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More from Moffat: Outtakes From My Interview with Doctor Who Showrunner Steven Moffat

Yesterday, over at The Daily Beast, I ran my interview with Doctor Who head writer Steven Moffat , in which we discussed the shocking identity of River Song (Alex Kingston), criticisms of “bad girl” companion Amy Pond (Karen Gillan), the tenture of Moffat and series lead Matt Smith, and we dispelled quite a few (false) rumors about Season Seven along way. Not everything from the time I spent with Moffat made it into that interview, so below you'll find some of the outtakes that were cut for length from The Daily Beast Q&A with Moffat. Among the topics: whether we'll see Torchwood 's Captain Jack Harkness (John Barrowman) in the TARDIS anytime soon (and why River is, in some ways, a replacement for Jack), why Moffat seems to relish killing Rory (Arthur Darvill) over and over again, why Season Six was split into two halves for broadcast, how dark the second half of the season gets, and a brief discussion of Doctor Who 's episodic budget. The Daily Beast: What

The Daily Beast: "Doctor Who’s Global Takeover" (Interview with Steven Moffat)

Once a cult series, British sci-fi drama Doctor Who has become a global phenomenon, and new audiences are embracing the 900-year-old alien time traveler--now played by roughly 29-year-old Matt Smith--with alarming passion. (Witness the rock-star welcome Smith and co-star Karen Gillan got at July’s Comic-Con.) Doctor Who , under head writer Steven Moffat, who replaced Russell T. Davies last season, returns for the second half of its sixth season in the U.S. and the U.K. on Saturday. Over at The Daily Beast, you can read my latest feature, " Doctor Who ’s Global Takeover," in which I sit down with Moffat in Los Angeles to discuss the shocking identity of River Song (Alex Kingston), criticisms of “bad girl” companion Amy Pond (Gillan), and rumors about next season. Doctor Who returns Saturday, August 27th for the second half of Season Six, kicking off with "Let's Kill Hitler," at 9 pm ET/PT on BBC America and at 7:10 pm GMT on BBC One.

The Daily Beast: "Emmys 2011: The Good Wife's Best Actress" (Julianna Margulies)

Julianna Margulies has been nominated for an Emmy Award for CBS’ The Good Wife . Over at The Daily Beast, you can read my latest feature (and the first in a series of Emmys-centric pieces heading your way), " The Good Wife 's Best Actress," in which I speak with Margulies about playing the brilliant and career-driven Alicia Florrick on The Good Wife , Alicia and Will (Josh Charles), Alicia and Kalinda (Archie Panjabi), wigs, gate-crashing the Governor's Ball, and her Emmy nomination. Season Three of The Good Wife begins Sunday, September 25th at 9 pm ET/PT on CBS.

The Daily Beast: "Becoming Chloë Sevigny"

Oscar nominee Chloë Sevigny may be the former star of Big Love on TV – but online, she’s developed a viral following at the hand of her drag-queen impersonator, Drew Droege. Over at The Daily Beast, Droege writes about his muse and inspiration, and how the two came face to face, in the hilarious first-person piece "Becoming Chloë Sevigny." (Complete with video from Droege's mordant and biting viral video series Chloe .)

True Blood's Downward Turn (Or Why I'm Not Writing a Typical Review This Week)

Confession: I couldn't bring myself to rewatch last night's episode of True Blood . This hasn't happened to date. Typically, I watch the series via press screener a few weeks ahead of broadcast and then sit down on Sunday night to rewatch the week's latest installment in order to have it fresh in my mind so I can write my review. This was not what happened this week. In fact, I was so turned off by Sunday's episode ("Let's Get Out of Here"), written by Brian Buckner and directed by Romeo Tirone, that I couldn't actually force myself to sit through it again. Which is saying something, I think. Perhaps it was the overabundance of Emma (shudder), the hostage standoff/ Ghost Whisperer plot of Lafayette (double shudder), Sookie's intensely unerotic dream, or the irritating showdown at the Vampire Rights rally (yawn), this episode just got under my skin in the worst possible way. I've been able to rationalize a lot with True Blood and fin

The Daily Beast: "The Hour: The British Mad Men?"

The British drama The Hour , launching on Wednesday, Aug. 17, on BBC America, arrives at an inauspicious time for British journalists currently mired in a phone-hacking scandal and charges of police bribery that has closed newspapers and brought media moguls in front of Parliament. Those involved with such illicit and illegal wiretapping bear little resemblance to the journalist-heroes of The Hour , set in and around a BBC newsroom in 1956, where the truth was the most important principle. Over at The Daily Beast, you can read my latest feature, "The British Mad Men ?" in which I sit down with The Hour 's creator Abi Morgan to discuss the journalist-heroes of the six-part series, comparisons to AMC’s ‘Mad Men,’ and Morgan’s upcoming Margaret Thatcher biopic, The Iron Lady . The Hour premieres tonight at 10 pm ET/PT on BBC America.

Stylish Love Triangles, Newsroom Politics, and Murder: An Advance Review of BBC America's Period Drama The Hour

"History repeats itself, first as tragedy, second as farce." - Freddie Lyon CBS' newsmagazine 60 Minutes represents something tangible and honest to most Americans: an hour of news and opinion that cuts through the news cycle clutter to offer insight and context about the issues of the day. In England, the show's analogue would have been something like Panorama or Tonight , but British journalists at the moment are widely tarnished by a phone hacking and police bribery grand scandal that has to date closed a newspaper, saw the departure of longtime Rupert Murdoch confidante Rebekah Brooks, and brought the media mogul himself before Parliament to answer for the grievous charges against the tabloid newspaper he owned. In other words: it's not a good time to be a British journalist, with the world watching and waiting. In a quite prescient move, creator Abi Morgan's intoxicating and atmospheric British drama, The Hour , harkens back to the journalist-heroes