Link Tank: TV Blog Coalition Roundup for November 9-11

Televisionary is proud to be a member of the TV Blog Coalition. At the end of each week, we'll feature a roundup of content from our sister sites for your delectation.

This week here at Televisionary, I've kept the masses up-to-date on the WGA strike happenings, including up-to-the-minute updates to the list of series that have been affected or gone black as a result of the strike. I also took an exclusive first look at the script for NBC's Knight Rider pilot, complimented the improvement that this week's backstory-laden installment of Chuck brought, sadly lamented the penultimate pre-strike episode of The Office, and celebrated the return of Life on Mars.

Elsewhere in the sophisticated TV-obsessed section of the blogosphere, members of the TV Blog Coalition were discussing the following items...

BuzzSugar: We wondered about the worst television shows ever, wondered if the writers' strike would make us watch more Web-only programming, and got creeped out in a good way by Dexter's Dark Defender webisodes.

Daemon's TV: Sandie offers a first look at pictures from Battlestar Galactica "Razor". Eric talks about "twisted couples" on CBS' Numb3rs and wonders if Tony and Ziva are about to hook-up on NCIS.

Glowy Box: Liz explained why she supports the WGA, and discovered that The Daily Show is still filming despite the strike. She also debated the difference between being a model video ho and a hoochie video ho on this week’s America’s Next Top Model.

Mikey Likes TV: Trying to ignore the traumatic effects of the writers' strike, Mikey reviewed the two most recent issues of the Buffy comic series and welcomed a speedy end to NBC's green week.

RTVW: We imagined the perfect Dollhouse by playing casting directors for Joss Whedon. Just Jody finally fell for Avatar: The Last Airbender and P-C did a hard-hitting head-to-head comparison of Chuck and Reaper.

Scooter McGavin’s 9th Green: Certainly Joss Whedon and Eliza Dushku are enough reasons to watch Dollhouse, but Scooter has come up with ten reasons why he won’t be watching. But it is not like the show will be on any time soon because of the writer’s strike, well that is unless the powers that be check out Scooter’s solution to the strike.

Tapeworthy: Vance wants to give a big Marc-styled "bravo" to the fantastic writers at Ugly Betty for turning Victoria Beckham intentionally funny, giving Christina a plotline and giving Vanessa Williams a career again. He however dislikes another Vanessa for intruding on his pretty friends Dan and Serena on Gossip Girl. And as supportive to the WGA as Vance wants to be, he was still super excited about the new season of The Amazing Race!

TiFaux: Last week, Dan took his fetish for all things Canadian to a new level by talking about the brand new, maple-smelling Project Runway Canada. Kyle reached an oasis in the desert of Battlestar Galactica by seeing (and reviewing) Battlestar Galactica: Razor. Meanwhile, Maggie mulled all things Heroes-related, including the fact that Kensei/Adam Monroe is immortal, evil and totally awesome.

The TV Addict: Not surprisingly, this week, The TV Addict is all strike talk 24/7. First, we suggest more creative sign ideas for the striking writers. Then take a break from strike news to post exclusive interviews with Bones star T.J. Thyne and House stars Omar Epps and Jennifer Morrison. Ending off the week with our one idea to ensure the strike ends early: Boycott Reality TV!

TV Filter: Raoul interviewed Sarah from America's Next Top Model. Kate did a play-by-play of Kenneth Parcell's last party ever.

TV With MeeVee: We're pretty heavy on WGA strike talk, including this fabulous post with Mr. Ed! We love the new Playboy show that's like "The Office" for porn! And then there was the immortal Ro-Ro A No-Go For MSNBC-O.

Have a Burning Question for Team Darlton, Matthew Fox, Evangeline Lilly, or Michael Emerson?

Lost fans: you don't have to make your way to the island via Ajira Airways in order to ask a question of the creative team or the series' stars. Televisionary is taking questions from fans to put to Lost 's executive producers/showrunners Damon Lindelof and Carlton Cuse and stars Matthew Fox ("Jack Shephard"), Evangeline Lilly ("Kate Austen"), and Michael Emerson ("Benjamin Linus") for a series of on-camera interviews taking place this weekend. If you have a specific question for any of the above producers or actors from Lost , please leave it in the comments section below . I'll be accepting questions until midnight PT tonight and, while I can't promise I'll be able to ask any specific inquiry due to the brevity of these on-camera interviews, I am looking for some insightful and thought-provoking questions to add to the mix. So who knows: your burning question might get asked after all.

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What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous season ...

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See You in Another Life: Thoughts on The Series Finale of Lost

"No one can tell you why you're here." I'm of two minds (and two hearts) about the two-and-a-half hour series finale of Lost ("The End"), written by Damon Lindelof and Carlton Cuse and directed by Jack Bender, which brought a finality to the story of the passengers of Oceanic Flight 815 and the characters with which we've spent six years. At its heart, Lost has been about the two bookends of the human existence, birth and death, and the choices we make in between. Do we choose to live together or die alone? Can we let go of our past traumas to become better people? When we have nothing else left to give, can we make the ultimate sacrifice for the greater good? In that sense, the series finale of Lost brought to a close the stories of the crash survivors and those who joined them among the wreckage over the course of more than 100 days on the island (and their return), offering up a coda to their lives and their deaths, a sort of purgatory for found, r...

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