"I did warn you not to trust me." - Littlefinger The world of George R.R. Martin's novels depicts the internal landscape as much as it does the external and epic; the plots of "A Game of Thrones" and the subsequent books in the "A Song of Ice and Fire" novel series balances on a knife's edge between grand battles and stirring soliloquies enacted by the chapters' viewpoint narrator. In a television show, we're denied the ability to enter into the characters' minds, to slip away behind the eyes and see the truths that they keep hidden from everyone but themselves, to hear the words that they whisper as they fall asleep, to see the lies that they tell others. Instead, showrunners David Benioff and Dan Weiss have had to create ways of sharing information without it seeming obtrusive; the medium largely demands scenes of action rather than long drawn-out moments of inaction. And in this week's episode of Game of Thrones ("You Win