Skip to main content

San Diego Comic-Con 2010: Questions for the V Cast and Crew?

They have arrived... in San Diego.

The cast and crew of ABC's alien drama V will once again invade San Diego Comic-Con with a panel on Saturday afternoon in Ballroom 20 that will be moderated by yours truly.

To that end, I'm collecting any questions you might have for V showrunner Scott Rosenbaum or cast members Elizabeth Mitchell, Morris Chestnut, Joel Gretsch, Logan Huffman, Laura Vandervoort, Charles Mesure, Morena Baccarin, and Scott Wolf, all of whom will be making the pilgrimage down to the annual convention next week.

While I can't promise they'll get asked, I'll be reviewing questions as I write my own for the panel, which will feature the cast and crew in a Q&A session as well as a brief screening.

Feel free to email or use the comments section below to offer up potential questions. Hope to see you all down in San Diego!

Comments

KriZia said…
This is for the whole cast, I would guess: What compelled you the most about the original V series that persuaded you to become involved in this re-made version?

And if you're able to take a second question: What would you personally like to see occur in season 2 of V?

(Jace, if you do ask this question, I'm sure you could phrase it more eloquently than I did. Also, I don't know that I'll make the panel - it all depends on how compelling the Exhibit Hall is that day, whether I'm able to score autograph tickets to the V signing and how crowded B20 is - but I know you'll make a fantastic moderator even if I don't get to see it for myself)

Thanks for taking questions!
Anonymous said…
what's going to happen in season 2? when does the show come back? what was the red smoke?
Summer said…
Is Anna's number 2 (the guy who met with Hodges) good or bad? He seems two faced with Hodges, Anna, Lisa, AND the reporter, so it is a very good acting job to know who he is really aligned with.

(Perhaps that is even one that you can answer Jace!)
Prez said…
Can we expect a major showdown between Lisa and Anna in season 2?
Betty said…
Will Charles Mesure be a regular in season two or a guest star?
Nina said…
Hello!

Is Erica going to work closely with Anna this season as an "ally"? What other relationships might change or progress?
FergieFan said…
What's the thing/revelation that shocked you the most in season 1?

What were some of the funniest things that happened on set while shooting the episodes?
Bean said…
Basically, what's the deal with Jack and Erica?! I mean, come on!
Tash said…
For any of the cast members:
Once you got into your character, were they what you expected or did you realise that they weren’t what you thought they would be?
Maliza said…
This question is for Morena: in one of the episodes when Anna is administering bliss she invites her people to feel the light of her divine touch.

Does this mean that Anna told her people she was a god? I know some of the humans think she is, and she never corrected them.

But does she think she's one? Is that why the fifth column hates her so much, because they found out she lied about what she is?

Popular posts from this blog

What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous season

Pilot Inspektor: CBS' "Smith"

I may just have to change my original "What I'll Be Watching This Fall" post, as I sat down and finally watched CBS' new crime drama Smith this weekend. (What? It's taken me a long time to make my way through the stack of pilot DVDs.) While it's on following Gilmore Girls and Veronica Mars on Tuesday nights (10 pm ET/PT, to be exact), I'm going to be sure to leave enough room on my TiVo to make sure that I catch this compelling, amoral drama. While one can't help but be impressed by what might just be the most marquee-friendly cast in primetime--Ray Liotta, Virginia Madsen, Jonny Lee Miller, Amy Smart, Simon Baker, and Franky G all star and Shohreh Aghdashloo has a recurring role--the pilot's premise alone earned major points in my book: it's a crime drama from the point of view of the criminals, who engage in high-stakes heists. But don't be alarmed; it's nothing like NBC's short-lived Heist . Instead, think of it as The Italian

The Daily Beast: "How The Killing Went Wrong"

While the uproar over the U.S. version of The Killing has quieted, the show is still a pale imitation of the Danish series on which it is based. Over at The Daily Beast, you can read my latest feature, "How The Killing Went Wrong," in which I look at how The Killing has handled itself during its second season, and compare it to the stunning and electrifying original Danish series, Forbrydelsen , on which it is based. (I recently watched all 20 episodes of Forbrydelsen over a few evenings.) The original is a mind-blowing and gut-wrenching work of genius. It’s not necessary to rehash the anger that followed in the wake of the conclusion last June of the first season of AMC’s mystery drama The Killing, based on Søren Sveistrup’s landmark Danish show Forbrydelsen, which follows the murder of a schoolgirl and its impact on the people whose lives the investigation touches upon. What followed were irate reviews, burnished with the “burning intensity of 10,000 white-hot suns