The Daily Beast: "Bring on the New Shows!" (Upfronts 2012)

Over at The Daily Beast, we're keeping you up-to-date with all of the news, renewals, cancellations, and series orders coming out of this week's broadcast network upfronts.

You can read our Network Scorecard, which keeps track of all of the renewals and cancelations as well as reactions to the scheduling changes and check out video promos for all of the networks' new shows. And you can read detailed descriptions--as well as insider information--about all of the new series heading to your television in the fall and spring.

Jace Lacob and Maria Elena Fernandez take a look at what’s coming up and what’s coming back on TV this fall as television's network upfronts week comes to a close. The CW moved Supernatural to Wednesdays, ordered five new shows, renewed Hart of Dixie, and canceled Secret Circle and Ringer. CBS moved Two and a Half Men to Thursdays and The Mentalist to Sundays, while The Good Wife is staying put. ABC renewed Revenge (moving it to Sundays at 9 p.m.), Modern Family, Grey's Anatomy, Suburgatory, and several others. Fox renewed Touch (and it moved it to Fridays), canceled Alcatraz, moved Glee to Thursdays, and ordered Kevin Williamson's The Following and several comedies, including one from The Office's Mindy Kaling. NBC renewed Community (which moves to Friday this fall), Parks and Recreation, Parenthood, Law & Order: Special Victims Unit, and 30 Rock, and ordered 10 new shows, including a comedy with Matthew Perry, serial killer drama Hannibal, the Dick Wolf-produced Chicago Fire, and J.J. Abrams action drama Revolution. Read our analysis of all of the networks' 37 new series and counting!

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Have a Burning Question for Team Darlton, Matthew Fox, Evangeline Lilly, or Michael Emerson?

Lost fans: you don't have to make your way to the island via Ajira Airways in order to ask a question of the creative team or the series' stars. Televisionary is taking questions from fans to put to Lost 's executive producers/showrunners Damon Lindelof and Carlton Cuse and stars Matthew Fox ("Jack Shephard"), Evangeline Lilly ("Kate Austen"), and Michael Emerson ("Benjamin Linus") for a series of on-camera interviews taking place this weekend. If you have a specific question for any of the above producers or actors from Lost , please leave it in the comments section below . I'll be accepting questions until midnight PT tonight and, while I can't promise I'll be able to ask any specific inquiry due to the brevity of these on-camera interviews, I am looking for some insightful and thought-provoking questions to add to the mix. So who knows: your burning question might get asked after all.

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What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous season ...

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See You in Another Life: Thoughts on The Series Finale of Lost

"No one can tell you why you're here." I'm of two minds (and two hearts) about the two-and-a-half hour series finale of Lost ("The End"), written by Damon Lindelof and Carlton Cuse and directed by Jack Bender, which brought a finality to the story of the passengers of Oceanic Flight 815 and the characters with which we've spent six years. At its heart, Lost has been about the two bookends of the human existence, birth and death, and the choices we make in between. Do we choose to live together or die alone? Can we let go of our past traumas to become better people? When we have nothing else left to give, can we make the ultimate sacrifice for the greater good? In that sense, the series finale of Lost brought to a close the stories of the crash survivors and those who joined them among the wreckage over the course of more than 100 days on the island (and their return), offering up a coda to their lives and their deaths, a sort of purgatory for found, r...

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