Skip to main content

Messiah Envy: "The 4400" Returns

I'm always slightly baffled by the fact that The 4400, which returned to the airwaves last night with its fourth season premiere, is on USA. It seems more fitting that the series would air on sister network Sci Fi (where it has its second window, from time to time) than on the same network that brings us, say, Monk and Psych.

In any event, last night's season premiere of The 4400 ("The Wrath of Graham") pushed the story along and introduced us to some new characters while dealing with the fallout from last season, where prophet/lunatic Jordan Collier (Billy Campbell), newly returned from the dead, decided to begin handing out promicin to anyone who wanted it. Meaning that anyone on the street could suddenly manifest a 4400 ability. Or, you know, drop dead, as the stuff has a 50/50 survival rate.

One of the ongoing themes of the series has been the battle between the haves and the have-nots, though those definitions have changed as the series went on. Some returnees wanted to return to their old lives as though nothing had changed since their abductions, jealous at the lives of the baseline humans around them. The 4400 were marginalized, objects of fear and loathing. But Jordan's decision has changed all of that. After constructing a public persona for himself before being killed, Jordan has shifted the position of the 4400 in a way that no one could have anticipated; not just as celebrities or heroes, but iconic representations of man in God's image. And now anyone can achieve that position, with a single dose of promicin.

It's no surprise then that two of the series' most malcontented characters--Kyle Baldwin (Chad Faust) and April Skouris (Natasha Gregson Wagner)--were seen at the end of Season Three about to administer a potentially fatal shot of promicin; if anyone was in dire need of a new perspective/reason to live, it's these two.

When Season Four begins, April's fate is still unclear. She hasn't been heard from in months, least of all by her sister Diana Skouris (Jacqueline McKenzie), ex-NTAC agent now living in Spain with her adopted 4400 daughter Maia (Conchita Campbell) and boyfriend Ben (Brennan Elliott). Diana's lured back into the NTAC fold with the promise of assistance in tracking down April, who has turned up on a list of people with promicin. Kyle, meanwhile, has just returned to Seattle after a stint of traveling only to find his father Tom Baldwin (Joel Gretsch) a crushed, wounded man, still holding out hope that the missing Alana (Karina Lombard) will return to him. Kyle DID take the promicin shot, we learn, but so far has yet to manifest any abilities. (Hmmm, make that a rather big SO FAR.)

What's going on with everyone else? Shawn (Patrick Flueger) is still in a coma, following the attack on him by ex-fiancee Isabelle Tyler (Megalyn Echikunwoke), who remains in federal custody as the government determines just what to do with the psychotic would-be destroyer of the 4400. Jordan is in hiding with Kevin Burkhoff (Jeffrey Combs) and schizophrenic Tess (Summer Glau), who is quickly unraveling at the seams. It's only a matter of time before Jordan is found as Tess' power is the only thing that is keeping the conspirators hidden. No sign of Richard Tyler (Mahershalalhashbaz Ali), though; but the fact that his loooooong name has noticeably disappeared from the opening credits makes me think we won't be seeing him anytime soon, sadly. NTAC Director Nina Jarvis (Samantha Ferris) is gone too; there's a new NTAC director, in fact: Megan Doyle (Jenni Baird), a blonde former think-tank member with a penchant for hanging up La Dolce Vita posters in her office to tick off her subordinates.

I thought that the case this week was an interesting one. A maladjusted youth (seeing a theme here) named Graham (Thank You For Smoking's Cameron Bright) takes a shot of promicin in the hopes of changing his lame suburban life and discovers that the promicin has made him into a god, one to be worshipped by the classmates who humiliated him and the girl of his dreams (who quickly offers up herself as a willing, er, sacrifice). Graham quickly seizes control of his Seattle suburb, setting up a fiefdom of converted worshippers (all dressed in his trademark black hoodie) who are more than willing to do his bidding, but Graham has bigger plans: he wants the world. The kid quickly takes over the military officers stationed outside his kingdom, goes on television to spread the Word of Graham, and sets his sights on taking down Jordan Collier.

We've always wondered just what Jordan's 4400 ability is and the series' producers have teased us with just enough information over the years. Is it an inability to die? To resurrect himself? Last night's episode lay down another piece of the puzzle as Jordan seemingly has the ability to draw a baseline human's promicin out of them and into himself, effectively robbing them of their abilities. He single-handedly takes down Graham with a touch, absorbing the kid's promicin into himself. Hmmm. I'm glad this ability doesn't affect the true 4400s, just the dosing humans, but it has some interesting practical applications and makes Jordan even more powerful than I had suspected.

Just who is Cassie, the mysterious artist who strikes up a series of conversations with Kyle? I'm very suspicious of her motives and why she's suddenly made contact with Kyle. He seems to be smitten with her until she suggests that Kyle overdose Shawn with promicin, as a possible means of waking him up from his coma. Hmmm. Her advice works a little too well for comfort as Shawn seems to flatline and then regains consciousness. Just how did Cassie know that would work? Is she a conduit to the Future? Or something else entirely different? I don't trust her a jot but Kyle's already fallen under her spell. (Did I mention how happy I am that Kyle is back? He's one of my favorite characters and obviously will have a big part to play this season.)

As for Alana, Tom has hit a dead end, until Megan tells him that Isabelle Tyler is now allowed to see visitors and she may have information about where Alana is, given her connection to the future. I'm very happy that the producers are keeping Isabelle around and that they have a gameplan for her, following her powers being taken away by her father Richard last season; just what that plan is I'm not entirely sure yet but I wouldn't discount this she-wolf from being the harbinger of doom that everyone makes her out to be. LOVED the reveal at the episode's end about just what happened to Alana as Tom discovers a 19th century French painting at the museum entitled "Alana in Repose," featuring, you betcha, his missing Alana.

That the Future would send her back in time like that definitely makes me think that they are mightily pissed off at Tom Baldwin and this is punishment for failing to kill Isabelle. And I, for one, can't wait to see what the Future throws at them next.

Next week on The 4400 ("Fear Itself"), Tom and Diana race to find a 4400 with the ability to bring people's fears to life, while Kyle's mysterious new friend Cassie leads him to a book containing a prophecy about Jordan Collier.

What's On Tonight

8 pm: Creature Comforts/The New Adventures of Old Christine (CBS); Deal or No Deal (NBC); Everybody Hates Chris/All of Us (CW); Wife Swap (ABC); The Simpsons/American Dad (FOX)

9 pm: Two and a Half Men/How I Met Your Mother (CBS); Age of Love (NBC); Girlfriends/The Game (CW); Ex-Wives Club (ABC); Hell's Kitchen (FOX)

10 pm: CSI: Miami (CBS); Dateline (NBC); Supernanny (ABC)

What I'll Be Watching

8 pm: Creature Comforts.

On this week's installment of the US adaptation ("Winter; The Zoo"), animals talk about life behind bars (ahem, the zoo) and what they do during the winter months.

9 pm: Big Love on HBO.

HBO's polygamist family drama Big Love is back. On tonight's episode ("Writing on the Wall"): Bill is forced to rethink the latest Home Plus advertising campaign when a billboard is defaced with anti-polygamist graffiti; Wendy pays Barb a visit; the family forgets Nicki's anniversary; Roman makes his move to divide and conquer the Henrickson clan by forcing Joey to betray Bill.

9 pm: Hell's Kitchen.

No, I don't know why I am still watching this train wreck of a culinary competition. On tonight's installment, the teams must switch gears as they prepare a breakfast service for army personnel, while one would-be chef is taken ill (gee, Aaron?).


Bill said…
I was thinking that Cassie isn't real, but that seeing her is Kyle's power.
Anonymous said…
My vote is conduit to the future, but Bill definitely has an interesting thought.

Now that I think of it, hasn't Kyle been used before by those from the future. I need to rewatch the previous seasons.
Yay! I'm so happy that The 4400 is back. It's been too long. It's good to see some characters back (like Kyle) but sad that others, like Alana and Richard, are missing. Especially as I'm still trying to get over Lily being gone from the show!

Last night was a good episode. Not great, but good. It always takes them a little while to get things going each season and I'm really looking forward to seeing what the consequences are of Kyle and April taking the shot. I'm sure that will be interesting. And I did really like the reveal of Alana in the painting and Tom having to come to grips with her being sent back in time. And Jordan having "Messiah Envy" was priceless!
UPennBen said…
This comment has been removed by the author.
UPennBen said…
I second Bill's sentiment. That was my thought too. Perhaps now that he's been used once to "create" Messiah Jordan, Kyle will be able to fix things of his own free will, via Cassie.
Unknown said…
Cassie can't be a manifestation of Kyle's mind because then she can't give him information he doesn't already know. Thus, boring. I'm reasonably certain Cassie's from the future, but whether she's on the Good side or the Bad side, who knows...

I think every good show shakes up the cast occasionally. It keeps people from saying, "Oh, they're going to be okay because they're a main character." It doesn't mean we don't miss people though. (Tara from Buffy--snif.)

I don't want to think Alana was sent to the past to punish Tom. It seems unnecessarily punitive and hurts Alana just as much as (more than?) Tom. I think they had a different mission for her. Perhaps she had to go back because Tom didn't kill Isabelle. The Future said before that they have to manipulate timelines differently based on what the 4400 do.

Popular posts from this blog

Have a Burning Question for Team Darlton, Matthew Fox, Evangeline Lilly, or Michael Emerson?

Lost fans: you don't have to make your way to the island via Ajira Airways in order to ask a question of the creative team or the series' stars. Televisionary is taking questions from fans to put to Lost 's executive producers/showrunners Damon Lindelof and Carlton Cuse and stars Matthew Fox ("Jack Shephard"), Evangeline Lilly ("Kate Austen"), and Michael Emerson ("Benjamin Linus") for a series of on-camera interviews taking place this weekend. If you have a specific question for any of the above producers or actors from Lost , please leave it in the comments section below . I'll be accepting questions until midnight PT tonight and, while I can't promise I'll be able to ask any specific inquiry due to the brevity of these on-camera interviews, I am looking for some insightful and thought-provoking questions to add to the mix. So who knows: your burning question might get asked after all.

What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous season

Pilot Inspektor: CBS' "Smith"

I may just have to change my original "What I'll Be Watching This Fall" post, as I sat down and finally watched CBS' new crime drama Smith this weekend. (What? It's taken me a long time to make my way through the stack of pilot DVDs.) While it's on following Gilmore Girls and Veronica Mars on Tuesday nights (10 pm ET/PT, to be exact), I'm going to be sure to leave enough room on my TiVo to make sure that I catch this compelling, amoral drama. While one can't help but be impressed by what might just be the most marquee-friendly cast in primetime--Ray Liotta, Virginia Madsen, Jonny Lee Miller, Amy Smart, Simon Baker, and Franky G all star and Shohreh Aghdashloo has a recurring role--the pilot's premise alone earned major points in my book: it's a crime drama from the point of view of the criminals, who engage in high-stakes heists. But don't be alarmed; it's nothing like NBC's short-lived Heist . Instead, think of it as The Italian