Malins has an overall deal. (Hollywood Reporter)

Bravo has announced an August 26th start date for Top Chef: Las Vegas and unveiled the seventeen contestants competing for the title next season as well as the guest judges, who include such notables as Natalie Portman, Wolfgang Puck, Daniel Boulud, Tyler Florence, Penn & Teller, and Nigella Lawson. (Televisionary)

Eric McCormack (Trust Me) will guest star in an upcoming episode of NBC's Law & Order: Special Victims Unit. He'll appear in next season's second episode as a handsome sugar daddy. (Entertainment Weekly's Ausiello Files)

More off-net sales for NBC comedy 30 Rock following a deal between NBC Universal Domestic Television Distribution and FOX and Tribune station groups on an all-barter basis, with the series launching in fall of 2011. 30 Rock will be "double-run six days a week in access and late-fringe time periods," with NBC Universal getting three minutes of ad time and local stations getting four minutes. (Broadcasting & Cable)

Lifetime has unveiled the identities of the contestants for Season Six of Project Runway, which makes its long-delayed debut on the cabler on August 20th following a protracted legal battle with rival cabler Bravo. (Hollywood Reporter)

Lifetime has acquired rerun rights to CBS' The New Adventures of Old Christine after it closed a deal with studio Warner Bros. Television for roughly $350,000 per episode for the series as well as a barter agreement that will see the cabler hand over 90 seconds of advertiser time. Series will debut on Lifetime in fall 2010. (Variety)

BBC America has announced the US premiere date for Season Three of teen drama Skins, which will kick off on Thursday, August 6th at 9 pm ET/PT. (via press release)

NBC opted to shift its newest reality series The Great American Road Trip to Mondays at 8 pm, less than 24 hours after it launched the series. Repeats of America's Got Talent will take over the Tuesdays at 8 pm timeslot. (Futon Critic)

Stay tuned.

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Best news of the day: Bravo has announced a launch date for the sixth season of Top Chef, entitled Top Chef: Las Vegas, and it's a hell of a lot earlier than I anticipated.

Cabler Bravo announced this morning that it will kick off the sixth season of the culinary competition series on Wednesday, August 26th at 10 pm ET/PT and announced the seventeen-member cast for Top Chef: Las Vegas.

Meanwhile, judges Tom Collichio, Gail Simmons, Toby Young, and host Padma Lakshmi are all on board for the Vegas-based edition and we can look forward to such guest judges as Natalie Portman, Wolfgang Puck, Daniel Boulud, Tyler Florence, Penn & Teller, and Nigella Lawson. (Yes, you read that correctly: NIGELLA LAWSON!!!)

UPDATE: The full press release from Bravo, along with official bios for the Top Chef: Las Vegas contestants and video, can be found below.

Video: Chef Introductions
Get introduced to the chefs that will be competing on this season.



Video: The Judges on the Sixth Season
The judges share their thoughts on this exciting season in Las Vegas.



THE "STEAKS" ARE HIGHER IN SIN CITY ON BRAVO'S
"TOP CHEF: LAS VEGAS" WED. AUGUST 26 AT 9 PM ET/PT

17 New Chefs Rack It Up Along With Guest Judges And Stars
Natalie Portman, Wolfgang Puck, Daniel Boulud, Tyler Florence,
Penn & Teller And Nigella Lawson


NEW YORK – July 8, 2009 – What happens in Vegas won't stay in Vegas. The sixth season of the No. 1 food show on cable, Bravo's Emmy and James Beard Award-winning series returns with "Top Chef: Las Vegas," premiering Wednesday, August 26 at 9 p.m. ET/PT. The 17 new chef'testants take on Sin City this season to see if they have what it takes to become Top Chef. And for the first time ever – the series has a set of brothers competing against each other.

This season captures Sin City's high stakes and high rollers in addition to exploring what Vegas has to offer beyond the Strip. Some of the top names in food, movies and entertainment including Wolfgang Puck, Todd English, Natalie Portman, Daniel Boulud, Penn & Teller, Hubert Keller, Laurent Tourondel, Tim Love, Michelle Bernstein, Tyler Florence, Charlie Palmer, Paul Bartolotta, Nigella Lawson and Jerome Bocuse will be featured this season on "Top Chef: Las Vegas."

Once again returning to the kitchen, cookbook author, actress and host Padma Lakshmi presides over the judge's table alongside head judge Tom Colicchio, renowned culinary figure and chef/owner Craft Restaurants, and judges Gail Simmons, of Food & Wine magazine and Toby Young, food critic and best-selling author of the book How to Lose Friends and Alienate People.

"Las Vegas has become a culinary destination – some of the world's best chefs and restaurants are here – so it's only fitting that our newest season was the best yet," said Colicchio. "You'll be surprised by the quality of chef'testants we discovered this season. They really raised the bar."

The Emmy-nominated Magical Elves return to produce "Top Chef: Las Vegas." Dan Cutforth, Jane Lipsitz ("Top Chef Masters," "Project Runway," "Top Design"), Liz Cook and Casey Kriley serve as executive producers. Nan Strait serves as co-executive producer.

The 17 "Top Chef: Las Vegas" chef'testants will be whittled down week by week as they compete to outshine their competition. The winning chef will receive $100,000 furnished by the makers of the Glad family of products, $100,000 of merchandise provided by Macy's, a feature in Food & Wine magazine, a showcase at the Annual Food & Wine Classic in Aspen and will earn the title of "Top Chef." The M Resort Spa & Casino served as the production location for "Top Chef: Las Vegas."

Following are the 17 new "Top Chef: Las Vegas" chef'testants:

-Ash Fulk, 29 – Hometown: Pleasant Hill, Calif.; Resides in New York City
-Ashley Merriman, 32 – Center Sandwich, N.H.; Resides in Seattle, Wash.
-Bryan Voltaggio, 33 – Hometown: Frederick, Md.; Resides in Urbana, Md.
-Eli Kirshtein, 25 – Hometown/Resides in: Atlanta, Ga.
-Eve Aronoff, 40 – Hometown/Resides in: Ann Arbor, Mich.
-Hector Santiago, 41 – Hometown: San Juan, Puerto Rico; Resides in Atlanta, Ga.
-Jennifer Carroll, 33 – Hometown/Resides in: Philadelphia, Pa.
-Jennifer Zavala, 31 – Hometown: Cromwell, Conn.; Resides in Philadelphia, Pa.
-Jesse Sandlin, 30 – Hometown/Resides in: Baltimore, Md.
-Kevin Gillespie, 26 – Hometown/Resides in: Atlanta, Ga.
-Laurine Wickett, 38 – Hometown: Rochester, N.Y.; Resides in San Francisco, Calif.
-Mattin Noblia, 29 – Hometown: Biarritz, France; Resides in San Francisco, Calif.
-Michael Isabella, 34 – Hometown: Little Ferry, N.J.; Resides in Washington, D.C.
-Michael Voltaggio, 30 – Hometown: Frederick, Md.; Resides in Los Angeles, Calif.
-Preeti Mistry, 33 – Hometown/Resides in: San Francisco, Calif.
-Robin Leventhal, 43 – Hometown: Sun Valley, Idaho; Resides in Seattle, Wash.
-Ron Duprat, 40 – Hometown: Mare Rouge, Haiti; Resides in Hollywood, Fla. and Naples, Fla.

Bravo's "Top Chef" offers a fascinating window into the competitive, pressure-filled environment of world-class cookery and the restaurant business at the highest level. The series features seventeen aspiring chefs who compete for their shot at culinary stardom and the chance to earn the prestigious title of "Top Chef." Each episode holds two challenges for the chefs. The first is a quickfire test of their basic abilities and the second is a more involved elimination challenge designed to test the versatility and inventiveness of the chefs as they take on unique culinary trials such as working with unusual and exotic foods or catering for a range of demanding clients. The challenges not only test their skills in the kitchen, but also uncover if they have the customer service, management and teamwork abilities required of a Top Chef. The competing chefs live and breathe the high-pressure lifestyle that comes with being a master chef and each week someone is asked to "pack up their knives" and go home.

This season, BravoTV.com is taking a page from one of "Top Chef''s" most beloved challenges and is reinventing the classics. Fans will find the "Top Chef Fantasy Game," "Memory Match," "Rate the Plate," and blogs from judges and contestants old and new. But this season, BravoTV.com is also bringing some changes – "Top Chef: New York's" Italian Stallion Fabio Viviani will be host to this season's "Top Recipe," where viewers learn to cook each episode's winning recipe. Two new webisode series will also debut – "Guest Judges: Strip'd" where fans can get more intimate with guest judges, learning about their personal styles and backgrounds; and a new series with the chefs out on the town in Las Vegas, where viewers get a peek into the chefs' lives outside the kitchen.

"Chef" fans can also visit m.bravotv.com from their web-enabled phone for exclusive content including contestant and judge Q&A's, photo diaries, foodie faves, video clips, wallpapers and ringtones. Fans who text CHEF to 27286 can join the Top Chef mobile fan club and receive behind-the-scenes dish and exclusive interactive content from the chef'testants, hosts and judges. A new exclusive mobile video series hosted by Toby Young pits the Las Vegas contestants against each other to win the "Slice & Dice Showdown." Contestants are grouped into two teams and led by brothers Bryan and Michael to compete in foodie challenges and earn points culminating in the ultimate dessert bake-off.

"Top Chef" has steadily increased audiences season-to-season, debuting in March 2006 to critical acclaim and ratings success, returning with season two in October 2006 which averaged over two million total viewers, then season three which premiered on June 2007 finished out the season averaging over 2.5 million viewers. Most recently season four which premiered in March 2008, averaged over three million viewers and finally, season five, "Top Chef: New York," was the series' highest rated season ever, averaging almost three million adults 18-49 and almost four million total viewers, according to Nielsen Media Research. Additionally, the season five finale was the highest rated telecast ever for the series among adults 18-49 and total viewers (with almost five million).

Top Chef: Las Vegas premieres Wednesday, August 26th at 10 pm ET/PT on Bravo.

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I'm not quite sure why British comedy series Peep Show hasn't caught on like gangbusters here in the States.

Created by Jesse Armstrong, Sam Bain, and Andrew O'Connor, Peep Show stars comedic duo David Mitchell and Robert Webb (of That Mitchell and Webb Look fame) as two flatmates who haven't quite come to grips with their adulthood, their manhood, or their tenuous grip on reality.

BBC America aired the first two seasons of the painfully hilarious series a few years back and then stopped showing the series for some reason, even as it went on to film three additional seasons, with a sixth expected this fall and a seventh on track for next year. (Hulu, meanwhile, is currently streaming the first season of this hysterical series.)

This summer, I decided to sit down and watch Peep Show's entire five season run so far on DVD, the spoils of a trip over to the United Kingdom, in part to see if it was as good as I remembered and to find out what had happened to Mark (David Mitchell) and Jez (Robert Webb) since I last saw them.

I breezed through all five seasons of Peep Show this summer with gleeful abandon. If you know anything about the series (and if you don't, I've included the first two episodes in full below), you know that it hails from the same school of painful humor as the original British version of The Office. You can't help but wince and indeed cringe (and sometimes watch from behind your fingers) even as you're laughing uncontrollably.

Because each episode is told from the alternating point of view of both Mark and Jez, it's hard not to sympathize with their predicaments as we're privy to their innermost thoughts and fears... and odd little (or not so little) eccentricities. In another series, we might find their behavior abhorrent or even criminal; here, it's par for the course as we're dragged along for the ride, forced to hear the boys justify their mad ideas to themselves.

As for Mark and Jez themselves, they are an odd couple from the classic book of odd couples. Mark is a fastidious credit manager at JLB Credit, a man whose idea of living it up is to follow wheat toast with a slice of white toast ("the pudding," he calls it) and pining after his co-worker Sophie (Olivia Colman). Jez is a wastrel wannabe musician with a penchant for drug-induced mischief and a terrible, terrible taste in women, whether it be their married neighbor Toni (Elizabeth Marmur), the wealthy but manic Big Suze (Sophie Winkleman), or manipulative American flirt Nancy (Rachel Blanchard).

One might think on the surface that Jez is the true sociopath of the bunch but over the course of five seasons Mark engages in a host of bizarre behavior that makes one question his very sanity... or his grip on social convention. Together, they are a morass of immoral thought, action, and impulse. Yet it's hard not to fall for them, even as they squabble over anything and everything. They can be the best of friends (witness their El Dude Brothers routine) or the very worst of enemies (keep an eye out for an episode in which Jez keeps a stomach flu-suffering Mark a prisoner).

There's a surreal and heightened quality to the series that makes it a real treat, even as it satirizes the mundane elements of everyday life. What other series would have its protagonist peeing in the desk drawer of a rival (only to try to cover up the evidence) and have him terrorized by hooded juveniles in the streets?

Peep Show feels both contemporary and timeless in a way. Mark and Jez are very much living in our material-obsessed world but the humor that's derived from the awkward and uncomfortable situations they find themselves in (often of their own making) is universal. Who can't remember the sting of unrequited love? Or recall the sensation of having done something terrible while under the influence of some excessive indulgence? Or sympathize with the wracking guilt experienced after engaging in some morally complicit behavior?

Yet the real fun of the series is watching Mark and Jez stumble blindly into those very situations, often with the help of their so-called friends and colleagues. (Super Hans, I am looking right at you.) Even as you scream at the pair to stop whatever it is they are doing, the humor on Peep Show has a way of escalating at an alarming rate, taking you from merely uncomfortable territory to a downright squeamish kingdom of painful hilarity. Writers Bain and Armstrong have an uncanny knack for pushing these situations past their seeming breaking point to create a comedy that's often shocking in its scale.

But don't take my word for it. Watch the first season of Peep Show on Hulu and experience one of the very best comedies to come out of Britain in recent years and possibly the best series that's--very oddly--not currently on the air in the States. Once you peak into the depraved minds of Mark and Jez, you might not want to leave your house again, both for fear of who you might run into on the street and also because, like Super Hans, you'll want another fix straightaway.

Peep Show: "Warring Factions" (Season One, Episode One)



Peep Show: "The Interview" (Season One, Episode Two)



Peep Show returns to UK screens this fall with a sixth season on Channel 4.

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Talk Back: Syfy's "Warehouse 13"

Written by Jace | Wednesday, July 08, 2009 | 8 comments »

Enchanted combs. Houdini's wallet. A warehouse filled with arcane objects with mysterious power.

I'm talking of course of Syfy's new series Warehouse 13, which kicked off last night amidst the network's metamorphosis from Sci Fi to, well, Syfy.

You read my advance review of the two-hour pilot of Syfy's Warehouse 13 but, now that it's aired, I am curious to hear what you think. (Missed the two-hour pilot? You can watch the whole thing over at Hulu or after the jump.)

What did you think of the partnership between Eddie McClintock and Joanne Kelly's mismatched Secret Service agents Pete Lattimer and Myka Bering? Was it more Philadelphia Story than X-Files? Were you intrigued by the sci fi-lite plot that had these two becoming custodians for a repository of powerful objects with seemingly supernatural abilities? Or were you turned off by the glacial pacing? Are you enamored with Saul Rubinek's manic Artie? Did you find the concept refreshing or repetitive?

And, most importantly, will you tune in again next week to watch?

Talk back here.



Next week on Warehouse 13 ("Resonance"), Pete (Eddie McClintock) and Myka (Joanne Kelly) must team up with an FBI agent (guest star Tricia Helfter) in order to stop a team of bank robbers who have an unusual weapon: a LP record of an unreleased pop song written by a music genius that causes instant bliss in those who hear it, allowing the thieves to take what they want. Back at the Warehouse, Artie (Saul Rubinek) pinpoints the breach and heads to Washington.

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Hoping to catch another glimpse at Community and Parenthood? Look no further.

With fall nearly upon us, NBC has today released new promos for two of its new series, Community and Parenthood, both of which launch this fall on NBC. The promos can be viewed in full below.

(Meanwhile, you can read my glowing advance review of the full Community pilot episode here.)

COMMUNITY:

Greendale Community College would like to welcome you.



Community, Thursdays this fall on NBC.

PARENTHOOD:

Parenthood is... a many-not-always-so-splendoured thing.



Parenthood, Wednesdays this fall on NBC.

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Welcome to your Wednesday morning television briefing.

Liz Lemon still has a lot of life left in her yet. Universal Media Studios was able to negotiate a payout of roughly $800,000 per episode of 30 Rock from two separate off-network deals to Comedy Central and WGN America. Both channels will be able to begin airing the episodes as a weeknight strip in fall of 2011. "Pound for pound, this is one of the funniest shows on TV. The DNA of the show is fabulous," said Comedy Central's SVP of programming David Bernath. "I really believe its biggest and broadest days are still ahead of it on NBC." TBS and E! were also said to have had interest in picking up the off-net rights to 30 Rock. (Variety)

Andrea Bowen is set to reprise her role as Julie when Desperate Housewives returns for a sixth season this fall but Entertainment Weekly's Michael Ausiello is reporting that Bowen will be back in a major way: as a series regular, citing an unnamed insider with Desperate Housewives as a source. "Bowen vanished from Housewives at the end of season 4, a casualty of the show's four-year flash forward," writes Ausiello. "She briefly returned last season when Julie, on break from college, announced that she was dating her 40-year-old professor Lloyd (Steven Weber). It's not clear if he'll be accompanying her back home, but I'm guessing not." (Entertainment Weekly's Ausiello Files)

Meanwhile in other Desperate Housewives news, Maiara Walsh (Cory in the House) has joined the cast of the ABC drama as a series regular, where she will reprise her role as Ana, the "gorgeous and manipulative niece" of Carlos (Ricardo Chavira), who moved in with the Solises last season. She previously appeared in the final two episodes of Desperate Housewives last season. (Hollywood Reporter)

Following news that Jane Lynch won't be returning for Season Two of Starz's comedy Party Down, E! Online's Watch with Kristin is reporting that producers are looking to cast the role of Lydia, a new series regular who can be any ethnicity other than white and at least 38 years old. In a casting call, Lydia is described as "a recently divorced stage mom who has moved out to L.A. from a small town with her daughter and is very upbeat and optimistic about breaking her daughter into the industry. As a newly single woman adrift in the big city, her thoughts are never far from the matter of reeling in a new man, but things never seem to work out. Her constant love troubles never get her down, it just means more to talk about with her Party Down colleagues..." (E! Online's Watch with Kristin)

FOX has pushed the launch of Season Two of Dollhouse back a week to Friday, September 25th at 9 pm ET/PT and will instead rebroadcast the season premiere of Glee on September 28th. Meanwhile, The Moment of Truth returns on Wednesday, August 5th at 9 pm ET/PT. (Futon Critic)

Lost's producers are looking for your take on the iconic series' theme song (currently consisting of, um, one note) as part of a competition coinciding with the series' Comic-Con panel later this month in San Diego. "The Lost producers want all you musicians out there to compose and submit a Lost theme song," writes E! Online's Jennifer Godwin. "The winning entry will be premiered to 7,000 screaming fans in Hall H during Lost's Saturday panel at San Diego Comic-Con, on the fifth anniversary together of our time together as show and fandom." (E! Online's Watch with Kristin)

BBC One has commissioned and third and final season of drama Mistresses, which will return for a short run of four episodes in order to wrap up the series' storylines. "Mistresses: The Last Act is a final four part special event that will bring the stories of the four mistresses to a dramatic conclusion on BBC1 next year," said BBC drama commissioning controller Ben Stephenson. "Simply and elegantly book ended by a mysterious glimpse into the future, all the four women will be returning - Katie, Trudi, Siobhan and Jessica - with new and sometimes shocking stories." (Broadcastnow)

Bravo has ordered a third season of The Real Housewives of New York City, with production set to begin this fall. (Variety)

Entertainment Weekly's Michael Ausiello is reporting that CBS will kick off CSI: Miami's eighth season with an origin story that shows how the team came together in 1997. "It's my understanding that the episode will be told from the point of view of a comatose Delko (Adam Rodriguez), who flashes back to his first murder case with the Miami-Dade PD," writes Ausiello. "Delko, of course, was critically wounded in the season finale." (Entertainment Weekly's Ausiello Files)

Lionsgate Television has forged a joint venture with Marty Adelstein and Jon Kroll's Lost Marbles that will focus on unscripted programming, specifically new reality formats that they can export to territories around the world. Under the two-year deal, Lionsgate will provide overhead and financing as well as distribution in exchange for a profit stake in any projects Lost Marbles produces. Their first project is an untitled reality series that will pit celebrities against disabled people in a variety of challenges. (Variety)

Stay tuned.

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