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The Daily Beast: "Community: The NBC Comedy is Shelved Until Later, But Why?"

I explore NBC’s decision to hold Community until an undisclosed later date, which arrives during a television season that lowers the bar on expectations and on success. At The Daily Beast, you can read my latest feature, " Community : The NBC Comedy is Shelved Until Later, But Why?" in which I explore some of the reasons why NBC opted to hold Community until a later date. Community will not be returning on Friday, October 19, and will instead remain in limbo for the foreseeable future. While the news left Greendale fans panicking, the network claims it has made the late decision because NBC had focused promotional support on the network’s Monday, Tuesday, and Wednesday lineups, apparently forgetting about the existence of Community and Whitney, which were meant to return next Friday. The two low-rated comedies may instead end up filling in for the network’s other trouble spots in the coming weeks or months. While this sort of network scheduling second-guessing is onl

The Daily Beast: "Call the Midwife: Miranda Hart’s Chummy Browne Steals the Show"

Are you watching PBS' Call the Midwife ? If not, you're missing out. In an effort to lure you, I explore the charms of the delightful ’50s drama and its breakout character, Miranda Hart’s awkward and hilarious Chummy Browne. At The Daily Beast, you can read my latest feature, " Call the Midwife : Miranda Hart’s Chummy Browne Steals the Show," in which I praise both the British period drama and specifically, fall's breakout TV character, Miranda Hart's Chummy. Miranda who? Miranda Hart might not be well known in America, but that is about to change, thanks to her role in PBS’ period drama Call the Midwife, which airs Sundays at 8 p.m. (Check your local listings for details.) In fact, her disarming performance turns clumsy midwife Camilla Fortescue-Cholmondeley-Browne (or Chummy for short) into this season’s breakout character. Based on the memoirs of the late Jennifer Worth, Call the Midwife centers on a group of young midwives and the nuns of nursing

The Daily Beast: "Parenthood: In Praise of Ray Romano"

Everybody loves Raymond, after all. I praise Ray Romano’s stunning performance as grumpy photographer Hank Rizzoli on NBC’s Parenthood , and declare myself a fan. Over at The Daily Beast, you can read my latest feature, " Parenthood : In Praise of Ray Romano," in which I do just that: praise the outstanding performance of Romano on NBC's underrated drama Parenthood , and discover that I am a Romano fan, after all. I have never been a Ray Romano fan. That seems like a good place to start. I couldn’t stomach Everybody Loves Raymond, Romano’s long-running CBS sitcom and, despite the coaxing of many critic friends, I never got into his short-lived TNT drama Men of a Certain Age. Romano has always seemed far too nebbishy and whiny for my liking. While that’s worked for him, I had never fallen for the comedian’s charms. That has changed irrevocably with Romano’s fantastic turn on Parenthood, which airs Tuesdays at 10 p.m. Thanks to his performance on the Jason Katims-c

The Daily Beast: "Review: Season 2 of Homeland and Season 4 of The Good Wife"

Set your DVRs! I review Season Two of Showtime’s Homeland and Season Four of CBS’s The Good Wife , finding common ground in their deft and subtle explorations of identity. At The Daily Beast, you can read my latest feature, "TV's Kick-Ass Women Return," in which I review Season Two of Homeland and Season Four of The Good Wife , tracing the way that both shows explore their characters' shifting identities. In the season opener of Homeland, which airs on Sunday, Claire Danes’s Carrie Mathison smiles. If you’ve been watching Showtime’s Homeland, the newly crowned winner of the Emmy Award for Best Drama, this seems entirely contrary to her character, a bipolar and deeply disgraced CIA officer who underwent electroconvulsive therapy in the first season finale. Carrie isn’t prone to happiness: she has been misunderstood, mocked, and kicked out of the intelligence community. For all of that, Carrie was also right that Sergeant Nicholas Brody (Emmy Award winner Damia

The Daily Beast: "Alex Kingston's Journey Through Time"

Alex Kingston reprises her role as River Song in Saturday’s Doctor Who and travels back in time for the new season of Upstairs Downstairs . I talk to the former ER star about River, Downton Abbey , historical lesbians, and more. Over at The Daily Beast, you can read my latest feature, "Alex Kingston's Journey Through Time," in which I talk to Kingston about Doctor Who and "The Angels Take Manhattan," Upstairs Downstairs (which returns to PBS' Masterpiece on Oct. 7), Downton Abbey , River Song, historical lesbians, and more. Upstairs Downstairs isn’t typically known for its salaciousness. The costume drama’s legendary original run—between 1971 and 1975 on ITV—kept the characters’ sexuality more or less off-screen, but the recent BBC revival series, which returns to PBS’ Masterpiece on Oct. 7, has taken a more overt approach to human sexuality than its predecessor, with one character—Claire Foy’s Lady Persephone—painted as a notorious Nazi sympa

The Daily Beast: "Homeland Sweeps the Emmys: Why Showtime’s Thriller Exploded"

Mad Men is triumphant no more. I examine Showtime’s superlative terrorist thriller Homeland , which took home the Emmy for best drama Sunday. Over at The Daily Beast, you can read my latest feature, " Homeland Sweeps the Emmys: Why Showtime’s Thriller Exploded," in which I take a look at Homeland 's victory at the Primetime Emmy Awards last night and look at why the premium cable drama toppled Mad Men . Not only did Mad Men not win the Emmy Award for best drama, the AMC period drama went home empty-handed Sunday, leaving the 64th Annual Primetime Emmy Awards with not a single statuette in its possession. In the weeks leading up to the awards telecast, Mad Men seemed very much like a sure thing: it had won four of the four times it was eligible for Best Drama, and the odds seemed very much in its favor once more. In fact, Showtime’s Homeland—the taut psychological drama that also nabbed best-actor and -actress awards for Damian Lewis and Claire Danes—had cooled in

The Daily Beast: "Why Comedy Writers Love HBO's Game of Thrones"

Game of Thrones is beloved by viewers and critics alike. But the Emmy-nominated HBO fantasy drama is also a surprising favorite in the writers’ rooms of TV comedies around Hollywood. I talk to sitcom writers about why they’re obsessed with the sex-and-magic-laden drama, and how the show informs their own narratives. At The Daily Beast, you can read my latest feature, "Why Comedy Writers Love HBO's Game of Thrones, " in which I talk to writers from Parks and Recreation, Modern Family , and Community about why they love HBO's Game of Thrones, nominated for an Emmy Award for Best Drama. Fox’s upcoming sitcom The Mindy Project, created by and starring Mindy Kaling, deconstructs the romantic comedy fantasies of its lead character, an ob-gyn whose disappointment in the dating world stems from her obsessive viewing of Nora Ephron films. At the Television Critics Association Summer Press Tour in July, Kaling was candid about the role that When Harry Met Sally and oth