Skip to main content

Tycoons and Tantrums: An Advance Review of BBC America's "The Apprentice UK"

I had long since given up watching the US version of The Apprentice, which had come to feature more finger-waggling and The Donald's bizarro hairstyle than I really liked, so I was curious to see just what the Brits had managed to accomplish with Mark Burnett's reality format.

BBC America is launching the UK version of The Apprentice, known here as Mark Burnett's The Apprentice UK, tonight with two back-to-back episodes. While these are channel premieres, astute viewers will remember that CNBC aired a batch of these episodes a few years ago before they vanished into the ether. BBC America will reair those introductory episodes as well as the entire first season of The Apprentice UK, marking a US premiere.

I have to say that I was pleasantly surprised to discover that The Apprentice UK is a more slick and enjoyable format than its Yankee namesake, offering an overall more taut and polished performance than the ghastly trainwreck (ahem, Celebrity Apprentice) that the US original has become.

Adding to this rich patina is the program's host, self-made billionaire Sir Alan Sugar who reminds us repeatedly that he (A) doesn't suffer fools gladly and (B) should never be underestimated. He's the perfect Machiavellian villain for the piece and lords over the contestants with the sort of bearing typically reserved for feudal landowners or warlords. One can't shake the feeling that he's volatile, unpredictable, and dangerous.

Sir Alan is assisted in keeping an eye on the fourteen contestants (more on them in a bit) by his trusted advisers, Margaret Mountford and Nick Hewer. Mountford and Hewer are Sir Alan's eyes and ears in the field and they keep a watchful eye over the assembled wannabe apprentices, each vying for the opportunity to gain the sage advise (and a hefty paycheck) from Sir Alan. So far, Mountford and Hewer are far more reserved than their American counterparts and they remain professionally detached from the teams they are supervising. No showboating here.

The contestants themselves are the sort of mix of reality contestants that one would expect to find in a financial competition: young upstarts, egomaniacs, icy power brokers, and the truly bizarre. The contestants live together in a posh flat, though the men and women are segregated into gender-based teams for the first two challenges, which involve selling flowers and creating a pitching a new toy, after which the teams are reshuffled.

So far, it's too early to tell who will emerge the strongest but the first two episodes already show friction forming between the fourteen competitors, especially between headstrong sales manager Saira and Adele... and between Saira and Adenike... and between Saira and Miranda. I think you get my drift: loads of leaders and not too many followers here, a trend that is especially felt in the second episode when project manager Lindsay quickly makes some enemies by not being proactive enough when it comes to selecting a product to pitch. And, as we all know from watching the original format, no one likes an indecisive leader. The men's team has its own troubles as well, most notably in the form of mature student Matthew, a former stockbroker and one-time Conservative Party parliamentary candidate.

All in all, Mark Burnett's The Apprentice UK is a well-crafted reality series that furthers the franchise and gives it its own identity, ably aided by the superb Sir Alan Sugar, a sharp-clawed tiger in a Saville Row suit. And while it seems somewhat familiar, thanks to the overplayed US original series, the British accent and slick suiting give it the sheen of something new and exciting.

Mark Burnett's The Apprentice UK premieres tonight with two back-to-back episodes at 8 pm ET/PT on BBC America.


NicholasJ said…
I am SO over the US Apprentice but I have to say that your review has piqued my interest about the UK one. The US Apprentice has become nothing more than a joke but it sounds like the UK version is more like the original. Plus, Alan Sugar seems more scary that The Donald!

Popular posts from this blog

Katie Lee Packs Her Knives: Breaking News from Bravo's "Top Chef"

The android has left the building. Or the test kitchen, anyway. Top Chef 's robotic host Katie Lee Joel, the veritable "Uptown Girl" herself (pictured at left), will NOT be sticking around for a second course of Bravo's hit culinary competition. According to a well-placed insider, Joel will "not be returning" to the show. No reason for her departure was cited. Unfortunately, the perfect replacement for Joel, Top Chef judge and professional chef Tom Colicchio, will not be taking over as the reality series' host (damn!). Instead, the show's producers are currently scouring to find a replacement for Joel. Top Chef 's second season was announced by Bravo last month, but no return date has been set for the series' ten-episode sophomore season. Stay tuned as this story develops. UPDATE (6/27): Bravo has now confirmed the above story .

Have a Burning Question for Team Darlton, Matthew Fox, Evangeline Lilly, or Michael Emerson?

Lost fans: you don't have to make your way to the island via Ajira Airways in order to ask a question of the creative team or the series' stars. Televisionary is taking questions from fans to put to Lost 's executive producers/showrunners Damon Lindelof and Carlton Cuse and stars Matthew Fox ("Jack Shephard"), Evangeline Lilly ("Kate Austen"), and Michael Emerson ("Benjamin Linus") for a series of on-camera interviews taking place this weekend. If you have a specific question for any of the above producers or actors from Lost , please leave it in the comments section below . I'll be accepting questions until midnight PT tonight and, while I can't promise I'll be able to ask any specific inquiry due to the brevity of these on-camera interviews, I am looking for some insightful and thought-provoking questions to add to the mix. So who knows: your burning question might get asked after all.

What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous seas