Showing posts with label ABC. Show all posts
Showing posts with label ABC. Show all posts

16 July 2008

Casting Couch: Amy Poehler to "Office" Non-Spinoff; Marcia Gay Harden Finds "Damages"

The, er, non-spinoff spinoff of The Office from Office executive producers Greg Daniels and Mike Schur just got a hell of a lot more interesting.

Saturday Night Live's Amy Poehler is said to be in negotiations to join the cast of the untitled comedy opposite the previously announced Aziz Ansari, who was cast in the project last month.

Confirming news I had heard from someone close to the production, the untitled comedy series will NOT be a spin-off as previously announced at the NBC Upfronts by Ben Silverman but will in fact be a completely separate series, which will not utilize any existing or forthcoming characters on The Office but remain its own entity.

I think Poehler is a fantastic choice for this new series, whatever the premise might eventually be. I'm hoping that she actually is the de facto series lead as television needs more female lead actors in comedy series to join the current troika of Julia Louis-Dreyfus, Tina Fey, and Mary-Louise Parker. While there were no indications of who or what Poehler will play, I know that she'll bring her fantastic comedic timing, penchant for deadpan humor, and snarky attitude to whatever this series ends up being.

Now if Daniels and Co. could just lure Poehler's hubby Will Arnett to the mix, I'd set up my TiVo Season Pass right now.

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In other casting news, Marcia Gay Harden (Into the Wild) has joined the cast of FX's Damages for its sophomore season. She'll play a high-powered attorney who opposes Glenn Close's Patty Hewes on a high stakes case and will recur throughout the season.

Returning to the series (SPOILER ALERT!): Ted Danson, who will turn up in Season Two as the delightfully malevolent Arthur Frobisher, who clearly survived the gunshot that seemed to fell him in the first season's taut season finale last year. Danson is set to appear in several episodes of Damages' second season.

Damages has been a role lately, racking up some A-list talent for its second season, including Harden, Timothy Olyphant, and William Hurt (who, coincidentally, also appeared in Into the Wild, opposite Harden).

I think Harden will be a fantastic addition to the cast and I'm still curious to check out the pilot presentation she filmed for CBS this season, The Tower, which is currently sitting in a pile of unwatched pilot DVDs by my television set.

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Finally, ABC's remake of Brit series Life on Mars has finally found its Chris Skelton.

Life on Mars, which stars Jason O'Mara as Detective Sam Tyler who seemingly travels back in time to 1973 while on the hunt for a serial killer who has kidnapped his police colleague/lover, is currently being rejiggered by October Road creators Josh Appelbaum, Scott Rosenberg, and Andre Nemec.

They've enlisted former October Road cast member Jonathan Murphy for their new series venture. Murphy will play the wet-behind-the-ears and naive newbie cop Chris Skelton (a role played by the fantastic Marshall Lancaster in the BBC original) in the US version of Life on Mars.

Stay tuned.

What's On Tonight

8 pm: Big Brother 10 (CBS); Baby Borrowers (NBC); America's Next Top Model (CW); Wife Swap (ABC); So You Think You Can Dance (FOX; 8-10 pm)

9 pm:
Criminal Minds (CBS); Baby Borrowers (NBC); Pussycat Dolls Present: Girlicious (CW); Supernanny (ABC)

10 pm: CSI: New York (CBS); Celebrity Circus (NBC); Primetime: Crime (ABC)

What I'll Be Watching

9 pm: Project Runway on Lifetime.

Season Five (the final season on Bravo) of Project Runway begins tonight with sixteen unsuspecting designers thrown into the deep end. On tonight's episode, they'll have to create clothing from unusual sources... as though that's anything new for the sartorial showdown.

14 July 2008

Christopher Gorham Leaves "Betty," Takes Trip to "Harper's Island"

Buh-bye, Henry.

That's the word from ABC this morning as Ugly Betty co-star Christopher Gorham, who plays Betty Suarez's hapless romantic interest Henry, has signed on to star in CBS' midseason slasher drama Harper's Island.

Gorham will replace Ryan Merriman (Veritas: The Quest), who appeared in the original pilot presentation of Harper's Island. Gorham will play groom Henry Dunn, whose friends and family depart for a destination wedding on the bride and groom's island childhood home, only to be picked off one by one at the hands of a psychotic killer, long thought killed by the island's sheriff... who happens to be the father of wedding guest Abby (Elaine Cassidy), Henry's best friend whose mother was one of the killer's victims during their childhood. (A nice cheery series, no?)

Personally, I loathed the original pilot script and thought that the pilot presentation that CBS assembled (which was basically a chunk of scenes from the pilot script and then random scenes from the rest of the season) was absolutely amateurish and laughably bad. Producers brought in Jeffrey Bell (Angel) to tweak things and, at least, the recastings are a step in the right direction.

As for Gorham, his departure from Ugly Betty--which he joined during the series' first season--leaves no mystery to the resolution (for now anyway) of the love triangle between Henry, Betty, and Gio (Freddy Rodriguez).

But don't count on Betty having selected sandwich maker Gio either. Rodriguez, who is set to appear in several features, will only appear in one episode of Ugly Betty next season.

So who will be the main love interest for Ms. Suarez in the upcoming third season of Ugly Betty, set to launch on ABC this fall? Signs currently point to Val Emmich (Cashmere Mafia), who was cast last week in the dramedy as a recurring character and--you guessed it!--a romantic interest for our girl Betty.

I can't say that I'm sad by the way things have turned out. Ugly Betty got far too mired in the whole irritating Henry-Betty-Charlie-Gio storyline and I thought that Henry getting his ex-girlfriend Charlie pregnant wasn't the best route to take his character, especially when the producers injected a possible plotline in which the child wasn't Henry's after all... only to take that back in the end. As for Gio, I know some of you out there loved his relationship with Betty but I found it absolutely unbelievable that he would be interested in her and didn't think the writers did a very good job of keeping him in Betty's orbit once he lost his job at Mode.

What do you think? Are you happy to see both Henry and Gio go? Or are you upset that Betty won't end up with either of them? Discuss.

09 July 2008

McKidd to Seattle Grace?

One of the biggest disappointments last season was that NBC's trippy sci-fi/time travel/romantic drama Journeyman failed to pay off the promise in its pilot and, after sliding ratings, was canned after twelve episodes.

I had predicted that Journeyman would be a breakout series for lead Kevin McKidd (Rome) but he's been pretty quiet since the drama was axed at the end of last year. So what is McKidd up to these days?

Entertainment Weekly's Michael Ausiello (still can't get used to saying that) claims that McKidd is in talks with the producers of ABC's ratings juggernaut Grey's Anatomy to join the cast as a doctor who signs up at Seattle Grace after a stint with the army in Iraq.

I'm thrilled to see McKidd working and think that the producers may have cannily cast him in an effort to bring his diverse fans to Grey's Anatomy. While I think he'll be a good fit for the medical series, I do wish that the producers on another ABC drama had managed to grab him for their own series.

Which series am I thinking of? Well, wouldn't McKidd just be absolutely ideal as a cast member on, say, Lost? I could definitely see him as a member of the Others or Charles Widmore's island-seeking outfit and McKidd's intensity--so well used during his tenure on Rome--would be right at home alongside that of Matthew Fox, Michael Emerson, and Terry O'Quinn.

Just a thought if the bed-hopping and suturing at Seattle Grace don't suit.

Stay tuned.

What's On Tonight

8 pm: Price is Right Million Dollar Spectacular (CBS); Baby Borrowers (NBC); America's Next Top Model (CW); Wife Swap (ABC); So You Think You Can Dance (FOX; 8-10 pm)

9 pm:
Criminal Minds (CBS); Baby Borrowers (NBC); Pussycat Dolls Present: Girlicious (CW); Supernanny (ABC)

10 pm: CSI: New York (CBS); Celebrity Circus (NBC); Primetime: Crime (ABC)

What I'll Be Watching

8 pm: Notes on a Scandal on HBO2.

Yes, there's seriously such a lack of compelling network and cable content on tonight that I am turning to a movie on HBO2 that I've already seen twice. Still, Cate Blanchett and Dame Judi Dench? There are much worse ways to spend a Wednesday night than watching them in this gripping drawing room thriller.

03 July 2008

Former "Sopranos" Star Searches for "Life on Mars"

Sam Tyler, meet Ray Carling.

ABC's adaptation of the hit BBC series Life on Mars has landed another cast member in the face of massive overhauling since shooting the original pilot (you can read my review here) under the watchful eye of executive producer/showrunner David E. Kelley.

Kelley, of course, will famously not be continuing with Life on Mars as a full-time showrunner and the series--which has become a co-production between ABC Studios and 20th Century Fox Television--has brought in October Road showrunners Andre Nemec, Scott Rosenberg and Josh Applebaum to oversee the series.

So who will be playing the notoriously sexist and difficult Ray Carling?

ABC has announced that Michael Imperioli (The Sopranos) will join the cast of Life on Mars opposite Jason O'Mara as Detective Sam Tyler.

I'm intrigued by the casting of Imperioli as it comes on the heels of word that the production may recast all of the major roles (other than O'Mara) and is at least a step in the right direction towards creating a compelling cast for this so-far sodden US adaptation. (A complete rewrite of the script would also do wonders.)

Stay tuned.

05 June 2008

Jeffrey Tambor, Gary Cole Try on "Good Behavior" for Rob Thomas

My spider sense was tingling this morning as I perused the latest casting listings.


Imagine my surprise when I had a full on geek attack upon noticing that, just days after Baby Buster landed recurring roles on both Chuck and Samantha Who, George Bluth Sr. himself was just cast in one of the few midseason pilots that I am eagerly anticipating.

Apparently, it pays to be an Arrested Development vets these days. Jeffrey Tambor was cast in Rob Thomas' ABC dramedy pilot Good Behavior (based on the Kiwi series Outrageous Fortune), where he'll guest star as Hy, Jackie West (Catherine O'Hara)'s sleazy partner at a low-end pawn shop. I cannot wait to see Tambor and O'Hara face off against one another and hope that he'll stick around in a recurring capacity should the pilot get ordered to series.

Also joining the cast of Good Behavior: Desperate Housewives' Gary Cole, who will play Jackie's no-good husband who is sentenced to five years in prison, leading Jackie to push her family onto the straight and narrow path of decent members of society.

I have been super-excited about this pilot since I first read Thomas' brilliant script (back when Renee Russo was circling the role of Jackie West) and the above casting, paired with Catherine O'Hara and Mae Whitman (yay, Arrested Development mini-reunion!), and my love for Rob Thomas' work, make me hope that Good Behavior gets ordered to series post-haste.
Stay tuned.

What's On Tonight

8 pm: CSI: Crime Scene Investigation (CBS); My Name is Earl/Last Comic Standing (NBC; 8:30-10 pm); Smallville (CW); So You Think You Dance (FOX; 8-10 pm)

9 pm: CSI: Crime Scene Investigation (CBS); Supernatural (CW)

10 pm: Swingtown (CBS); Fear Itself (NBC)

What I'll Be Watching

10 pm: Swingtown.

I wasn't crazy when I first saw the pilot to the 1970s-set drama last year but they've had a lot of time to retool so I will give it a second chance. On tonight's series premiere ("Pilot"), Susan and Bruce Miller move their kids into an upscale Chicago suburb and fall into the lure of an open marriage when they meet their sexy new neighbors.

03 June 2008

Hale Storm: Buster Bluth Hired at Buy More

I can't help but get excited when an Arrested Development alum drops by a current television series, so imagine my pleasant surprise when said alum joins the cast of one of my favorite series.

It seems like it's been forever (well, January, in fact) since we've even mentioned NBC's action/comedy series Chuck, which I've missed terribly since the series wrapped its freshman year way ahead of the normal timetable due to the writers strike.

While the series will relaunch on NBC this fall (complete with, one hopes, a massive marketing and promotional campaign that ties into a DVD box set of the first 13 episodes of Chuck), there is one notable cast addition for the sophomore season: Arrested Development's Buster Bluth himself, Tony Hale.

Hale, who has turned up on other series since Arrested Development (most notably as a co-star on the short-lived Andy Barker, P.I.), will recur on Chuck next season as Emmett, the new assistant manager at the Buy More (filling the position vacated by Harry Tang) whose skills as an efficiency expert make him a dangerous workplace adversary for Chuck and Morgan. Hired by corporate to whip the Buy More into shape, he ends up staying on permanently when he sees just how badly the outlet is being run and figures they need a helping, er, hand.

I've missed seeing Chuck squirm at work and I hope that Hale's Emmett can be the one to turn the screws a little on our Mr. Bartowski, who's gotten a little too complacent under Big Mike's thumb.

And if that's not enough Hale for you, he'll also join the cast of another sophomore series: ABC's Samantha Who? There, Hale will play Samantha's new doctor, Andy Adams, in a recurring capacity.

Let's see: Jessica Walter on CW's 90210; Hale on NBC's Chuck; Jason Bateman, Will Arnett, and Henry Winkler on FOX's Sit Down, Shut Up? (Even Portia DeRossi and Alia Shawkat have pilots under consideration for midseason and David Cross just shot one at HBO.) This might just be the best time for Arrested Development vets on television since those rumors of a Bluth movie first surfaced...

What's On Tonight

8 pm: NCIS (CBS; 8); Most Outrageous Moments/Most Outrageous Moments (NBC); Beauty & the Geek (CW); According to Jim/According to Jim (ABC); Moment of Truth (FOX)

9 pm: 48 Hours Mystery (CBS); Law & Order: Special Victims Unit (NBC); Reaper (CW); Samantha Who?/Samantha Who? (ABC); Hell's Kitchen (FOX)

10 pm: Without a Trace (CBS); Law & Order: Special Victims Unit (NBC); Boston Legal (ABC)

What I'll Be Watching

8-10 pm: Britcoms on BBC America.

I don't know about you but by Tuesday night, I'm usually in need of some comedy in my life. Why not stick around on Tuesday nights for BBC America's new comedy lineup, consisting of classic episodes of Coupling, new comedy Not Going Out, and Absolutely Fabulous? You'll thank me in the morning.

02 June 2008

Casting Couch: Harold Perrineau Gets "Unusual"

"You can go now, Michael."

Truer words were never spoken than on last week's season finale of Lost, which saw cast returnee Harold Perrineau's Michael seemingly killed after the freighter exploded after he got a send off from the mysterious and ghostly Christian Shepherd.

Perrineau's return to Lost--which he exited at the end of Season Two when he and Walt (Malcolm David Kelley) sailed off into the sunset after he betrayed his fellow castaways to secure freedom for himself and his son--seems phenomenally short-lived: his character's sole purpose in returning to the series was to be Benjamin Linus' man aboard the Kahana and to devise the plan to freeze the battery so as not to trigger a widespread C4 explosion.

Perrineau, in an interview with TV Guide, says that he was "disappointed" by the fact that producers killed off his character after bringing him back and said it was "disappointing and a waste to come back, only to get beat up a few times and then killed."

Ouch.

Luckily, ABC seems to have realized that they are lucky to have the talented actor on their network and have cast Perrineau in drama pilot The Unusuals, where he'll play Detective Leo Banks, a cop plagued by paranoia that he'll be killed. It's a bit of a role-reversal for the actor, especially after we saw Michael unable to die all season on Lost.

In other casting news, Rick Gomez (What About Brian) has joined the cast of Rob Thomas' dramedy pilot Cupid, where he'll play Felix, the owner of a dive bar who rents a room above the bar to Trevor (Bobby Cannavale), despite thinking he's a complete nutter for claiming to be the titular god of love.

And Gail O'Grady (Boston Legal) has landed a lead role on the untitled Dave Hemingson legal dramedy pilot; she'll play cutthroat attorney Susan Oppenheim, who is married to one of the firm's partners. Also cast in the pilot episode as guest stars: George Segal (Just Shoot Me), Lolita Davidovich (Dirty Sexy Money), and Alexandra Holden (Friday Night Lights).

I'm actually very excited to see how this one turns out. Fingers crossed that it's a keeper.

Stay tuned.

What's On Tonight

8 pm: Big Bang Theory/How I Met Your Mother (CBS); Gossip Girl (CW); The Bachelorette (ABC; 8-10 pm); Bones (FOX)

9 pm: Two and a Half Men/Rules of Engagement (CBS); Dateline (NBC); One Tree Hill (CW); House (FOX)

10 pm: CSI Miami (CBS); Dateline (NBC); The Mole (ABC)

What I'll Be Watching

8 pm: Gossip Girl.

Looking to relive the freshman season of the teen soap? On tonight's repeat episode ("The Wild Brunch"), Blair tells Serena she knows all about her past betrayal and shuns her; Chuck hosts a fundraiser brunch, to which Serena brings an unwelcome Dan.

30 May 2008

Return to Oz: Home is Where the Heart Is on the Season Finale of "Lost"

Wow. I don't even know where to begin.

I'm talking of course about last night's amazing season finale to Lost ("There's No Place Like Home, Parts Two & Three"), which fulfilled the promise of last season's ender by showing just how the Oceanic Six managed to escape the island (along with Desmond and Frank Lapidus) and gave us an oh-no-he-didn't moment when Ben manages to move the island in time and space... before being exiled from the place he's sworn to protect for the rest of his life.

Sawyer. Before we get into the crux of the episode, I do feel extremely vindicated that my theory about what would happen to Sawyer played out EXACTLY as I had predicted two weeks ago. When faced with the helicopter losing fuel and none of them making it off the island, Sawyer whispers in Kate's ear (a promise about, oh, tracking down his daughter on the mainland), kisses her passionately, and then sacrifices his freedom for his fellow castaways by jumping out of the helicopter into the ocean below, ensuring (hopefully) that the others will make it to the freighter and escape. It was a beautiful manifestation of just how far Sawyer has grown as a character and his selflessness contrasts sharply with the man we met four seasons ago: a feral, selfish loner who thought only of himself. Can this really be the same guy who lied about hoarding Shannon's asthma medication all those years ago? Yep.

The Coffin. Because it's on everyone's minds, we'll talk about the coffin first. I wasn't quite right about my predictions about who was inside and was utterly stunned to see John Locke lying in the coffin as the mysterious Jeremy Bentham, but it's only fitting as English philosopher Bentham was a follower of John Locke's namesake and a proponent for natural rights (he also had his body preserved after his death in a glass case, so there you go) that Locke would choose this name as his alter ego. It also makes sense as Bentham reached out to each of the Oceanic Six (plus Walt, who most of them had completely forgotten about), urging them to return to the island and saying that "bad things" happened after they left. After all, it was Locke who told Jack that he had to stay on the island and not leave in the first place. (Love that Locke is now the de facto leader of the Others.) As for those bad things, I think they are definitely connected to the island being moved in time and space and I believe we'll soon discover that those who stayed behind on the island have gotten themselves stuck in a rather painful time loop from which they cannot escape.

As for why the castaways referred to Locke by his alias, they constructed a massive cover story about the crash, so it makes sense why they wouldn't use his real name when it's clear they must stick to their story. It's also clear that Locke--like Ben before him--clearly has the ability to leave the island at will, possibly through the same as-yet unseen method that Ben used (remember those passports and foreign currencies?) and he too had an alias that he used on the mainland. There was definite bad blood between Locke and the other castaways, so it makes sense why they wouldn't attend the funeral (and Hurley, who might have gone, was in Santa Rosa at the time); plus after his murder of Naomi, he severed any emotional bonds that may have existed between him and the Oceanic Six.

Finally, while the newspaper article claimed that Bentham killed himself in New York, none of the Oceanic Six believe this story for a second. Sayid knows that it was no suicide but a calculated murder, orchestrated by Widmore's men as part of the ongoing war between him and Ben. But lest you think that Terry O'Quinn will be off of the series, fret not: he'll obviously appear in flashbacks as we learn about all of the "bad things" that went down on the island after Jack and the others escaped... and it's not the first time that a corpse has been taken to the island, only to mysteriously get up and take a walkabout. (Ahem, Christian.)

Ben. I was utterly stunned by the revelation that whoever moves the island cannot ever return there again. It does explain Ben's ongoing crusade against Widmore and his efforts to safeguard the island, even though he's in exile. Fantastic payoffs with the Halliwax parka, the Orchid Station orientation film (though why was it rewinding? a clue perhaps to the island's location in the timestream?), and that Frozen Donkey Wheel. Plus, we learned why Ben's arm was injured in "The Shape of Things to Come" and why he was dressed for cold weather, but turned up in the desert, propelled forward in time to the year 2005. I loved that he blew a hole in the Vault by filling it with metallic items in order to gain access to the ancient island-shifting apparatus below. That wheel has obviously been there for thousands of years and the runes seem clearly connected to the four-toed statue that was glimpsed forever ago. Still, the biggest theme of the episode is about the nature of sacrifice: of what we give up for the greater good. Ben, Michael, Sawyer, and Locke all seem to realize this; Jack does not and that is his downfall.

The Orchid. This Dharma station was clearly set up to investigate space-time issues and the Vault was located next to a pocket of exotic matter (obviously the source used to shift the island through time and space). The bunny experiment proves that the Vault actually does work: it can shift organic objects through space-time, resulting in a second Bunny #15 appearing a few minutes in the future (as seen in the outtakes of the Orchid Station orientation film). Loved that Locke asked Ben if this was the "magic box" and how Ben sneered at Locke's gullibility on the subject. Far be it for Ben to tell Locke that there is no such "magic box" on the island. Ben's shift of the island's location in space-time produces a similar noise and electromagnetic discharge as the Swan's failsafe mechanism, turning the sky white and filling the air with an eerie hum; the result is clearly related to the Casimir effect and creates something akin to a wormhole through which the island and its surroundings (including the people aboard the Zodiac raft, the water, and the Hydra island) is shifted. Awesome!

Michael. I definitely think Michael is sadly deader than a doorknob, especially since Christian appeared right before the C4 detonated and told him that he "can go now." To me, Christian's message was a distinct indication that the island has released Michael from his servitude; it had saved him from death dozens of time to ensure that he would be standing right there, keeping the freighter from exploding. Without him, everyone would have been killed aboard the Kahana; his presence and forethought with the liquid nitrogen ensured that the Oceanic Six managed to escape, along with Desmond and Lapidus. The island has a purpose for everyone and once you've outlived your usefulness, it's time to go. Charlie had to die in order for Penny to find them and so did Michael, who redeemed himself for the murder of Libby and Ana-Lucia by saving Jack and the others.

Jin and Sun. As for Jin, I don't think he's dead. I don't know why other than a voice in the back of my head saying that he's still alive, somehow and managed to survive the blast. He hasn't fulfilled his purpose in the grand scheme of things yet, though that doesn't stop Sun from thinking that he's dead and mourning his passing (hence the breakdown at his grave). It was absolutely heartbreaking to see Sun screaming for Jin and Lapidus unable to turn the helicopter around to save him. Michael was meant to send Jin upstairs but Jin stayed behind in order to help by trying to defuse the bomb... and never even got to say goodbye to his wife.

However, like Penny and Desmond before them, I definitely think that Sun will attempt to find the island. While Penny never gave up hope that Desmond was alive, Sun's purpose in finding the island (and how amazing was her scene in London with Widmore?) is far more nefarious. She blames Jack for Jin's death and has clearly chosen her side in the war between Widmore and Ben. We know that Sun is a consummate and skilled liar but I believed her when she confronted Widmore and told him that they shared mutual interests. (I loved her line about how "they are not the only ones who left the island," a clear allusion to both Ben and perhaps Desmond.) I think she's out for vengeance and will stop at nothing to find the island once more. Sun as a villainess intrigues me and I don't see how the other members of the Oceanic Six will be able to persuade her to join their cause. It's going to be quite a journey for her character and one that I am very eager to see.

The Intruder. I got goosebumps when Kate is awoken in the middle of the night by the sound of an intruder and a seriously creepy phone call. Grabbing a gun (I'm surprised she doesn't sleep with one in the nightstand drawer), she heads into Aaron's room where she sees... Claire watching over Aaron. Claire warns her not to take Aaron back to the island and Kate wakes up in bed. I'm a little confused by whether it was in fact Claire (or a manifestation/ghost) or something else entirely. The voice on the phone tells Kate, "The island needs you. You have to go back before it's too late," but Claire's message seems to invalidate this, stating that Kate can't bring Aaron back with her... though Ben tells Jack that they all need to return to the island (even the dead Locke). I'm not sure what to believe, but ghosts seems to be popping up left and right on the mainland, from Claire (if she is in fact dead) and Christian to Charlie and Mr. Eko. What do the ghosts want (seemingly for them to go back) and why does their meaning seem garbled?

Penny. Loved that it was Penelope Widmore who saves them when it was her father who put them in their current predicament in the first place and it was only fitting that her vessel was called the Searcher. How absolutely heartwarming was her reunion with Desmond? It was a scene that I wondered would ever play out on the series (least of all with two seasons to go!) and erased by worry about Frank and Desmond being found with the Oceanic Six. Good to see the listening station's Henrik aboard the Seacher as well. Will Pen and Des have to remain in the shadows, hiding from both Widmore and Ben? And how will they be drawn back into the story again, especially with Ben on a mission to kill Penelope as payback for Widmore's mercenary Keamy slaughtering Alex?

Walt. Man, that kid has gotten old. Four seasons may have gone by on the series but Malcolm David Kelley looks like he got about ten years older and grew about three feet taller. I loved the heartbreaking way that he asked Hurley why none of them ever tracked him down once they returned to the mainland and the sad way that Hurley just shrugged. I've always had a bit of a problem that Walt was just sort of out there, given the survivor's cover story, as he clearly was aboard Oceanic Flight 815 and would have appeared on the passenger manifest. Sure, his grandmother knew to keep silent about what he had told her about the island, but Walt seems like a weak link in the cover story and one that could easily be exploited by Matthew Abbadon, Widmore, and the conspiracy. If it's necessary for all of them return to the island, won't the same hold true for Walt as well? And if that's really Walt, then who appeared to Locke on the island in "Through the Looking Glass"? Curious.

Charlotte. I was blown away when Miles revealed that he knew that Charlotte had been been to the island before and still hadn't found where she had been born. It's a stunning revelation that will obviously play a huge role in Season Five as we learn more about the explorers' backstories. If Charlotte was actually born on the island, how did she manage to end up on the mainland? We are told who her parents are and that she has two sisters, so is she adopted? Did her entire family leave the island? And if so, have we seen her in the past? My money is that she's actually little Annie, Ben's ginger-haired friend from the Dharma days. We never saw Annie die and haven't ever seen her again (plus time moves differently on the island than on the mainland), so it's entirely possible that she could be little Annie all grown up. Hmmm. There's definitely more to our cultural anthropologist than meets the eye...

Juliet. Was it just me or did Juliet seem not too surprised that she wasn't getting off the island in the end? Maybe it's the fact that she's gotten thisclose to escaping several times in the past and yet something has managed, each time, to derail her plans at the eleventh hour. Still, the sad look in her eyes spoke voulmes, as she swigged from a Dharma bottle of rum as she watched the smoky wreckage of the Kahana sink into the ocean and offers a wry smile as Sawyer walks up out of the ocean. Hmmm. Am I seeing some potential sparks here between them? Wouldn't that be just fitting if the two people jilted by Jack and Kate end up together in the end?

Best line of the evening: "So?" - Ben to Locke, after being told that he's just ensured the deaths of every man and woman aboard the Kahana by brutally stabbing Keamy.

Ultimately, I thought this was an astonishingly powerful way to end the season and will make the wait until the series returns next winter unbearable. Sure, there's the Octagon Global Recruiting experience to look forward to this summer (and likely something major will be going down at this year's Comic-Con as a result), but I want to get Lost now and find out just what happened to the survivors who didn't get off the island. I'm already anxious with anticipation for Season Five.

What's On Tonight

8 pm: Ghost Whisperer
(CBS); Most Outrageous Moments/Most Outrageous Moments (NBC;); Friday Night SmackDown! (CW; 8-10 pm); National Spelling Bee (ABC; 8-10 pm); Little Black Book (FOX; 8-10 pm)

9 pm:
NUMB3RS (CBS); Dateline (NBC; 9-11 pm)

10 pm:
NUMB3RS (CBS); 20/20 (ABC)

What I'll Be Watching

8 pm: Sarah Jane Adventures on Sci Fi.

On tonight's repeat episode of the Doctor Who spin-off ("The Lost Boy"), a missing boy turns out to be a genetic match for Luke, whom Sarah Jane sends to live with the boy's family while she probes his disappearance. Afterwards, it's the first season finale of Sarah Jane Adventures ("The Lost Boy, Part Two"), in which a Slitheen threat is uncovered as Sarah and Maria investigate Luke's new parents, who have a use for the archetype himself in their quest to destroy the Earth.

9 pm: Doctor Who on Sci Fi.

Season Four of Doctor Who continues tonight with "The Poison Sky," as the Doctor's old enemies the Sontarans attempt to transform Earth's atmosphere in order to suit their needs by unleashing a flood of poisonous gas ingenuously concealed inside ATMOS car emissions regulators/GPS devices.

10 pm: Battlestar Galactica on Sci Fi.

On tonight's episode ("Sine Qua Non"), a Cylon base star with President Laura Roslin and Gaius Baltar aboard disappears, leaving the Colonial fleet in chaos, as a power struggle for control of the leadership manifests itself.

29 May 2008

Who's In the Coffin And Other Thoughts About Tonight's Season Finale of "Lost"

While Lost has been positively overflowing with mysteries since Day One, when the survivors of Oceanic Flight 815 first arrived on that cursed island, one question has seized upon the imagination of the audience and not let go: just who is in that coffin?

It's a question that I've asked myself time and time again when watching the fourth season of Lost, which concludes tonight with a two-hour season ender that will likely once again rewrite the rules of the serialized drama and leave those of us obsessed with the series reeling from its implications for the next seven months. (I offered up a theory about one element of tonight's episode involving the notion of sacrifice and, er, fuel loss during my post about Part One of "There's No Place Like Home" two weeks ago. Very curious to see if I am right.)

So who do I think is in the coffin? Let's take a look at the likely--and unlikely--possibilities.

Benjamin Linus. We now know that Ben managed to get off the island, despite not being on the rescue plane that made it back to the mainland, so it's entirely possible that his war with Charles Widmore has reached a bitter and deadly end. Jack did say that he's neither family nor friend of the deceased (which fits the description of his relationship with Ben perfectly) and would also explain why none of the other Oceanic Six attend the funeral; Kate even says that there was no way she would have attended. Still, it feels a bit odd to have Ben end up in the coffin like that and not be able to use him in the future timeline on Lost, but if anyone could have faked their death and gotten away with it, it's the slippery Benjamin Linus. Still, I'm not convinced.

Michael Dawson. People have long suspected that the man in the coffin is none other than Michael himself but I think it's too much of a red herring that the funeral home is in a predominantly African-American neighborhood. Besides, Michael was much more connected to New York than Los Angeles and, at the very least, his mother and Walt would have turned up to the funeral, even if they are currently estranged. No, it's definitely not Michael.

Charles Widmore. The least likely suspect in my book. No way would his funeral go unnoticed and unobserved, with only a brief obit in the newspaper to mark his passing. Whoever is in that coffin is someone much further down the totem pole than the great and powerful Widmore. Let's consider him off-limits for now.

Matthew Abbadon. Again, the perception of the African-American neighborhood seem to be playing a role here and we haven't gotten a real clear sense of his involvement in the past and future timelines on the series yet. It's clear that Abbadon knows much more than he claims: he sends Locke on his walkabout in Australia, assembles the team of scientists for the mission under Widmore's instructions, visits Hurley in the mental hospital, and seems to be the series' go-to creepy man. Still, I don't think it would be quite fitting for him to end up in the coffin
as we haven't yet seen him interact with all of the other Oceanic Six members.

Richard Alpert. The mysterious Other who seems to have cropped up in several castaway's pasts and who appears not to age. But does that mean that he can't die? Again, as the de facto leader of the Others and the man responsible for giving Ben the order to exterminate every member of the Dharma Initiative, he seems to play an enormous behind-the-scenes role in the past, present, and future of the island and appears--like Ben years later--to be able to move from the island to the mainland relatively easily. He wouldn't be mourned by anyone, least of all anyone connected with Dharma and may have actually influenced events that led to the crash of Oceanic Flight 815 and the castaways' current situation. Still, it feels a bit odd as we haven't gotten any real concrete information about Alpert's past yet.

My two final guesses:

Martin Keamy. I'm leaning somewhat heavily towards Keamy as the possible coffin inhabitant. He's had some pretty serious scrapes with the castaways, nearly killed them all during his campaign on the island to capture Ben, and killed a number of Oceanic survivors during his incursion against New Otherton. There's some bad blood between him and Jack and no love lost between him and the others. I doubt that his real name is Martin Keamy and a sociopathic mercenary like him certainly would have no mourners at his funeral. Given his relatively new status on the series, is it presumptuous to think that he would end up escaping the island, surviving in secret for several years, and then dying mysteriously and ending up unmourned and alone? Hmmm, possibly. But would his death have as much emotional resonance as say...

Sayid Jarrah. The death of one of the Oceanic Six would have been a major media storm, but not if the person in question died under a different name. I believe that Sayid had adopted an assumed identity and could have died while in the employ of Benjamin Linus. We know that after the murder of Nadia, Sayid lost all direction and quickly fell under the lure of vengeance, beginning a new life as an assassin, targeting members of the opposition in Ben's ongoing war with Widmore. Working for Ben is a decision that likely wouldn't have made him very popular with members of the Oceanic Six and I can seem them renouncing him once and for all after learning of his new employment situation. Still, I can see Jack being curious enough to go to the funeral (and still acknowledging why Kate wouldn't) to see if anyone else would turn up, if he knew Sayid's new identity. As for Ben, I could see why he wouldn't come out into the open to attend the funeral of his new ally, not with Widmore and the others gunning for him. Would Carlton and Damon really kill off Sayid in the "present" day? Abso-bloody-lutely, especially as it would be a great twist to have one of them survive everything the island threw at them, escape, and then still wind up dead back on the mainland. Cruel twists of irony are one of Lost's stock in trade.

But I am very curious to know who you think is in that coffin at the funeral. Is it one of the above or someone else altogether? While we'll likely find out tonight once and for all, until then let's open up the floor for debate: who is the most likely occupant and who is the least likely? Discuss.

23 May 2008

Bored to Tears By the "Ugly Betty" Season Finale? You're Not Alone.

You know when the highlight of an episode is a super-saturated flashback to Betty getting selected as a "human shield" in a high school game of dodgeball that you're in for a snoozer of an episode.

Such was the case last night with the season finale of Ugly Betty ("Jump"), which didn't so much as advance the plots as it did end the series' sophomore season with some rather unbelievable "twists" and forced Betty to once again choose between former true love Henry--who, as we all know impregnated his ex-girlfriend and moved to Tucson--or new love interest/sandwich maker Gio, who apparently can afford to pay his rent on his apartment and his prime midtown location-based sandwich shop AND jet off to Rome for a month. (Apparently he keeps down his costs by being the sole employee.)

Personally, I wish she'd ditch both Gio and Henry and move in with Christina (Ashley Jensen), who sadly didn't even appear in the season finale. I understand the executive producers' desire to shift the focus back to Betty but rather than just downplaying Marc, Amanda, and Christina (all of whom I find infinitely more interesting and compelling than Betty's family), we get a subplot about Hilda finally making a move on Coach Diaz (Eddie Cibrian), only to find out he's still married... and then snogging him on the basketball court anyway. Yawn.

I find Gio's interest in Betty hard to believe. Not that Betty isn't cute and spunky, but because a guy like Gio would never, ever pay any attention to someone who looks like Betty. I'm sorry but it's true. Nor would he invite her to go to Rome for a month with him when they haven't so much even been out on a date. That's to say nothing about the fact that I find it hard to believe that self-absorbed Daniel would suddenly surprise Betty with a first-class deus ex machina--sorry--I mean first-class tickets and accommodations to Rome for her and Gio. It just completely took me off page there and was so over-scripted as to better even the playing fields between Gio and Henry's proposals. (Don't even get me started on Henry turning up to propose to Betty and then wanting to force her on a plane back to Tucson.)

Was le petit Daniel absolute adorable? Oui, but haven't we had enough drama in the last few weeks with unexpected Meade spawn, what with Wilhelmina's announcement about Bradford's baby? I actually liked that the writers were daring to make Daniel unsympathetic with his reaction to the discovery that he had a son, but they quickly reversed this by having Daniel bond with the boy over shared passions for baseball and supermodels.

Meanwhile, Alexis--who has nothing to do nowadays on the series--suddenly turned on Daniel for no reason and awarded former best friend-turned-nemesis Wilhelmina control of Mode while ousting Daniel altogether. Was this really all the writers could come up with for the once-fantastic Alexis Meade to do?

I understand that the overall creative word du jour for Betty is "heart," but does it mean that it has to be at the expense of "fun" as well? I miss this being a series that could balance soap opera dramatics, hysterical comedy, and touching pathos in the little moments that define our search for identity in the city. Instead, we're tiptoeing back into cloying territory here, but at least no one was shot this season finale during a song and dance number. (Ahem.)

All in all, a pretty unremarkable season finale before the series decamps Los Angeles for new digs in New York City. Will the move spark some creative uptick with Manhattan providing a nice new inspiration for a series that's in desperate need of reinvention? Who can say. But regardless, I hope that next season is better equipped to juggle the funny, the fierce, and the feelings: the real reasons we started to watch Ugly Betty in the first place, because this Betty definitely needs a (creative) makeover.

What's On Tonight

8 pm: Ghost Whisperer
(CBS); American Gladiators (NBC); Friday Night SmackDown! (CW; 8-10 pm); Grey's Anatomy (ABC; 8-10 pm); Cheaper By the Dozen (FOX; 8-10 pm)

9 pm: Moonlight (CBS); Dateline (NBC; 9-11 pm)


10 pm:
NUMB3RS (CBS); 20/20 (ABC)

What I'll Be Watching

8 pm: Eddie Izzard on BBC America.

Why not kick off your Memorial Day weekend in style with three back-to-back comedy specials starring The Riches' Eddie Izzard in all his cross-dressing glory?

19 May 2008

Pilot Inspektor: ABC's "Life on Mars"

ABC had very little to announce for next season at this year's upfronts; most of its pilots have yet to have been shot and won't film a single frame until later this summer. And the few things that ABC did end up ordering were either picked up from another network (Scrubs) or had been shot last year (Life on Mars).

What's my point? I finally sat down last night to watch the pilot for Life on Mars with bated breath. After all, longtime readers know how bloody much I love the UK original series of Life on Mars--starring John Simm, Liz White, and Philip Glenister--and I had pretty low expectations for this David E. Kelley-created US remake, which keeps the basic plot intact (detective Sam Tyler gets hit by a car whilst investigating a serial killer and wakes up in 1972... or does he?), along with much of the dialogue, shot compositions, and graphics. (Kelley, for his part, won't be involved with the series; ABC has hired Josh Appelbaum, Andre Nemec and Scott Rosenberg, the executive producers/creators of the recently axed October Road, to come on board as showrunners.)

I wasn't sure how the action would really transport from 1970s Manchester with its Northern accents, creepy Test Card girl, and satirical humor intact (not to mention a rocking soundtrack from David Bowie et al). It's an odd juxtaposition with Los Angeles, which lacks the same essential temperament as Manchester and was undergoing a very different transition of its own in the 1970s. The essential look of the show, with its sunshine and palm trees, seems very much at odd with the sort of haunting, slow burn atmosphere of the plot. The fact that Sam Tyler is quite possibly laying in a coma in a present day hospital seems to lend itself better to the wet, damp, grey atmosphere of Northern England than sunny Southern California.

Jason O'Mara (Men in Trees) plays Sam Tyler who, like his predecessor, is on the hunt for a serial killer in the present day when his colleague/girlfriend Maya (BSG: Razor's Stephanie Chaves-Jacobsen) is kidnapped by the madman; distraught, Sam pulls over onto the side of the road (or in this case a median on a completely deserted road by the Disney Concert Hall) and, while listening to Bowie's "Life on Mars" in unexpectedly hit by a car. While the shots are almost perfectly lifted from the original, that version shocked and disturbed me when Sam was struck out of nowhere; here, it's laughably bad and telegraphed a mile away. O'Mara isn't bad as Sam Tyler but he lacks the intensity and rapid-fire thought of Simm's interpretation; he's more brawn than brains here.

Sam wakes up in 1972 Los Angeles and wanders the streets in a dazed, bewildered state before ending up at the police station where he (A) discovers that he is still a detective and has been transferred (from where?) to this precinct and (B) meets the adorable Annie (What About Brian's Rachelle Lefevre) and gruff boss Gene Hunt (Star Trek: Deep Space Nine's Colm Meaney).

While Lefevre is absolutely charming as sweet-as-pie Annie (though doesn't quite match the kewpie doll innocence of the original's Liz White), Meaney is a pale imitation of Glenister's Gene Hunt; while Hunt is an amoral psychopath in his own right, he manages to still be sympathetic and fascinating at the same time, no small testament to the acting prowess of Philip Glenister. Meaney plays Hunt as an aggressive thug but with little of the charisma that has made the character so memorable on not one but two series (including Life on Mars spinoff Ashes to Ashes). When Hunt slams his fist into Sam's stomach as a way of introducing himself it just didn't ring as true, especially as O'Mara towers over Meaney physically and isn't as slight or wiry as Simm was in the role.

Overall, I was deeply disappointed by Life on Mars' pilot episode. The original had such spark, creativity, and vision--from the overarching plot to the set design, costumes, and visual look of every shot--while the US version seems fairly... generic. It's dully colored puddle of an episode that looks to have been shot on a soundstage and has none of the nail-biting tension, subtle satire (of British cop series like The Sweeney, among other things), or the psychological drama of the brilliant original.

No, Life on Mars seems more like mass-produced, microwavable fare; it's boxed macaroni and cheese: loaded with calories and fat but no soul.

Life on Mars launches this fall on Thursday nights at 10 pm on ABC.

16 May 2008

The Oceanic Six Find There's No Place Like Home on "Lost"

If last night's opening minutes of Lost--in which the fabled Oceanic Six arrive back in the United States (accompanied by Battlestar Galactica's Michelle Forbes as Oceanic staffer Karen Decker)--didn't have you teary, you have a harder heart than mine.

Last night's episode of Lost ("There's No Place Like Home) fulfilled the promise made in last year's season finale: that Jack and Kate (and, yes, a few others) would make it off the island and return home. But just as Dorothy discovered in The Wizard of Oz, there might not be anyplace quite like home but, once you're there, you may just find that both you and the world around you have changed in some rather unexpected ways.

Michael Giacchino deserves every single Emmy award known to man for the elegance and grace of the musical score in that opening sequence as the plane's cargo door opened up and the crowd of family members rushed the plane. How touching was it to see Jack's mother tearfully wrap her son up in her arms? Or how vulnerable Sun looked in the arms of her overbearing parents? And how heartbreaking when both Kate and Sayid noticed that no one had come for them? There was no dialogue necessary in this scene: the music, actors' movements and facial expressions said it all: There is no place like home.

Oceanic Six. Besides for the beautifully wrought sequence of reunion, this opening sequence had some distinct messages for us. I absolutely loved that the co-pilot rubbed a rabbit's foot for good luck, a rabbit's foot that echoed both the one that Hurley's dad (Cheech Marin) would give him (along with the keys to the Camaro he had fixed up) as well as the rabbits so clearly associated with The Orchid Station, much of the focus for this week's episode. And the press conference was perhaps the most literal minefield to date, with the reporters pressing the survivors about details about the crash in the ocean, their time on the small island Membata (which is Indonesian for "doubt"), the age of Kate's "baby," whether Jin survived the plane's impact in the water. While we still don't know who the other two "survivors" were of the initial plane crash, we know that Jin isn't part of their cover story. So just who are the other two passengers who allegedly died on the island? Curious.

Jack. Oh, irony, you heartless bitch. Just when Jack is finally able to "bury" his father and gives the simple eulogy he had carried in his heart for the past year or so, he comes face to face with his father's mistress Carole Littleton, who tells Jack how sorry she is for his loss, especially since it was her fault that Christian was even in Australia. Just as Jack is forced to come to terms with his father's infidelity, he is even more shocked to learn that Christian had a daughter aboard Oceanic Flight 815: Claire. Which means that Jack, when he proposes to Kate and walks out on her, knows full well that Aaron is his blood nephew. Their lies have begun to affect people's lives and the fact that Claire's mom Carole tells Kate how beautiful her baby is, unaware that it's in fact her own grandson, was yet another cruel twist of fate.

Sayid. I loved that Sayid and Nadia were finally reunited after all of these years and the simplicity with which they embraced one another; there are moments in television series where it's more affective to downplay things, to not have the characters spew unnecessary dialogue and this was once again one of the moments: simple, touching, and effective. Sayid and Nadia later show up at Hurley's surprise party (with all of the Oceanic Six in attendance save Sun) and Sayid is clearly shown wearing a wedding band, which means that they have wed at this point. That we know Nadia's ultimate fate only made this entire episode all the more haunting and fragile for it.

Hurley. I liked that Hurley is trying to distance himself from his lottery winnings to little success. I literally jumped out of my seat upon hearing the whispers in Hurley's house but was glad that they didn't hearken back to the island but to a surprise party (complete with a Geronimo Jackson album!). Still, I didn't anticipate the sudden reappearance of the numbers, appearing on the Camaro's dashboard and startling the hell out of Hurley. Methinks that this is the beginning of his descent into madness... or at least into a fragility that requires him to hide away at the mental hospital. Poor Hurley. Maybe he shouldn't have eaten those fifteen-year-old crackers after all.

Sun. The biggest surprise that has got to be the stunning revelation that Sun has used her sizable settlement from Oceanic Airlines to purchase a controlling interest in her father's company. I've always hated Mr. Paik and, after telling Sun that his business matters do not concern her, was thrilled to see the look of shock and horror upon his face when his daughter tells him it's now her company. (Go Sun!) I'm glad that she told him that she blames him for Jin's death (or he's one of the two people anyway... I assume the other is Charles Widmore?) and that he will pay for what he did to both her and Jin. Awesome to see a confident, vengeful Sun for a change and I cannot wait to see where this is going but Sun clearly now has the capabilities to perhaps finance a return expedition to the island. Hmmm...

Locke and Ben. This dynamic duo is unstoppable. I love that Ben "always has a plan," especially one that involves secret elevators, moving the island, and hand mirror signals. Interesting that moving the island is fraught with complication and danger and that it's not an easy task (I didn't think it would be). The Orchid is also obviously Ben's magic ticket off the island, given his appearance in Tunisia with Halliwax's jacket. So not only can the station move the island in space-time but can you use it (and the Casimir effect) to transport yourself as well? Very exciting possibilities here.

Keamy. As I predicted last week, Keamy did wire the freighter with explosives and is connected to a remote detonation device. Which means that either Keamy never meant for anyone to survive this encounter (neither the survivors of the Oceanic flight or the crew of the freighter), or it's part of the second protocol as Keamy ensures that no one can get off of the island once it's been moved. I do believe that Keamy was instructed to head to the Orchid in order to do just what Ben and Locke attempt to do: move the island. With the island shifted, he has no need for the freighter or anyone else on that cursed rock. Which leads me to wonder if Jin and Michael and the others aboard the freighter will make it out of this season alive. As for what is causing interference on the reef monitor, I think Keamy rigged it so that the freighter can't get close to the island... and can't make contact with the castaways.

Daniel Faraday. Daniel clearly knew about The Orchid and even had a sketch of the station's Dharma logo in his journal; it's the very same logo that Ben had on the parka he "borrowed" from Halliwax. As for how Daniel knew about it, the answer is easy: we already know that he's been time-traveling, using Desmond as his constant. Daniel's future self has left him clues and answers in the journal, knowing that he would need these facts in order to survive the coming storm. Hence the mention of both The Orchid and a picture of the station's logo. I had believes that Daniel was traveling to this point in time from the past but it's possible that he's been traveling to various points in his life from his vantage point in the future. Which leads me to believe that Daniel will make it out alive to play a vital role in what's coming next. And did anyone else get a little choked up at the way that Charlotte and Daniel looked at one another as he left the beach with six survivors, bound for the freighter? Aw.

Frank Lapidus. Frank is clearly a good guy and a pawn in all of this. He's trying to help the castaways and, well, help himself too. We now know that Frank threw down the satellite phone so that the castaways could come and rescue him. A good thing too as Keamy handcuffed him to the helicopter so that he couldn't fly off and leave them there.

Kate. I thought Evangeline Lilly was absolutely pitch-perfect this week, showing both grit and determination as well as wounded vulnerability and a real sense of loss as she stepped off of that plane and found herself absolutely alone in the world. For her, it's the reverse course of everyone else, even Dorothy Gale. She's returned home to find it is just the same place she left behind and there's nothing and no one waiting for her. I'm not sure whether Kate was able to hear the exchange between Jack and Carole Littleton, so I don't know for certain whether Kate ever realized just what the relationship between Aaron and Jack really is. If she hasn't heard, what is reaction when Jack finally does tell her? And does it inform their breakup scene when he tells her that she's not even related to Aaron? Curious.

I'm also very intrigued to see where the plotline goes with her and Sayid surrounded by Richard Alpert and his men. While I knew that Richard was slated to appear in this week's episode (darn on-screen credits), I was still surprised that he made a point to surround the two of them and take them... prisoner? I'm not sure what his plan is or whether he's still working with or against Ben at this point. And how do Kate and Sayid manage to be aboard that plane (not to mention Jack) when they're walking around the jungle with the Others at this point?

Sawyer. Poor Sawyer. His haunted expression when he's forced to tell Jack that they "lost" Claire was heartbreaking. POSSIBLE SPOILER ALERT: Even more so is the preview for the season finale in which Sawyer kisses Kate good-bye as the helicopter begins to run out of fuel. Sadly, I have a sinking suspicion that, in order to decrease the weight load, Sawyer sacrifices himself and jumps out of the helicopter. Will the island let him die? Will he make Kate promise to do something back home? We'll have to wait two weeks to find out.

In two weeks on the two-hour season finale of Lost ("There's No Place Like Home, Parts 2 & 3"), the Oceanic Six find themselves closer than ever to rescue, Ben launches his masterplan to save the island, Keamy's men face off with the survivors, and Sawyer and Kate share possibly their last kiss.

13 May 2008

Solid as a Rock: ABC Remains Stable with New Fall Schedule

In advance of its network upfront later today (I'll let you know how it is sans Ugly Betty cast-led musical numbers this year), ABC has announced its fall schedule.... with sadly lacked any real surprises in this lackluster upfront season.

The fall schedule looks astonishing like last fall's sked, but we all knew that out of the Big Four, ABC would likely have the most stability going into the new season, with many of its series already earmarked for renewals and very few new projects to choose from. (ABC's current crop of pilots won't be shot until Phase Two this summer, so look for decisions about additional midseason entries later this year.)

ABC PRIMETIME SCHEDULE: 08-09

MONDAYS
8 pm: Dancing with the Stars (Midseason: Untitled Tyra Banks/Ashton Kutcher Reality Series)
9:30 pm: Samantha Who?
10 pm: Boston Legal (Midseason: The Bachelor)

TUESDAYS
8 pm: Opportunity Knocks
9 pm: Dancing with the Stars Results Show (Midseason: Scrubs and The Goode Family)
10 pm: Eli Stone

WEDNESDAYS
8 pm: Pushing Daisies
9 pm: Private Practice
10 pm: Dirty Sexy Money

THURSDAY
8 pm: Ugly Betty
9 pm: Grey's Anatomy
10 pm: Life on Mars (Likely Midseason: Lost, but TBA)

FRIDAY
8 pm: Wife Swap
9 pm: Supernanny
10 pm: 20/20

SATURDAY
Saturday Night College Football

SUNDAY
8 pm: Extreme Makeover: Home Edition
9 pm: Desperate Housewives
10 pm: Brothers & Sisters

TBA: According to Jim Primetime: What Would You Do?

New Series:
Life on Mars, Opportunity Knocks, Scrubs*
(picked up from NBC), Untitled Tyra Banks/Ashton Kutcher Reality Series (midseason), The Goode Family (midseason)

Cancelled Series:
October Road, Women's Murder Club, Oprah's Big Give, Big Shots, Carpoolers, Cashmere Mafia, Cavemen, Miss/Guided, Notes from the Underbelly

Renewed Series:
Dancing with the Stars, Samantha Who?, Boston Legal, The Bachelor, Eli Stone, Pushing Daisies, Private Practice, Dirty Sexy Money, Ugly Betty, Grey's Anatomy, Lost
(midseason), Life on Mars, Wife Swap, Supernanny, 20/20, Extreme Makeover: Home Edition, Desperate Housewives, Brothers & Sisters, According to Jim (midseason), Primetime

Reactions:
Not all that much, to be honest. It's a pretty stable schedule and I am glad, on the one hand, to see that ABC isn't taking unnecessary risks just to shake things up a little at this point, especially as the net has seventeen high-profile pilot projects waiting in the wings as it were to pick up the slack come midseason, should they be ordered to series. (I'm still keeping my fingers crossed for Rob Thomas' Good Behavior.)

While some of the renewals come as a surprise (who is still watching According to Jim?), I am happy that ABC chose to keep their sophomore drama series--Pushing Daisies, Private Practice, and Dirty Sexy Money--all on Wednesday night, which will make it a little easier to market their relaunches as a collective three-hour block. While my expectations for the US adaptation of Life on Mars are pretty dismal (why would the creators of October Road be a natural fit for this twisty, metaphysical time-travel cop series?), I do think the network was smart to give it the plum post-Grey's Anatomy slot while we anxiously await the return of Lost until next winter. And moving Wife Swap and Supernanny to Friday nights, to create a three-hour block of family-oriented reality fare with 20/20, could be a real gamechanger on an always underwhelming evening.

All in all, some smart decisions, programming stability (Monday, Wednesday, Thursday, Saturday, and Sunday are all basically the same as last season), and foresight, without needless complexity, 65-week schedules, or undue riskiness (ahem, scheduling series without seeing a minute of film).

12 May 2008

Dancing with the Upfronts: FOX Makes Several Pickups, ABC Debates Renewals

While FOX isn't due to unveil their fall schedule until tomorrow, the network got a head start this weekend by announcing several series orders, a series renewal, and a surprising cancellation.

FOX is slated to announce their fall slate on Tuesday but word got out about a few expected orders, including J.J. Abrams-executive produced drama Fringe--starring Anna Torv, Joshua Jackson, John Noble, and Mark Valley--which had received a series commitment from the net last fall. (You can read my original review of the pilot script here.)

Project, from Warner Bros. Television, creators Alex Kurtzman and Roberto Orci (Transformers) and director Alex Graves (Journeyman) is viewed by many as the network's best hope at recapturing the sci-fi audience it once commanded back in the day with The X-Files; the drama revolves around a female FBI agent paired with an estranged father and son team of rogue scientists who investigate cases involving unexplained phenomena.

Joss Whedon's