Skip to main content

AMC Announces Launch Date for Limited Series "The Prisoner"

Cabler AMC has announced that its six-hour limited series event The Prisoner, starring Jim Caviezel and Ian McKellan, will launch on Sunday, November 15th at 8 pm ET/PT.

The cabler will air three two-hour installments over three consecutive nights, with subsequent installments airing on Monday, November 16th and Tuesday, November 17th.

In this remake of the classic British cult series, Jim Caviezel (The Passion of the Christ) plays Number Six, a man who finds himself the unwitting titular prisoner of The Village, a strange and surreal settlement overseen by the nefarious Number Two, played by Ian McKellan (Lord of the Rings). The Prisoner also stars Jamie Campbell-Bower (The Twilight Saga: New Moon) as Number 11-12, Hayley Atwell (Brideshead Revisited) as Number 41-5, Lennie James (Jericho) as Number 147, and Ruth Wilson (Suburban Shootout) as Number 313.

The Prisoner was written by Bill Gallagher (Conviction) and directed by Nick Hurran (Little Black Book).

Here's how AMC describes the six-hour limited series:

"The Prisoner tells the story of a man, "Six" (Caviezel), who wakes up to find himself inexplicably trapped in a mysterious and surreal place, The Village, with no memory of how he arrived. As he frantically explores his new environment, he discovers that Village residents are identified by number, have no memory of any prior existence, and are under constant surveillance. The Village is controlled by one man - the sinister and charismatic "Two" (Ian McKellen). Throughout the series, "Six" and "Two" are locked in a battle of wits, as "Six" challenges the oppressive nature of The Village and struggles to learn the truth behind it."

AMC's nine-minute clip reel for The Prisoner, shown this summer at San Diego Comic-Con, can be found below.



The Prisoner launches November 15th at 8 pm ET/PT on AMC.

Comments

Eric said…
Ian McKellan is perfect for the role of Number Two. Really looking forward to this!
HipHopAnonymous said…
I'm really looking forward to AMC's remake, but for anyone interested in the original series, IFC has actually started airing the old series on Friday nights at 8pm in 3 episode/hour blocks.

Granted the original series may not be for everyone. There's a 1960s low-budget campiness that might turn off some modern viewers, but the writing remains absolutely first-rate, even 40 years later. And there's a truly surreal aspect to the old episodes that is almost hypnotic at times, and impossible to duplicate. Not to mention, if you make it through all 14 episodes over the next month, you will be rewarded with the single most bizarre, confounding and jaw-droppingly unconventional series finale you will ever see. That's a promise.

Popular posts from this blog

What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous season

Pilot Inspektor: CBS' "Smith"

I may just have to change my original "What I'll Be Watching This Fall" post, as I sat down and finally watched CBS' new crime drama Smith this weekend. (What? It's taken me a long time to make my way through the stack of pilot DVDs.) While it's on following Gilmore Girls and Veronica Mars on Tuesday nights (10 pm ET/PT, to be exact), I'm going to be sure to leave enough room on my TiVo to make sure that I catch this compelling, amoral drama. While one can't help but be impressed by what might just be the most marquee-friendly cast in primetime--Ray Liotta, Virginia Madsen, Jonny Lee Miller, Amy Smart, Simon Baker, and Franky G all star and Shohreh Aghdashloo has a recurring role--the pilot's premise alone earned major points in my book: it's a crime drama from the point of view of the criminals, who engage in high-stakes heists. But don't be alarmed; it's nothing like NBC's short-lived Heist . Instead, think of it as The Italian

The Daily Beast: "How The Killing Went Wrong"

While the uproar over the U.S. version of The Killing has quieted, the show is still a pale imitation of the Danish series on which it is based. Over at The Daily Beast, you can read my latest feature, "How The Killing Went Wrong," in which I look at how The Killing has handled itself during its second season, and compare it to the stunning and electrifying original Danish series, Forbrydelsen , on which it is based. (I recently watched all 20 episodes of Forbrydelsen over a few evenings.) The original is a mind-blowing and gut-wrenching work of genius. It’s not necessary to rehash the anger that followed in the wake of the conclusion last June of the first season of AMC’s mystery drama The Killing, based on Søren Sveistrup’s landmark Danish show Forbrydelsen, which follows the murder of a schoolgirl and its impact on the people whose lives the investigation touches upon. What followed were irate reviews, burnished with the “burning intensity of 10,000 white-hot suns