26 December 2007

Televisionary Named "Must Click" TV Website by Entertainment Weekly

It makes me feel all warm and fuzzy to be recognized.

In a fantastic surprise just in time for Christmas, Televisionary was recently named one of ten "Must Click" television websites by Entertainment Weekly in their Best of 2007 issue, on newsstands now.

Given the fact that I grew up reading Entertainment Weekly (I still have the very first issue, with its lowercase "e" in the title, somewhere at my parents' house), it's an honor to be hand-picked by the magazine for such a distinction, joined by nine fellow TV-oriented websites like Television Without Pity, The Futon Critic, TVgasm, and Brilliant But Cancelled.

To Entertainment Weekly, the many enthusiastic readers who sent me emails after spotting the mention, and the regular visitors to this site, I thank you for your continued support.

I only hope that 2008, which marks the second anniversary of this little blog, brings much impassioned discussion, friendly dialogues, and a swift resolution to the current strike that imperils this entire industry.

Thanks again for reading!

24 December 2007

Checking in with the Gang from "Chuck": The Full Story

Okay, I've been naughty. I've been besieged by emails from many of you, gentle readers, wondering what happened last week with the day I spent with the cast from NBC's action comedy Chuck: Zachary Levi, Yvonne Strahovski, and Adam Baldwin. (Before you ask, yes, Strahovski does know about the existence of the Yvonne-centric website StraHOTski.com, thanks to her costars.)


I've been on enough photo shoots in my day to know that there's bound to be a lot of sitting and waiting between shots and setups (hell, if you've been to press junkets, you should be used to the endless waiting), but thanks to the good folks at Warner Bros. Television who organized the day and to the charming stars of Chuck who were more than happy to spend their Sunday shooting an assortment of promos and chatting with this jaded TV writer, I'd do it all over again.

These guys are all extremely talented, generous, and kind-hearted and have amazing stores of energy. Zach Levi in particular is extremely animated, offering up take after take after take and performing goofy karate moves while giving 110% to each line reading of "You're watching Chuck on..." for each of the international territories the series has been sold to. He even asked the promo director, upon being handed a white heart prop (which earlier, Adam Baldwin had turned over to form a posterior), whether his instructions were to act as though he had a heavy heart (emotionally) or whether said heart was physically heavy. Needless to say, he performed it both ways with a great deal of charm and humor.

I was anxious to catch up with Levi, with whom I had spoken in September just before NBC launched Chuck, along with co-creator Josh Schwartz.

Speaking about the love triangle between Chuck, Sarah, and Bryce, Levi says it's only natural that people are invested in that dynamic. "So many people want Bryce Larkin dead, dead, you have no idea," Levi jokes. "I mean, mainly friends and family."

So will Chuck and Sarah get together? "From an entertainment standpoint, it's like the Ross and Rachel," says Levi, "the longer you keep it eeeeeh, the more people are like eeeeh, the longer they watch the show."

Still, he relishes the accessibility of Chuck. "It's a good mix between procedural and serial," he says. "It's not like when you go and sit and watch Lost with someone who's never watched it before and you're like sitting down and ready for the episode and they're like 'wait, who are the Others?' and you're like 'Shut up! Just watch the show! I'll fill you in later.' Chuck at least is a little bit easier, he's a bad guy, he's a good guy."

Levi is, as previously teased, a huge Lost fan. We're talking so near obsessive that he stops an interview about his own series to offer up theories about who was in the coffin in "Through the Looking Glass," what's going on with Jack and Kate, and his disappointment that Evangeline Lilly wasn't around during my recent interviews of the Lost cast just a few days before.

He's also hugely obsessed with fellow Warner Bros. Television drama Pushing Daisies (rightfully so), a series Levi described as “Amelie meets your favorite Tim Burton movie.” Levi recounts that he must have had half a dozen screening parties of Pushing Daisies' pilot, when he meant to be showing friends and family his own.

Oh, in case you were wondering, Levi also loves 30 Rock. "Baldwin is so genius, it drives me crazy," he adds. And, um, surprisingly he loves The Big Bang Theory.

However, Levi is not a fan of the American version of The Office, a series which he can't just bring himself to watch, despite my abundant protests that he should tune in. "The reason I don't watch The Office now is that I watched the BBC version and when the American version came out, I sat down and watched the pilot and it was a carbon copy of the British first episode and I was immediately like, 'You... you are bad.' I heard that halfway through the first season, it branched off into its own thing, which is great and I am glad that they did that, but I am a 'completionist' and I want to watch a show from beginning to end."

Lest you think Levi takes himself too seriously, he does admit that he drives around the Warner Bros. lot (where Chuck is shot) in a Nerd Herd vehicle: "We shoot at Warner Bros., which is one of the coolest things in the world. Some of our sound stages housed Maltese Falcon and Casablanca. Giant, incredible movies. Humphrey Bogart was walking around in the Buy More at one point. That’s a little ridiculous. But it's a little city. So I wanted a cart. And I’m a guy, so I had to have a car. So I got a little electric cart and I loved driving that around and... [Art Director] CeCe Destefano spearheaded turning it into The Nerd Herder. It’s got the decals and everything just like my car. It’s ridiculous. But one of my favorite things to do in the day is: I get in my car, I’ve got my coffee, I’ve got my glasses on, and I’m driving around, waving at Sarah Connor Chronicles and Pushing Daisies. 'Hello, hello. Ah, Moonlight. Hello.' It’s really fun."

Whose career would Levi most like to emulate? "Oh, gosh," he thinks. "Tom Hanks, probably." (I can see that.)

Following some more promos and photos being shot--including a whole series of Levi behind the wheel of a vintage car, mugging for the camera, and a series of Levi and Strahovski doing spy poses back-to-back like some mixed-sex Charlie's Angels--it was time for lunch. Adam Baldwin, especially pleased that of the four series he's worked on this was the first to advance beyond its original order, was waiting to chat.

Baldwin is just as physically intimidating in person as you would imagine from the characters that he plays, but at heart just the most laid back guy, with a seriously unexpected deadpan humor that is dry and wicked. Baldwin wasn't too concerned by the fall finale's cliffhanger ending, in which Casey was instructed to eliminate Chuck Bartowski for good once the Intersect 2.0 is completed. ("Terminate," he quips.)

So will Casey grow a conscience? "I’m looking forward to see how they flesh all that out," admits Baldwin, who said that nearly all of their characters are at risk, given their line of work. "It’s a fine line that Casey has to walk, in that you have to keep the dangerous element, otherwise where is the risk? Although again the show is called Chuck, so how much risk is there?"

Still, Chuck "is really contemporary, it’s fun," says Baldwin. "Firefly was not so contemporary; it was fun and certainly hip the way Joss wrote it, but marketing is always like a crap shoot. We launched Firefly during the baseball play-offs and American Idol was new and in its first year so, we sort of got lost in the mix there… And there were horses. It was a harder sell as a futuristic sci-fi with horses. Yeah, okay, so how do I wrap my brain around that one? [Chuck's] got a guy that has a computer in his brain. No big thing. The rest of it finds him hanging out with his buddies at the Buy More and, you know, there are spies."

What can Baldwin let slip about the upcoming episodes? "You’ll see a little of Casey’s back-story and see why he is such a hard case," slyly offers Baldwin. "You’ll see some further explanation of Chuck and Sara’s dynamic there with the Bryce Larkin love triangle. Hopefully we’ll see Matthew Bomer back who plays Bryce, he’s a great asset. More Morgan and Anna. Love those two. That’s a great relationship."

And while we haven't seen Casey get paired off with anyone quite yet on Chuck, his backstory will reveal just why he's living such a life of solitude. But don't look for another Crown Vic in his flashback episode. Baldwin teases that there's definitely a "fleshy" love interest in Casey's past. Hmmm...

I couldn't resist asking him who would win if there were some fisticuffs between Chuck's Casey and Firefly's Jayne? Offers a laughing Baldwin: "In a fistfight? Wow... I would say Jayne would probably win because even though both characters are both dirty, Jayne would be dirtier."

We're joined at this point by the incomparable Yvonne Strahovski, looking drop dead gorgeous in a buttery brown leather jacket that looked right at home on Strahovski's willowy frame.

Strahovski's tale of how she landed the role of Sarah Walker on Chuck is nearly too unbelievable to be true. "It's a bit of a fairytale," she admits. "I went in for meetings. I only packed my bags for two months really, 'cause I was gonna come in, try out pilot season, and then go home."

"I sent my tape in from Australia and it wasn’t even a tape, it was a Quicktime file on the internet. I didn’t know that I was going to be testing for [Chuck] when I got here. I got here and my managers called me in and said that [the studio] wanted a meeting with me and that was the second or third day and I was still jet lagged and then I did the studio and network test and so it was kind of um…"

"Welcome to America," Baldwin offers.

As for the chemistry between the three lead actors, Baldwin says its success is due in a large part to the skills of the pilot's director Joseph McGinty Nichol (aka "McG"). "We were very fortunate because McG is a terrific director," says Baldwin. "He loves actors and he made sure we had rehearsal time going into the pilot. We got to know each other. He explained to us his shot list, his vision, and he would give us reference material for the shots. Basically, he gave us tone notes going in and that alleviates a lot of the pressure, like: 'Oh who am I?' That’s all set in stone so once you get the 'Who am I' down, then you get the 'who are you?'"

Asked about the audience's overwhelming reaction to the pilot earlier this year at Comic-Con, Strahovski says it was an incredible experience. "That was wonderful; it was such a beautiful moment," she says. "We walked in the last quarter when people were just watching it and it was great. We were watching all the people watching the show, and how they reacted and laughing and cheering and going aww and doing all those noises. Then the lights came up and they just gave all of us a big fat standing. It was so nice. It was really special. I think all of us that were there were quite touched [and] moved by that whole experience."

All together now: aww.

How does Baldwin prepare for his role? "Good actors borrow, great actors steal," he says, laughing. "I steal. I think for me as close as you can relay what you’re talking about to your own personal life the better. It’s good to keep those secrets, but you know if you have to cry in a scene you have to think about something sad from your life... That’s how I try to approach it. Try to keep the stakes high and keep it close to home and try not to laugh when Zach’s in the room."

And yet Casey seems to be stoic all the time. How does he manage to keep it together? "[It's] my job not to make any cracks but, once Zach loses it, I lose it," Baldwin says. "I can’t hold it together… The ones that get me are Jeff and Lester, and Josh [Gomez] gets me, but if Zach loses it, I lose it..."

Strahovski agrees. "It’s the twinkle in the eye," she says. "If you’re looking at them and they haven’t started smirking yet, but you can see they’re about to smirk, then it’s over."

"Zach just has this pure joy in humor that I don’t have but that he has," Baldwin continues. "So when it’s coming from him, it’s so honest and wonderful and infectious you can’t help but laugh when he’s laughing. He’s just a beautiful person."

But what I really wanted to ask these two were about the set's infamous practical jokes, which I'd heard whispered about. In order to capture the banter between this dynamic duo, I'll have to switch over to Q&A format:

Q: Are there any on-set pranks we should know about?

Strahovski: Yes, I witnessed actually something pretty gross. It was Joshua--

Baldwin: Oh that was wonderful.

Strahovski: Should we tell?

Baldwin: I might be thinking something different, so go ahead...

Strahovski: Trailer poop.

Baldwin: You witnessed Levi pooping?

Strahovski: No, I saw him going in the door. Joshua [Gomez] and I are next-door neighbors on set and I wondered why Zach was going into Joshua’s trailer…

Baldwin: They share in the biz what is called a two-banger, because the [doors] bang…

Strahovski: I wondered why Zach was going into Joshua’s trailer. [Turns out that] Zach left some trailer poop and forgot to flush it, and so Gomez walks in and inhales the lovely scent of Zachary.

Baldwin: Poor Zach, he’s going to have to come and he’s gonna have to listen to you guys repeating this. He’s gonna read it on all the blogs…

(Adam, did you really think we wouldn't report that? I joke.)

So what sort of advice is the veteran actor giving newbie Strahovski? "Move into a secure community behind a gate," he jokes. "Buy a gun."

Strahovski laughs. "That's exactly what he said!"

It's clear that these two get along well. ("We give each other shit all day long," Strahovski admits.) Baldwin, for his part, says that Strahovski is "loathsome" and that she "hits [him] all day long."

"I hate Adam; he's my punching bag," jokes the kung fu-trained Strahovski. "He likes it."

When Baldwin later jokes about the underwear Strahovski wears under her Weinerlicious costume, Strahovski turns and says with a Casey-style seriousness, “I don’t wear underwear.”

(Millions of fanboys just shorted out their keyboards with drool just now.)

As for what they're watching on television when they're not shooting, Strahovski admits that she doesn't watch much television other than Discovery and Animal Planet and marathons of America's Next Top Model. Baldwin, on the other hand, has a slew of must-watch programming.

"Well there’s Chuck, of course," says Baldwin. "I like Entourage, Weeds, South Park, Family Guy, The Hills. I love The Hills. Spencer’s my hero; I can’t wait to meet that guy... Project Runway, love that too. That guy [Tim Gunn], I love his voice: 'Andre, you're not very good.' It's so campy and wonderful. I love camp, I love farce."

Lest you not believe me, his impression of Tim Gunn is scarily spot-on. He is apparently an unrepentant reality TV junkie.

"I want to do a reality show called Train Wrecks and Porno," continues Baldwin. "I think that would sell really well. I love Scarred on MTV. It's really revolting but I love it."

What do they do, between takes, to keep up their energy on the set? "We make up characters," says Strahovski. (Very politically incorrect ones, according to Baldwin.) "I krump. There's the 3 am pterodactyl dance. We have to be VERY tired for that one [to come out]." (And, no, no matter how much I begged, she wouldn't demonstrate that dance.) She also beatboxes with Levi and Joshua Gomez.

What's Strahovski's favorite episode of Chuck? "Chuck Versus the Alma Mater." "I always prefer when the episode has more heart," she says. Meanwhile, Baldwin's fave is "Chuck Versus the Sandworm": "I prefer when it has more dramedy or action. The heart stuff? You need the girl demographic. Girls love that stuff."

Still, Baldwin wants to know why Strahovski's Sarah kissed Chuck. "It's her last, dying moment," says Strahovski. "She likes him."

While Strahovski had to take off in order to get to another appointment, we were joined by Zachary Levi, with a plate of food sporting the largest pork chop I have ever seen. Amazingly, Levi's energy was still at a high (this guy is a walking Red Bull) and happy to chat about anything and everything under the sun.

Would Levi like to see Chuck learn some fighting skills from Casey and Sarah in the future? "Ahh, not yes, but hell yes," says Levi. "One of the funnest things about this show is being able to work on all the action stuff, blowing stuff up and guns, and bullets and bombs and kung fu and jumping out of buildings. Absolutely, I want to do all that stuff because that’s what I signed up for... But they have already told me like look you know, you’re not getting a gun in your hands until Season Three, maybe. So I gotta wait patiently and watch these yahoos screw it up all the time."

Levi has some particularly intense views about the possibility of another series doing a crossover with Chuck, a la Marvel's old company-wide crossover The Infinity Gaunlet. "I’ve actually talked to some of the producers about doing something like that," he says. "I was a big comic book fan when I was younger but I still very much appreciate the medium and one of my favorite things about comic books--[which] I’ve been so disappointed in television that they haven’t adopted this more--is crossover."

"I think that [it could work] when you have two shows that are similar in tone but I think the biggest problem is Chuck and Heroes, though I think they have a very similar demographic, aren’t necessarily the same kind of [tone]. If you had anybody from Heroes come on to Chuck, it would be much more of a drama. If you had anybody from Chuck go on to Heroes it would be much more of a comic relief. But that being said I’d totally be down to do it."

I couldn't help but ask then if we could ever see Kristen Bell make the jump to Chuck as a new love interest for Mr. Bartowski. "It’s funny I talked to Kristen about the whole crossover idea because you know they keep trying to think of ways to bring another woman into Chuck’s life that’s not gonna work," says Levi. "I mean nothing says doesn’t work like mutant powers."

Those of you wondering about the recent photos of Levi and Bell out and about together, Levi was quick to set the record straight. "She’s a friend of mine," he says emphatically. "PLATONIC. She’s so sweet and so talented. She’s great on Heroes, right? She’s wicked.”

As for other crossovers, I couldn't help but ask, "If the characters from Chuck crash landed on the creepy Lost island, who would be the first person to eat Morgan?” (I kid, I kid.)

We know he is watching Pushing Daisies, Lost, 30 Rock, and Heroes, but what else is on Levi's television? "One of my favorite things to hear, and I’ve heard it a lot from people who are really burned out on television, is ‘I hate television, but I love watching your show.’ That means everything to me because I don’t really like television that much either."

"I can’t watch shows that everybody is like ‘Oh my God, it’s the greatest show in the world!’ and I watch it and I go, ‘That was some of the cheesiest writing and acting and action I’ve ever seen in my entire life.’ For me, entertainment has one standard: is it done to the best of everybody’s ability. Is every grip, every camera guy, every painter, every transpo, every actor, writer, director, producer, is everybody coming in every day bringing their A-game and saying, ‘Let’s make the best damn product that we can make?’ I don’t feel that way when I watch [some series]. And I hate that. I feel like I am getting the short end of the stick. I want to watch a show like Chuck where I know that every single person on that cast and crew is giving 110% every single day.”

So what does Levi want for the holidays this year? "I just want sleep and more time to play the videogames that I own."

Amen to that.

21 December 2007

Top TV Picks of 2007

As it's nearly the end of the calendar year (only a few more days to go, in fact), I figured now was as good a time as any to look back at some of the shows that that have entertained and inspired me over the past year.

It's been a crazy year, between the thrilling highs of some new scripted programming (like Pushing Daisies, Chuck, and Dirty Sexy Money), some near-misses (one-hour Office installments), and the now super-extended WGA strike wreaking havoc with network schedules. So, what were the favorite series in the Televisionary household? Which left me wanting more... and which ones made me eager to change the channel? Find out below.

Best Reality Series:

The Amazing Race
Project Runway

Top Chef


Despite nearly not making it onto CBS' fall schedule at all, The Amazing Race has proven itself still consistently one of the very best reality television series around, offering a race around the world that tests the strength of its relationships as it pushes its teams to complete bizarre and often soul-crushing challenges (like Lorena trying to milk that camel). Plus, you never feel dirty after watching it, like you might after tuning in to, say, Rock of Love with Bret Michaels or A Shot at Love with Tila Tequila. Host Phil Keoghan oversees the proceedings with a bemused gaze and oodles of charm. This series still has its cachet, even after such travesties as the Family Edition; instead, it keeps on chugging along without altering its formula drastically, a boon in today's trigger-happy revampings.

Bravo's Project Runway wears its sleek style right on its sleeve. Unlike fellow style competition series like Top Design and Shear Genius, PR always proves enlightening, entertaining, and laden with more tension than some procedural dramas. Plus, it has the classiest hosts in the business with Heidi Klum and mentor Tim Gunn. Season Four proved a little heavy on the "characters" early on but is proving to be the perfect antidote to these scripted programming-free winter nights.

Finally, there's Top Chef, my absolute reality obsession. Given that I am an unrepentant foodie, I can't get enough of this culinary competition series. Detractors say that, unlike PR, you can't really get a sense of the finished product (hard to taste the food through the television set, I guess), but for me, that's not even on my radar. Instead, I'm compelled by the cuisine know-how, the flavor profiles, and the stunning presentation that these chefs literally bring to the table. Throw in judges Tom Colicchio, Gail Simmons, Anthony Bourdain, Ted Allen, and a host of celebrity chef guests and you have the perfect recipe for a reality TV sensation. Hell, even Padma's not driving me as crazy as she used to...

Best British Imports:

Doctor Who
Life on Mars

Extras


Even after weathering the departure of companion Rose Tyler (Billie Piper), Doctor Who has managed to be a consistently great sci-fi drama of the highest order. Series lead David Tennant (the best Doctor in my mind since Tom Baker) continues to astound with his charisma and elasticity and new companion Martha Jones (Freema Agyeman) has proven herself a worthy foil for the immortal traveler. Season Three offered up another round of time and space jaunts, worthy adversaries (John Simm as The Master, anyone?), and one of the single most terrifying hours of television ever with Steven Moffat-scripted "Blink," which only featured its series lead in about two minutes total.

After far too long of a lag between the first and second seasons, Life on Mars has finally returned to the States with a fantastic second season that finds Sam Tyler (John Simm) attempting to regain consciousness in 2006 while pursuing baddies as a Manchester copper in 1973. This series features crackling writing, two of the very best supporting characters on TV in DCI Gene Hunt (Philip Glenister) and Annie Cartwright (Liz White), and an emotional, intelligent thrill ride of a story that makes you secretly hope Sam never has to leave 1973.

Over the course of its two seasons (and its feature-sized awe-inspiring series finale, which aired on Sunday), Extras has proven to be a witty and intelligent mediation on the nature of fame, celebrity, and identity in our media-obsessed culture. It's alternately painfully funny and funnily painful and proven itself a worthy successor to Ricky Gervais and Stephen Merchant's original The Office. This is touching, hysterical, scathing comedy of the highest order.

Biggest Letdown from a Once Great Series:

Gilmore Girls

Yes, it's dead and dusted now but the sour taste of Season Seven of Gilmore Girls still lingers on in my mouth. After a lackluster sixth season that saw the departure of showrunner/creator Amy Sherman-Palladino, Season Seven was meant to be about new beginnings... for a series that had most likely already seen its best days past. Gilmore Girls was once my favorite series so I feel especially strongly about the sad, pathetic way it eked out its final days under the guidance of David Rosenthal. At least I have my DVD box sets.

Best Cancelled Series:

Veronica Mars

Like there was really any doubt in your minds about what this category would hold. Not since the untimely demise last year of Arrested Development has there been a series that I've missed as much as Veronica Mars. Over the course of three seasons (and two networks), Veronica and the gang in Neptune have solved crimes, battled villains, found themselves and explored the noir-tinged underbelly of a seaside town in one of the very best depictions of class warfare ever seen on television. You might be gone, Veronica, but you'll never be forgotten.

Best US Comedies:


The Office
30 Rock

Flight of the Conchords


In a category that continues to shrink by the day, there are less and less comedies airing on television these days as networks devote less time to costly single-camera comedies and staid multi-camera ones and more time to reality fluff that can be made on the cheap. Still, there are a few bright spots of comedy cheer to celebrate, including the above three entries to the funny hall of fame.

The Office may have made a few missteps this year--scheduling four painfully unfunny one-hour installments in a row may not have been the best way to kick off Season Four and having Michael kidnap a pizza delivery boy may have been a shark-jumping moment--but there are still moments of absolute genius at work here, like Pam's dazzled face when Jim finally asks her out in "The Job." Or, hell, the sheer existence of Karen Filippelli (Rashida Jones), who imbued the series' third season with a spark and glitter that the Scranton branch needed, especially in light of Jim and Pam's awkward third season dynamic.

While The Office has flagged a little in the groundbreaking comedy category, fellow NBC comedy 30 Rock has been only too willing to pick up the mantle, offering surreal subplots about insane movie stars, network pages, and neurotic scribes and execs at the Sheinhardt Wig Company's subsidiary. More than any other series to date (other than the dear departed Arrested Development) has a series offered more per-episode laughs, gags, and TiVo-friendly rewind moments. This is jaw-dropping, ground-breaking, intelligent comedy at its very best, reinventing Alec Baldwin's career and giving the world the divine abilities of actor/writer/executive producer Tina Fey.

I knew from the opening moments of HBO's little-engine-that-could comedy Flight of the Conchords that I was absolutely hooked. I'd seen Bret and Jemaine before live, so I knew the songs would be alternately hilarious, bizarre, and touching, so I knew they could pull off the tragically unhip music videos that pepper this indie comedy, but could they carry their own weekly scripted series? Hell, yeah. The boys from New Zealand gave HBO an indie energy that they've been missing since the days before Entourage became the butt of their own jokes and their trademark blend of witty lyrics, inane patter, and indecipherable accents have made them instantly welcome in this household.

Best US Dramas:

Lost
Damages

Battlestar Galactica


Say what you want about those first six episodes of Season Three, Lost is still the most engaging, mind-blowing thrill ride on television today, offering up a jaw-dropping season finale that promises to reinvent the series that once reinvented the network drama. Through three seasons of plot twists, slow burn reveals, and WTF moments (black smoke monster, Jacob, death after death after death), the series pulls the ultimate bait and switch and reveals that some of these beloved character have in fact made it off the island, after all. Brilliant, unconventional, and gripping.

FX's serpentine thriller Damages definitely deserves a place among 2007's pantheon of exceptional TV dramas, offering up a brutal, labyrinthine plot about corruption, truth, and vengeance played out by some of the industry's most glittering stars. Glenn Close and Ted Danson may have been the glittering marquee names here but Rose Byrne, Tate Donovan, Zeljko Ivanek, and Anastasia Griffith burned just as brightly. This is stunning, remarkable work that had this jaded viewer on the edge of his seat each and every installment.

Sci Fi's Battlestar Galactica has consistently remained one of the most politically-minded television series around, couching its rhetoric in a taut space opera about the doomed souls of humanity floating in space, attempting to fend off the end of its civilization at the hands of its own creations. The second half of Season Three put the humans on the offensive, but they managed to surprise and astound viewers with the death and return of Kara Thrace (Katee Sackhoff), Gaius Baltar's trial of the century and martyrdom, and the stunning revelation that the final four Cylons have been hiding in plain sight all along. All this and that incredible montage of "All Along the Watchtower" make me dizzy with anticipation for the series' final season, whenever we might finally get to see it.

Best New Fall Series:

Pushing Daisies
Chuck

Dirty Sexy Money

While many bemoaned this season's new crop of series (Cavemen, par example), three series did manage to connect with me in meaningful and beautiful ways. It's a surprise to me as much to you that all three managed to deftly blend the boundaries between genres to create a category of super dramedies that defy most pigeonhole descriptions.

ABC's Pushing Daisies, from creator Bryan Fuller, pulled off the impossible and created a candy-colored palette for an alternate reality in which the Pie Maker (Lee Pace) is granted the ability to bring the dead back to life in a "forensic fairy tale" that is pure and utter magic. Credit the snappy banter, the adorable cast in Pace, Anna Friel, Chi McBride, Kristin Chenoweth, Swoosie Kurtz, and Ellen Greene, and the series' quirky blend of 1950s fashion, mysteries of the week, and the best unrequited love story ever to hit the small screen. Cut yourself a slice of pie and prepare to watch the most original thing on television in a long, long time.

While Pushing Daisies gets the critical adulation, NBC's Chuck has also proven to be a favorite in the Televisionary home, offering an enticing blend of action, adventure, comedy, romance, and 9-5 servitude. Zachary Levi is a compelling lead as a slacker who downloads the entire US intelligence database in his head and winds up getting protected by warring CIA and NSA agents while working as a Nerd Herd employee at a Los Angeles superstore. Funny, touching, and ultimately just plain fun.

Finally, there's ABC's Dirty Sexy Money, a primetime soap for people who want their soaps to be caustically funny, unrepentantly tongue-in-cheek, and gripping. The story of the billionaire Darling clan and their oft put-upon family lawyer Nick Charles (Peter Krause), Dirty Sexy Money offers soap hysterics along with its hilarious dialogue.

And there we have it. A sampling of some of my favorites from 2007. As the year rapidly swings to a close, I'm curious to see what your favorite (and least favorite) series were, which shows you can't get enough of, and which ones you're happy to see the back of now.

Link Tank: TV Blog Coalition Roundup for December 21-23

Televisionary is proud to be a member of the TV Blog Coalition. At the end of each week, we'll feature a roundup of content from our sister sites for your delectation.

This week, I was absolutely blown away by the sheer genius of Ricky Gervais and Stephen Merchant's series-ender special of Extras, enraptured by the Easter Egg-replete extended trailer for Season Four of Lost, and offered my picks for the best TV of 2007.

I also finally got my notes together and published my interviews with Chuck's Zachary Levi, Yvonne Strahovski, and Adam Baldwin, bemoaned the cancellation (however long coming) for USA's The 4400, especially while NBC's Bionic Woman seemed to still be kicking, and was gripped once again by this week's fantastic episode of Life on Mars.

Elsewhere in the sophisticated TV-obsessed section of the blogosphere, members of the TV Blog Coalition were discussing the following items...

BuzzSugar: This week, we got pumped about new previews for Lost and Heroes, celebrated the addition of Saved by the Bell to The N, and asked one very important question: Team Serena or Team Blair?

Daemon's TV: This week Sandie took a first look at pictures from the second season of Jericho. Araya posted part three of our interview with the cast of Chuck, including Zachary Levi, Yvonne Strahovski, and Adam Baldwin. Eric shared his thoughts on the pilot of Terminator: The Sarah Connor Chronicles.

Glowy Box: After answering some googled questions about Janice Dickinson Modeling Agency and Cash and Treasures, Liz celebrated the holiday season by recapping Pinocchio’s Christmas, which was surprisingly lacking in likeable characters, and Santa Claus is Comin’ to Town, the classic Christmastime ode to freedom and Democracy.

Mikey Likes TV: The graciously closure-filled season finale of Dexter put Mikey in the holiday spirit, so he started his countdown of the top 10 shows of 2007 with a look at why he loves 30 Rock so much. If anyone out there has a copy of the Who Dat Ninga? poster, it's all he really wants for Christmas.

Pop Vultures: This week, Marcia continued her obsession with TV's opening titles by naming the 5 best opening credits sequences, although she's fairly certain no one will agree with her choices. She then managed to gather her thoughts about the Dexter season finale. Also, guest poster Tracey checked in with a woman-on-the-scene report from Monday's strike lines.

RTVW: This week our TV Advent Calendar featured a bonus Bones scene under the mistletoe and we sounded off about our favorite holiday TV. Plus, Rae wondered how an episode of Scarecrow & Mrs King could still be considered "promotional."

Scooter McGavin's 9th Green: As the television season winds to a grinding halt, you can always reminisce the past year by going through Scooter’s 57 Channels and Only This Is On archives to relive the highs and lows of the season (or if only to check out the previous Gratuitous Token Hot Chick Picture of the Week). Still need something to get that annoying cousin for Christmas who thinks he’s ghetto despite living in suburbia? Try the new Lupe Fiasco album. And a Christmas movie with Olive Snook, Maeby Fünke, and Hurley has to be good, right?

Tapeworthy: Merry Ludachristmas! Vance went to "30 Rock" in New York and saw Christmas marathon of stage shows, including the Rockettes, Wintuk and The Grinch Musical (and the White Christmas The Musical back in Toronto). Also back in Toronto, Project Runway Canada had its finale with host Iman getting her regal final word in.

TiFaux: This week, we ended up watching more TV on the internet than on the actual tube. That is, shows produced exclusively for the internet. First, there's the indie rock/comedy duo of Carrie Brownstein (of Sleater-Kinney) and Fred Armisen (of SNL) who produce the pretty darn funny Thunderant series. Then, there's hipster comedians Gabe and Jenny, who created an awesome clip spoofing The Hills. Rounding out the week, Kyle noticed a weird similarity between Pushing Daisies and Bill Murray's Groundhog Day.

The TV Addict: offered up an early review of TERMINATOR: THE SARAH CONNOR CHRONICLES, interviewed SMALLVILLE's Allison Mack and Krisin Kreuk and wrote an Ode to JOURNEYMAN.

Tube Talk: Jennifer overdosed on Christmas movies, Ashley shared her favorite TV holiday episodes and readers chimed in with their choices, too, (Chrismukkah and Happy Festivus anyone?) and we rejoiced at the news that Pete Ross was returning to Smallville. Merry Christmas everyone!

TV Filter: Raoul interviewed Todd from Survivor. Kate discovered, much to her dismay, that she liked Crowned: The Mother of All Pageants and counted down her favorite not-too-Christmassy Christmas episodes of the past.

TV With MeeVee: We talked to Donald Trump and Gene Simmons - yup - about the upcoming "Celebrity Apprentice." We rocked the news that "Gossip Girl" star Ed Westwick has a rock band. And we taught you how to identify Cylons without having sex with them.

Former "Office" Mate Aims for "Saint" Status

Those of you missing The Office's Roy since he, you know, threw a glass against a wall and then tried to beat up one Jim Halpert after learning he put the moves on fiancee Pam, will be happy to know that actor David Denman is heading back to television.

Denman, last seen in a guest role on Grey's Anatomy and in indie metaphysical thriller The Nines, has signed on to star in FOX comedy pilot Saint of Circumstance.

Project revolves about a man in the clutches of a midlife crisis who quits his dead-end job in an office in order to become a night shift paramedic.

Saint of Circumstance's pilot, from ABC Studios, is written by Adam Braff. Negotiations are currently under way with Zack Braff to direct and executive produce the pilot.

There has been no start date announced for the pilot project, which will shoot after the end of the writers strike, in order to assure Braff will be freed up from Scrubs in order to direct.

Stay tuned.

What's On Tonight

8 pm: A Home for the Holidays (CBS); Singing Bee/Singing Bee (NBC); Friday Night SmackDown (CW; 8-10 pm); Duel (ABC);
Don't Forget the Lyrics (FOX)

9 pm: Moonlight (CBS); Dateline (NBC; 9-11 pm); Women's Murder Club (ABC);
Next Great American Band (FOX)

10 pm: NUMB3RS (CBS); 20/20 (ABC)


What I'll Be Watching

8-11 pm: BBC America.

If you happen to be staying in after a long work week, why not do it in true Anglophile style with back-to-back episodes of Coupling and The Catherine Tate Show?

20 December 2007

Ball of Light Flickers Out: USA Cancels "The 4400" and "The Dead Zone"

Following a post made yesterday by The 4400 creator Scott Peters on a USA message board, the cabler has confirmed that it has officially canceled sci-fi dramas The 4400 and The Dead Zone.

The move comes after months of speculation about the fates of both long-lived series; the season finale of The 4400 wrapped up several seasons' worth of storylines while leaving its plot somewhat open-ended. However, this writer clearly felt that USA had seen the writing on the wall (along with the giant mural of Jordan Collier) and was putting the genre series out to pasture.

"We wish we could keep all our great shows alive forever," said USA's Jeff Wachtel, EVP of original programming. "But we feel we need to give some of our new shows a platform to grow, and it's with great sadness that we say goodbye to two shows that had a great run and helped create the resurgence of original programming on our network and on all of cable."

The Dead Zone, which wrapped its sixth season, and The 4400, which ended its fourth, aired on USA as part of a sci-fi themed Sunday night block of programming that did seem conspicuously different from its mystery dramedies like Monk, Burn Notice, and Psych.

"We've had a great time bringing you this story and submersing you in the lives of all these incredible characters," creator Scott Peters wrote in a post on USA's message board. "I wish we could go on forever, but the party has come to an end."

To the cast and crew of this underrated gem, thanks for the gripping plots, memorable characters, and unexpected twists over the last four seasons. While I might be the minority, I will definitely miss The 4400. Dare I wish that one day we'll get a two-hour telepic to wrap up the saga completely?

What's On Tonight

8 pm: CSI: Crime Scene Investigation(CBS); Clash of the Choirs (NBC); Smallville (CW); Duel (ABC); Are You Smarter Than a Fifth Grader? (FOX)

9 pm: CSI: Crime Scene Investigation (CBS); My Name is Earl/30 Rock (NBC); Supernatural (CW); Grey's Anatomy (ABC); Don't Forget the Lyrics (FOX)

10 pm: Without a Trace (CBS); The Office (NBC); Private Practice (ABC)

What I'll Be Watching

9:30 pm: 30 Rock.

On tonight's repeat episode ("SeinfeldVision"), Liz returns from hiatus and continues to do battle with Jack, whose latest scheme involves insert clips from Seinfeld into new NBC programming; Liz deals with her feelings about breaking up with Floyd; Jenna's weight gain shocks the staff of TGS.

10 pm: The Office.

On tonight's repeat episode ("Fun Run"), Michael believes the Dunder-Mifflin Scranton offices are cursed after a freak accident in the parking lot and hosts a charity 5K run to draw attention to Meredith's rabies.

19 December 2007

Sam Finds Himself Caught Between the Facts and His Gut on "Life on Mars"

While the ongoing dispute between the WGA and the AMPTP might have derailed our favorite series for now, there is one bright spot on the television landscape and that's BBC America's brilliant time-travel/cop drama Life on Mars.

While this week's episode, the second season's third, doesn't answer any more questions about the mysterious phone call Sam made last week (and its implications about his "assignment" in 1973), it did forward the story of Sam's possibly recovery from his coma in 2006 and give us an episode based around the constant pull between facts and instinct.

The basic thrust of the episode revolved around a car bomb outside a school that the IRA was allegedly behind. Sam knew that it couldn't have been the IRA--they weren't planting explosives on British mainland soil until the 1990s--but his hunches were discounted by the rest of the team as he couldn't prove any of the facts. He also managed to get colleague Ray Carling nearly blown to smithereens, as he wrongly suspected that there was in fact no bomb planted outside the school... and pushed Ray to investigate. The resulting explosion--viewed from Sam's POV as well as a gorgeous aerial shot--was impressive, especially for a television series, and had my jaw on the floor.

Much of Sam's skills as a detective come from his scrupulous analysis of the facts at hand but also his gut instincts (such as the fact that Pat O'Brien wasn't behind the bombings). Shaken by Ray's accident (and its odd resulting shock and hearing loss), Sam begins to doubt himself and nearly gets killed trying to defuse a second bomb. It's a gripping scene that's soon echoed in another appearance from the little girl inside the television set (a welcome return of a creepy trope) who reminds Sam to trust his instincts... even as he fails her little test.

Who exactly is this little girl (besides for the broadcast sign-off mascot)? Is she a part of Sam's subconscious? Did she help Sam restore some vital brain functions in the future? I do find it interesting that technology plays a large role in keeping Sam connected to the future, whether it be televisions, telephones, or radios.

And how much are we loving that Annie has become a major part of the team? I know I was pleased as punch when she showed up at the building site to help Sam and show her support for him, even after everything that had gone down with Ray.

As for Ray, I do think the bombing incident has made him much more sympathetic of a character to me. I know that he's supposed to be a chauvinistic hard-ass but it was fantastic to see him forced into several vulnerable situations in this episode. Did he hear Sam tell him not to shoot that fleeing suspect? We'll never know the truth there...

What did you think of this week's installment? Discuss.

Next week on Life on Mars, the discovery of a young woman's corpse in a wasteland sends the team into an investigation of wife-swapping in the suburbs, while the beauty rep's murder stirs up childhood memories for Sam.

NBC Nabs Mysteries "Monk" and "Psych," Puts Stake in "The Watch"

NBC has announced that it will repurpose USA dramedys Monk and Psych, bringing them to network television next year following a run on their cable home.

"These two tremendously popular USA series are a great fit with NBC's current programming strategy and brand," said NBC Entertainment Co-Chairman Ben Silverman. "This is another example of how the NBC Universal family is finding terrific synergies as we share our creative assets."

New episodes of Psych and Monk will air on USA in January and will then be broadcast on Sunday nights on NBC starting in March. (No timeslot for either has yet been announced.)

"The USA audience has embraced Monk and Psych from the get-go, making them two of the biggest hits in cable history," said Bonnie Hammer, president of USA and SCI-FI. "We're thrilled to share them with NBC viewers who may be missing a couple of the best shows on television."

Ahem.

Yes, it's a canny diversion to inject some much-needed scripted blood into the network's strike-altered lineup, even if it's second-run programming that recently just ran on a sister network.

Talks are said to also be underway, however preliminary, into bringing fellow USA drama Burn Notice to NBC as well; however such discussions would have to involve Fox Television Studios (the studio behind Burn Notice) rather than just happen internally at NBC Universal.

Will this ploy help keep audiences tuned to NBC during a protracted strike? Or would they be better off repurposing programs that didn't air so close to the second window?

In other NBC-related news, the network has, according to sources, passed on drama pilot The Watch, which had also been known by the rather imposing moniker of Backyards and Bullets.

Written by Ed Decter and John J. Strauss, The Watch revolved around a neighborhood watch group in the suburbs that turns to vigilante murders in order to keep their little berg safe. The cast of the drama pilot included Billy Burke, Jessalyn Gilsig, Matthew St. Patrick, Lou Diamond Phillips, and Kristin Lehman, among others.

Still, studio Sony TV Pictures says that it will extend the options on The Watch's actors and shop the pilot to other networks. Working in its favor is the fact that, given the scope and length of the WGA strike at this point, other networks might be more willing to explore picking up a completed pilot than they would in other development seasons.

Stay tuned.

What's On Tonight

8 pm: Frosty the Snowman/Frosty Returns (CBS); Clash of the Choirs (NBC; 8-10 pm); Crowned: The Mother of All Pageants (CW); Duel (ABC); Back to You/'Til Death (FOX)

9 pm: Criminal Minds (CBS);
Gossip Girl (CW); Private Practice (ABC); Kitchen Nightmares (FOX)

10 pm: CSI: New York (CBS); Journeyman (NBC); A Holiday Celebration at Ford's Theatre (ABC)

What I'll Be Watching

10 pm: Journeyman.

It does appear that this is the end of the road for Dan Vassar as NBC has quietly allowed its option on ordering a back nine to expire. On tonight's (series?) finale ("Perfidia"), Dan meets a man claiming to be a time traveler whom he helps reunite with a lost love; Livia arrives in the present just before her wedding in the past; Dan attempts to get some answers from Elliott Langley.

18 December 2007

"Lost": The Return

Anxious to catch another glimpse at the fourth season of Lost?

ABC has released an alternate and extended version of the Lost theatrical trailer which made the rounds last week.

The 1:47-length trailer, viewable at TV Week, includes dialogue and several tantalizing scenes that weren't in that original teaser, including: a confrontation between Jack and the castaways' purported savior, who might not really be there to rescue them after all; a shot of what appears to be Christian Shephard (!) sitting in a chair, possibly seen through a window by Hurley; Hurley jumping into the ocean and expressing his hopes for freedom once they get off of the island (from, I assume, the cursed numbers); Jack and Kate hiding in the rain-soaked jungle; Locke telling everyone that if they want to live, they have to follow him; Sun anxious to have her baby in a hospital; Locke shooting Ben (?); a Dharma brand containing a Hydra; the revelation of a traitor; and a telling scene between Kate and Sawyer in which he says that he's doing what he's always done: surviving.

And that beautiful shot of the helicopter flying over the deep blue ocean? Priceless.

But what is up with the flash of a blue number 6 on the face of Ken Leung (shown at left)? Hint: it can only be seen clearly when pausing and scrolling through the trailer slowly. Creepy... Do only six of our castaways make it off the island?

Could history be repeating itself yet again and a new batch of invaders has arrived on the island, hell-bent on destroying the "hostiles" and taking what's theirs? Or is there something else going on here?

I don't know about you but I cannot wait for Season Four of Lost, which kicks off January 31st on ABC, even if there might only be eight episodes this season.

The return can't come quickly enough...

"Bionic Woman" Still Kicking?

Is there still life left in that bionic body?

TV Guide claims that NBC hasn't canceled freshman drama Bionic Woman, despite all signs to the contrary.

Series, which hasn't completed its 13-episode initial order, was scheduled to relaunch in January with a two-parter that would rejigger the creaky series, plagued by creative problems and behind-the-scenes departures of several executive producers, including James Morgan and pilot director Michael Dinner.

However, production on the beleaguered drama--which stars Michelle Ryan as bionically enhanced Jaime Sommers--was curtailed in the wake of the WGA Strike and currently has no completed scripts to produce.

An unnamed NBC Universal spokesperson was quick with a statement to the effect that Bionic Woman hasn't been canned: "Bionic Woman has not been canceled. Production was shut down due to the WGA strike. In addition, we have not completed the initial 13-episode order, which will be the first order of business when the strike ends."

What do you think? Should NBC attempt to resuscitate Bionic Woman? Or should they put the series into cold storage? Discuss.

What's On Tonight

8 pm: NCIS (CBS); Clash of the Choirs (NBC); Crowned: The Mother of All Pageants (CW); Duel (ABC; 8-9:30 pm); Bones (FOX)

9 pm: The Unit (CBS); Biggest Loser (NBC; 9-11 pm); Reaper (CW); According to Jim (ABC; 9:30-10 pm); House (FOX)

10 pm: Cane (CBS); Boston Legal (ABC)

What I'll Be Watching

9 pm: Life on Mars on BBC America.

Season Two of the brilliant UK import Life on Mars continues tonight with a brand-new episode. On tonight's installment, a bomb threat is reported, leaving everyone, except Sam, to believe that the IRA have begun a bombing campaign in England. But for Sam, something isn't quite adding up...

17 December 2007

Penguin or Flying Fish: The "Extras" Series Finale

I don't know about you, but I was unable to fall asleep last night as the series finale of Extras, Ricky Gervais and Stephen Merchant's brilliant rumination on the fickle hand of fame, fortune, and success kept me thinking all night long. Living in Los Angeles and working in the industry, it's hard to escape the constant whiff of desperation that permeates this town.

It's only fitting that the dark Extras, Gervais and Merchant's follow-up to the groundbreaking comedy The Office, would end on such a depressing note. It is, after all, the only way that the story of actor/writer Andy Millman (Ricky Gervais), dim-witted hanger-on Maggie (Ashley Jensen), and pathetic agent Darren Lamb (Stephen Merchant) can end: with more than a few cringe-inducing laughs, some raw emotion, and the potential for redemption.

Over the course of twelve episodes and last night's feature-sized Extras: The Extra Special Series Finale, Gervais and Co. have given us an insightful look at the quixotic nature of success, diametrically opposed as it is with integrity, and a scathing look at how quickly those who find fame and fortune forget their roots and abandon the friends who stood by them in their salad years. Life is, as slick agent Tre Cooper (Adam James) reminds us, cruel.

Andy Millman is no different; when we last saw him he had created a stereotypically cheesy sitcom entitled When the Whistle Blows, in which he's forced to wear glasses and a stupid wig and shout a hackneyed catchphrase for six million people each week. As a piece of art, When the Whistle Blows couldn't be more different from Gervais and Merchant's The Office and yet there are intentional similarities as Andy claims to have based Whistle's Ray Stokes on a former employer (as Gervais had done with The Office's David Brent) and wishes to wrap up his hugely successful series after a brief time.

For Gervais, the decision to end The Office came with his willingness to let the series go out on a high note; such a decision has given the series an immortal place in the pantheon of great comedy. For Andy, however, it's an opportunity to move on to bigger and better things, to stop shouting catchphrases at "morons." He wants fame on his own terms; he wants to conflate fame, with all of its trappings (table at The Ivy, paparazzi stalkings, interviews and acting offers) with artistic success. Instead, he sells his soul to the fame-making machinery of pseudo-celebrity.

Looking to cut dead weight from his management team, Andy quickly fires Darren, a decision which pushes him and sycophant Barry (former EastEnders actor Shaun Williamson) to return to work at Carphone Warehouse, where in a nifty cameo, he is now working alongside... former EastEnders castmate Dean Gaffney (who played shrill Robbie Jackson before he was fired from the soap in 2003).

My heart broke for poor Maggie, who finally finds her courage and pride when she walks off a set after being cruelly insulted by Clive Owen (in a painful, if hysterical, scene). With no employable skills, talents, or experience, Maggie leaves behind her so-called "glamorous" life as an extra to become a cleaner, scrabbling about in the dirt for a few quid an hour, a lifestyle not wholly unfamiliar to her. In a series of sad vignettes, we see how far she's fallen: the happy-go-lucky girl has been replaced with a charwoman who in one incredible sequence goes from washing dishes in The Ivy to sitting down next to Andy seconds later in the same restaurant. It's no surprise that self-absorbed Andy has no idea what she's been up to or where her sad little bedsit even is.

Yet even after he's lost Maggie, Andy still hasn't learned the price of selling out, instead agreeing to appear on Celebrity Big Brother, where to his chagrin he discovers that he doesn't even recognize his fellow contestants, a sad display of celebrity whores, reality TV stars, and bargain-basement has-beens (oh and Lionel Blair). It's a scathing indictment of celebrity culture and allows Andy (and by dint Gervais himself) to offer an assessment of our cultural obsession with fame and how all of us--even Andy--should be ashamed of ourselves for even watching. And he tearfully makes amends with disgraced Maggie, finally answering her question about whether he'd rather be a penguin or a flying fish. It's a speech that finally garners Andy the respect he's so desperately sought and made him finally a true media darling. And that's when the man so famously mocked in song by David Bowie finally does something right and achieves redemption in this Christmas special: he walks out.

Needless to say, that final scene between Andy and best friend Maggie is one that will forever remain with me as the two drive off to the sea, laughing the way they used to, to find a place where no one knows who Andy Millman is. In the end, we do believe that Andy really is that penguin about to eat the flying fish. The world is, once again, his oyster... or can be once again. And so Andy and Maggie drive off into the future, whatever it might bring them, together.

If Extras has always been about two friends' canny desires to make it big, then it's only fitting that the series ends on a triumphant--if slightly downcast--note about the redemptive powers of friendship, integrity, and honesty. Extras is virtuoso storytelling at its very best, mining comedy from the mundane, to hold up a giant mirror to ourselves and our society. I'll miss Andy, Maggie, Darren and all the rest, but I can't imagine a better way to end this intelligent, witty, and scathing series.

Showtime Nabs "Secret Diary of a Call Girl," NBC Launches "Quarterlife"

Missing Billie Piper since she left Doctor Who? Look no further than Showtime then to assuage that itch.

Pay cabler Showtime has acquired 20 half-hour episodes of Piper's ITV2 series, Secret Diary of a Call Girl, based on the real-life sexual exploits of an undisclosed sex worker who published her diaries in 2005. Piper will play a legal secretary named Hannah who transforms herself into a high-class hooker named Belle de Jour each night.

Showtime will launch Secret Diary of Call Girl this summer, airing the first eight episodes.

Season Two of the series goes into production in the UK early next year; Showtime will slate those twelve episodes at a later date.

Showtime topper Bob Greenblatt told Variety that he believes Diary of a Call Girl is the perfect companion for the network's other series such as Dexter, Weeds, The Tudors, and Californication. "It has a great sensiblity to it," Greenblatt said of Call Girl. "It's more emotional than you think it's going to be. It's sex and funny, but there's other stuff going on."

In a rather surreal twist of fate, tarnished former HBO president Chris Albrecht, made the sale to Showtime.

* * *

In other programming news, NBC has announced that it will launch acquired Internet drama Quarterlife on Monday, February 18th at 9 pm. NBC has previously announced that it would air six one-hour installments of the relationship drama, currently streaming on several websites, early in 2008.

Drama will replace airings of Deal or No Deal, which will continue to run on Wednesdays. Quarterlife's lead-in will be reality series The Baby Borrowers, which launches that same night.

"The first time Ed [Zwick] and Marshall [Herskovitz] showed me quarterlife," I knew it was something special and I personally could not stop watching it. It was also a great opportunity to explore a new paradigm," said NBC Entertainment Co-Chairman Ben Silverman in a statement.

"Ben Silverman and NBC are innovators who understand and appreciate that quarterlife represents an important shift in television programming, as our Internet series is the first to air on a major network," said co-creator Marshall Herskovitz. "Ben also really gets how special the quarterlife story is and believes in our young talent. We're truly thrilled to be part of the NBC family, as they are experts at leveraging their diverse platform to give their shows maximum exposure."

Stay tuned.

What's On Tonight

8 pm: How I Met Your Mother/The Big Bang Theory (CBS); Clash of the Choirs (NBC; 8-10 pm); Everybody Hates Chris/Aliens in America (CW); Duel (ABC; 8-9:30 pm); House (FOX)

9 pm: Two and a Half Men/Rules of Engagement (CBS); Girlfriends/The Game (CW); Notes from the Underbelly (ABC; 9:30-10 pm); K-Ville (FOX)

10 pm: CSI: Miami (CBS); Journeyman (NBC); October Road (ABC)

What I'll Be Watching

10 pm: Journeyman.

On tonight's episode ("The Hanged Man"), Dan's attempt to rescue a woman her son from an RV handing upon a cliff has serious consequences for Dan in the present when he inadvertently leaves behind a piece of modern machinery; Katie's sister suspects something is wrong with Dan.