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Showing posts with the label Place of Execution

Weekend Telly Reminder: USA's "White Collar," PBS' "Place of Execution"

Just a quick reminder to be sure to take a break from your Halloween festivities to tune in to two of the weekend's best television offerings. Tonight, be sure to catch USA's crime procedural White Collar , which airs its second episode at 10 pm ET/PT. Neal and Peter infiltrate New York's Fashion Week to stop a criminal from selling security data that is stored on a piece of technology woven into the fabric of a runway dress. Given that White Collar is already one of the most gorgeously stylish series on television, the addition of a sartorial-themed plot can only be the icing on top. While not forgetting of course about HBO's comedy duo of Curb Your Enthusiasm and Bored to Death and CBS' The Amazing Race , be sure to tune into Part One of PBS' extraordinary mystery mini-series Place of Execution on Masterpiece Contemporary on Sunday evening. (Check your local listings for details.) You can read my advance review of the two-part mystery , which I called &quo

Finding Alison: An Advance Review of "Place of Execution" on PBS' "Masterpiece Contemporary"

Every now and then a mini-series comes along that just sucks you in by the sheer force of its spellbinding story. Such is the case with the sensational British mini-series Place of Execution , airing Stateside in a two-episode format that begins this Sunday as part of PBS' Masterpiece Contemporary . From its haunting opening minutes to the truly and horrifically shocking final scenes, Place of Execution is a thriller which will remain with you long after the closing credits have rolled. Anchored by three incredible performances, Place of Execution --written by Patrick Harbison and Val McDermid (and based on the latter's novel) and directed by Daniel Percival--takes place both in the present-day as well as in 1963 rural England as two very different investigators explore the disappearance of a 13-year-old girl who vanished without a trace one winter afternoon in 1963. Told in two overlapping and interlocking plots, the story telescopes outwards from that fateful day to ensnare