Skip to main content

"Love Makes Me Lazy": Adventures in Pizneyland on "Veronica Mars"

Sigh. It seems like forever ago that I was excited to watch last night's episode of Veronica Mars, but after learning that my beloved Mars wouldn't be returning next season (thanks again, CW!), I couldn't help but watch the episode feeling more than a little blue.

If next week is to be the end of the smart, stylish series, I do wish that Rob Thomas and Co. had been given the opportunity to go out on their own terms and to potentially wrap up the series in the way that makes sense, both for the story and its characters and the viewers of the series. But in the end, in a twist most at home in its noir setting, Veronica Mars was betrayed by a supposed ally: the CW network. Since the move to the CW at the beginning of the season, the WBTV series has been battered around more than that damn Maltese Falcon. It launched on Tuesday nights for one story arc, then it was pulled for several months, only to return for a handful of episodes (in which V. solved the murder of Dean O'Dell), and then get unceremoniously yanked for a new low in reality television: the literally vomitous Pussycat Dolls: The Search for the Next Doll. When it emerged for a final time, the show's very conceit had changed. Gone were the intricate mysteries of Seasons One and Two; in its place were standalone mysteries, tied together by ongoing shifts in the characters' interpersonal dynamics.

I'm not saying that the standalones were bad. (Because they're not.) But I do miss those immersive, Byzantine mysteries that led to so many theories and discussions. I come back each week for Veronica and her friends but it was the intricacy of the plots that kept me thinking about the series for days after the broadcast.

Which is why I'm glad that last night's episode of Veronica Mars ("I Know What You'll Do Next Summer") was so emotionally satisfying. I won't go into the details of the week's standalone mystery involving a former Ugandan child soldier (though it did make for a Very Special Episode), but I will say that even if next week's Veronica Mars is the series' last, we at least appear to be getting some closure on a few dangling storylines, what with the appearance of Big Dick Casablancas and Liam Fitzpatrick, still wondering just what ever happened to Kendall. Hmmm, I wonder if we'll find out if those two storylines are intertwined next week.

95. It's about time that Veronica applied for a private investigator license of her own and I loved the scene in which she tried to taunt Papa Keith with her 95 score, only to learn that she didn't beat his results, after all. And, Keith, planting that 97 score in the drawer of your desk, just knowing Veronica would call and taunt you whilst sitting at your old desk? Classic.

I'm just happy though that Rob Thomas decided to make Veronica legit in the end and have her stand on her own two feet a little more by making her a proper PI... and taking that internship with the FBI at Quantico. While it could have set up a potential Season Four with a new direction (I'm desperate to get my hands on that 10-minute FBI presentation to the CW), it does provide some direction for the future of the characters (even if its just in our heads) after the cameras have stopped rolling. Sigh.

Vinnie Van Lowe. Was it just me or was Vinnie's cheesy campaign video absolutely hysterical? I'm so happy that Ken Marino has been sticking around the show these past few weeks as (A) he's so damn funny and (B) it's nice for Keith to have a foil, especially since the death of poor Don Lamb. Loved Veronica's question about whether Vinnie had kids whilst watching.

Summer. Poor Piz. I just knew that he was destined for heartbreak and I was hoping he'd just step up and tell Veronica how he felt rather than playing games with her. Our girl V. is obviously not in tune with his feelings and trying to get her to admit that she'll miss him if he went to New York, or encourage him to stay in Neptune, is probably not the right move at this juncture. Still, it's rather telling that Veronica urged Piz to do what would be best for his long-term happiness (in terms of career, anyway) and that Pitchfork would be lucky to have him. But his face couldn't conceal the shock he felt when Veronica hold him that she was going to Quantico. Ouch.

I'm glad Wallace signed up to volunteer for real-life group Invisible Children and spend the summer in Africa. It's been a long time since Mr. Fennel had any meaningful character growth, so I think it's fitting that he should show some real maturity.

Logan and Parker, meanwhile, seem destined for the trash heap after Parker learned that Logan would be spending the summer on a surf trip with Dick to South America. But after Veronica inadvertently gets involved with the couple's drama, Logan invites Parker to join them... only to have the whole thing blow up in his face when Dick backs out. Oh, Logan, it's clear you're not even a little bit in love with Parker and, after meeting her creepy white flour-hating parents, you should just RUN.

Mac and Max. I'm glad that Max might not be the perfect boyfriend for Mac. Sure, she's existing on a heady diet of sex binges and mediocre pizza, but I was blown away by Max's real nature: that he's counting down the days to his expulsion, hasn't been to class since February, and just plans on continuing his business of selling tests from an off-campus apartment next year. But Mac can't help but be smitten with Max, especially after the crunchy granola goodness of Bronson. I'm just hoping Max doesn't take Mac down with him in the end. Mac deserves better.

Burning questions: where was Deputy Leo this week? And what in the name of all things holy was that god-awful CWhat's Hot wrap they kept showing? Absolutely terrifying that this is the direction the CW is going in.

Dangling mysteries. I was blown away when Big Dick Casablancas showed up at the Neptune Grand, though I am a little confused by what he meant when he said he was paying for Dick's hotel room. (I always thought Logan was paying for it.) It's about time that Dick Senior showed up, after running out on Kendall and the boys at the beginning of Season Two and only fitting that he should make his reappearance at the very scene of son Cassidy's death. But just what does he want? Sure, he claims that he wanted to spend some time with Dick before he's incarcerated for his crimes, but he doesn't really seem to be the turn yourself in and go to jail for a year type. Could there be something else going on here? Maybe related to the mysterious death of Kendall Casablancas? Me, I'm hoping that Kendall is secretly still alive and she and Dick have planned this from the start. Fingers crossed.

Next week on what appears to be the two-hour series finale (sniffle, sniffle) of Veronica Mars ("Weevils Wobble But They Don't Fall Down"), Veronica must clear Weevil's name when he's arrested for selling fake credit cards but he claims that he's being framed, Keith and Vinnie debate, Dick apologizes to Mac, and a sex tape of Veronica and Piz makes its way onto the internet. Man, I'm going to miss this series.

What's On Tonight

8 pm: The Price is Right Million Dollar Spectacular (CBS); Thank God You're Here (NBC); America's Next Top Model (CW); According to Jim/Notes from the Underbelly (ABC); Bones (FOX)

9 pm: Criminal Minds (CBS); Crossing Jordan (ABC); One Tree Hill (CW); According to Jim/Notes from the Underbelly (ABC); American Idol (FOX)

10 pm: CSI: New York (CBS); Medium (NBC); Lost (ABC)

What I'll Be Watching

8 pm: America's Next Top Model.

On tonight's season finale ("The Girl Who Becomes America's Next Top Model"), the final three have to bring it when they have to perform in a commercial and print ad shoot for Cover Girl, leading one to struggle to look youthful (Renee?) while another needs constant coaching from Jay to say her lines naturally (Nata?). Please, for the love of all things holy, have Renee win this.

10 pm: Lost.

Tonight cannot come fast enough for me. On tonight's episode ("Greatest Hits"), Jack comes up with a plan involving loads of dynamite to rid them of the Others forever, Desmond tells Charlie that he needs to die this time, while Sayid discovers a flaw within the Other's group.

Comments

Anonymous said…
I'm also glad that they seem to be wrapping up some of the major plot lines, such as Big Dick Casablancas and the disappearance of Kendall. But the show, while still good, just isn't the same without its intricate, season long mysteries. If this really is the end of Veronica, I wish that the CW would have just let them do the season as originally intended instead of changing the show, only to let it go. Badly done, CW.
Shawn Anderson said…
Looks like Piz did manage to get a review in with Pitchfork, even if he was headed to the wrong city (Pitchfork is in Chicago.)

Review of Säkert! Säkert! by Stosh "Piz" Piznarski
The CineManiac said…
I love this show! Last night's episode showed that you can have a "Very Special Episode" of Veronica Mars and it will still outshine most of the shows on television.
Personally my favorite part of the show was seeing Dick explode on his father. This is one of the few times we've ever seen the real Dick come through and it was nice to see that he does feel bad about how things went down with his brother, and he feels responsible.
I hope this show doesn't end, and personally I hope it comes back in it's current form because I don't want to miss Dick, Mac, Wallace, Weevil, Detective Leo, Piz, Vinnie, and of course the best father on earth Kieth Mars.
Please CW bring back our show in it's proper form.
Unknown said…
CW may have the option of waiting until June, but we all know they're not going use it. VM's gone. Bye-bye, Veronica. And, frankly, with the way the network was mucking about with the format, it's just as well. Look how Angel deteriorated at the end because of the network hating long story arcs, which was one of the best things about the show. Sound familiar?

Still, I was quite grossed out by the revelation that Dick and his father used to bet on which one could make Cassidy cry first. Ugh.
Anonymous said…
I missed Leo this episode too, but was glad to catch him tonight (the actor Max Greenfield that is) on Ugly Betty tonight. He's a pretty darn good actor!

Popular posts from this blog

What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous season

Pilot Inspektor: CBS' "Smith"

I may just have to change my original "What I'll Be Watching This Fall" post, as I sat down and finally watched CBS' new crime drama Smith this weekend. (What? It's taken me a long time to make my way through the stack of pilot DVDs.) While it's on following Gilmore Girls and Veronica Mars on Tuesday nights (10 pm ET/PT, to be exact), I'm going to be sure to leave enough room on my TiVo to make sure that I catch this compelling, amoral drama. While one can't help but be impressed by what might just be the most marquee-friendly cast in primetime--Ray Liotta, Virginia Madsen, Jonny Lee Miller, Amy Smart, Simon Baker, and Franky G all star and Shohreh Aghdashloo has a recurring role--the pilot's premise alone earned major points in my book: it's a crime drama from the point of view of the criminals, who engage in high-stakes heists. But don't be alarmed; it's nothing like NBC's short-lived Heist . Instead, think of it as The Italian

The Daily Beast: "How The Killing Went Wrong"

While the uproar over the U.S. version of The Killing has quieted, the show is still a pale imitation of the Danish series on which it is based. Over at The Daily Beast, you can read my latest feature, "How The Killing Went Wrong," in which I look at how The Killing has handled itself during its second season, and compare it to the stunning and electrifying original Danish series, Forbrydelsen , on which it is based. (I recently watched all 20 episodes of Forbrydelsen over a few evenings.) The original is a mind-blowing and gut-wrenching work of genius. It’s not necessary to rehash the anger that followed in the wake of the conclusion last June of the first season of AMC’s mystery drama The Killing, based on Søren Sveistrup’s landmark Danish show Forbrydelsen, which follows the murder of a schoolgirl and its impact on the people whose lives the investigation touches upon. What followed were irate reviews, burnished with the “burning intensity of 10,000 white-hot suns