Skip to main content

Family Reunions, Straight Edges, and Power Tools on "Big Love"

Was it just me or was last night's episode of Big Love exactly what you needed after a long day of work?

Last night's installment of Big Love ("Reunion") dealt with several dangling storylines, while introducing a few unexpected twists into the mix. Who else thought that we would see Bill casually return to the Juniper Creek compound? Or Alby sell out Roman? Or, hell, that Bill would steal Roman's business model?

Bill. Bill's been a fairly level-headed guy the past season but it's beginning to worry me that cracks are showing in his tough veneer. His angry confrontation over the defaced billboards had me a little concerned but he does have to protect his family. Now, however, I'm simply shocked to see that he's compromising his own morals to go after Roman's new business plan: an investment in video poker games. In order to raise the cash to go after the company (which should make Roman super-pleased, no doubt), Bill has decided to cease his plans to open a third Home Plus store. The consequences? (A) He and the entire Henrickson clan will be less visible with only two rather than three stores (good!), and (B) he'll have to sell out his own moral beliefs in order to do so (bad!), something he had confronted Roman about doing. If drinking and gambling are immoral, then why enter into a (lucrative) business that glorifies and promotes both? Can you be financially successful and morally sound in today's age? Is Bill being pragmatic or is he going down a path to hell lined with the very best intentions? You decide.

Nicki. I really amazed myself by how much I suddenly cared about the prickly Nicki, who usually ends up irritating me with her shrill hysterics or manipulative plots; instead, I was stunned to see how much her character has grown and changed over the last few episodes (while still remaining, at heart, that old Nicki). Rather than tell Papa Roman that the feds were en route to the compound, she saved that bit of information for her husband Bill, a shift in thinking that should have occurred years ago. I cannot tell you how much I cheered at this turn of events, especially since Nicki is now 100% clear on who outed the Henricksons as polygamists at the Beehive Awards ceremony. Given her innate fear of being found out (and quite possibly torn limb from limb by a pitchfork-wielding mob), Nicki felt completely betrayed that her own father would put her and her children in such jeopardy. That said, was I the only one seriously horrified by Bill's laundry-strewn rendition of "Jesus Loves Me for a Sunbeam" to Nicki before their garden tryst?

Adaleen. Can I just say how bloody much I love Adaleen? She's a completely loopy character in a series that's filled with them. When she's not handing over mother-of-pearl-handled guns in tupperwear containers or cutting huge carcasses of meat with power tools, she's issuing such verbal gems as "Get the plane on the runway!" and reminding Bill that the last time she saw him was when he broke into their house through the window. (Oh, yeah, almost forgot about that.) It's clear that she loves Nicki in her own way, but I couldn't help but be creeped out by her lesson on the rather, er, twisted branches of the Grant family tree. I'm hoping we see more of Adaleen in the next few weeks and I would love to know her true feelings about her family. More than, you know, her speech to crazy son Alby about it not being a "smooth move" to poke his father in the eye. Seriously, with family like this, who needs enemies?

Ben. I really feel for poor Ben. Caught between his lust for older girlfriend Brynne and his religious leanings, he's floundering for solid ground. I'm glad that the playfulness that exists between Ben and Margene didn't cross a line into something inappropriate (despite what Barb might think) and that Margene came through for Ben in a pinch. It's interesting to see Ben get drawn into the straight edge world (which, ladies and gentlemen, is not only alive but thriving these days), a blend of asceticism and heavy metal, in which the followers swear off alcohol, drugs, casual sex, etc. Ben does seem to believe in the tenant of plural marriage (as evidenced by his conversations with his dad), but is tempted by the pleasures of the flesh, and now even more confused by his friend Jason Embry (Kyle Gallner)'s stance on straight edge. Of course, the fact that Ben got beat up rather than tattooing himself leads me to believe that he won't end up a follower of straight edge. But will he be able to find some moral footing in a world where premarital sex is verboten? At least it was Sarah and not Barb who caught him in flagrante delicto... though Barb is already none too pleased that Benny's girlfriend is out of high school.

Alby. The guy still terrifies me and I'm glad that the series' producers are finally delving into his back story (repressed homosexuality) and might finally deal with last season's bizarro scenario in which he picked up a rent boy, made him a sandwich, and then beat his own head against the wall. With Alby wearing a brown suit after selling Roman and the compound out to the feds (rather than the traditional all-white for the family photo), I have a feeling Alby will be a solo agent for a while. But let's hope that he and Roman will be forced to wage a holy war against each other. (I love Nicki's insistence that he should drop the matter of his poisoning, because he survived.)

Rhonda. I'm so unsettled by Rhonda, if only because I really can't tell what her motives are, other than self-preservation. She betrayed Barb's kindness by telling Roman about the award last season and was directly involved in the plot to out the Henricksons; she dutifully records a song for the Grant Family Singers album (shudder) but then conceals herself in Bill's truck when he and Nicki flee the compound before the family photo. Just what does Rhonda want? Is it a "normal" life or does she want the status of being sealed to the prophet? I loved the shot of her legs sliding out of the trunk and gliding over to the Henrickson house... she quickly throws her arms around Barb but her expression--and sideways glance--make me wonder just what Rhonda REALLY wants and why she's there. Is there something more to her appearance than just an attempt at running away from Roman and the compound?

Hell, I haven't even mentioned the appearance of Bill's uncle Eddie (Brian Kerwin, a needed addition, what with Bill's dad's sudden "trip to Mexico") or Lois' concealment of her laundromat business. Or the fact that Joey is trying to take the fall for Wanda's poisoning. But when you're given an episode filled with so many delicious twists, one can't help but remember why you fell in love with Big Love in the first place. Me, I'm just happy that the Henricksons are finally back in my life.

Next week on Big Love ("Rock and a Hard Place"), Rhonda threatens to blackmail Nicki into letting her stay; Bill, Don, and Eddie meet with the owner of a polygamy-friendly video poker business; Brynne and Ben celebrate their 3-month anniversary with Margene; and Sarah tries to persuade Heather to accompany her to a movie with Scott. I can't wait!

What's On Tonight

8 pm: NCIS (CBS); America's Got Talent (NBC; 8-10 pm); Gilmore Girls (CW); According to Jim/According to Jim (ABC); On the Lot (FOX)

9 pm: The Unit (CBS); Veronica Mars (CW); Shaq's Big Challenge (FOX); House (FOX)

10 pm: 48 Hours Mystery (CBS); Law & Order: Special Victims Unit (NBC); Primetime (ABC)

What I'll Be Watching

9 pm: MI-5 on BBC America.

Missed MI-5 (aka Spooks) the first time it aired (if you can call it that?) in the US on A&E? BBC America is giving you a second chance to catch this taut espionage series from the beginning. On tonight's episode ("The Rose Bed Memoirs"), the team is forced to contend with the aftermath when a jailed Parliamentary member's memoir leaks to the press.

9 pm: Veronica Mars.

I'm still so bloody angry at the CW I can taste it. But before Veronica Mars disappears off the airwaves completely, catch the few summer repeats while they last. On tonight's repeat episode ("Of Vice and Men"), Veronica is disappointed in Keith's relationship with Harmony, but she's got relationship issues of her own as she and Logan have a major fight. Meanwhile, Veronica edges closer to solving the rapist mystery, but ends up drugged by the Hearst College rapist.

9:35 pm: The Plagues and Pleasures on the Salton Sea on Sundance Channel.

The brilliant documentary--armed with a wicked sense of humor and John Waters as narrator--has its US television premiere tonight. Get a chance to catch a glimpse into a little seen world, populated by a cast of remarkable eccentrics, and a forgotten piece of California history.

Comments

Anonymous said…
Oh man - I was SO sure your title was going to be "Knit your own sweater, boss lady!"

I was going to email you last night, but I didn't know if you'd watched yet. I thought it was SUCH a good episode. It's crazy how much they packed into one ep, and didn't make it feel like it was overstuffed.

I don't even know where to start w/my favorite part, but that end was killer. And Bill getting the video poker machine biz.
Anonymous said…
Definitely my favorite episode of the season so far. I loved seeing Bill and Nicki at the compound and meeting all of Nicki's sisters with their long, blond braids. And the scene between Bill and Nicki and the sheets was a little creepy but also beautiful and helped you see why Bill married Nicki in the first place (other than his deal with Roman).

Alby going against Roman will have huge repercussions. As will Rhonda hiding away at the Henrickson household. I can't wait till next week!
Unknown said…
totally agree! one of the strongest episodes yet. the rapport between Bill's three wives has become one of the most interesting elements in the show. I'm totally creeped out by Alby and Rhonda. Rhonda strikes me as a bad seed. As for Adaleen, long live Mary Kay Place!

Popular posts from this blog

What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous season

Pilot Inspektor: CBS' "Smith"

I may just have to change my original "What I'll Be Watching This Fall" post, as I sat down and finally watched CBS' new crime drama Smith this weekend. (What? It's taken me a long time to make my way through the stack of pilot DVDs.) While it's on following Gilmore Girls and Veronica Mars on Tuesday nights (10 pm ET/PT, to be exact), I'm going to be sure to leave enough room on my TiVo to make sure that I catch this compelling, amoral drama. While one can't help but be impressed by what might just be the most marquee-friendly cast in primetime--Ray Liotta, Virginia Madsen, Jonny Lee Miller, Amy Smart, Simon Baker, and Franky G all star and Shohreh Aghdashloo has a recurring role--the pilot's premise alone earned major points in my book: it's a crime drama from the point of view of the criminals, who engage in high-stakes heists. But don't be alarmed; it's nothing like NBC's short-lived Heist . Instead, think of it as The Italian

The Daily Beast: "How The Killing Went Wrong"

While the uproar over the U.S. version of The Killing has quieted, the show is still a pale imitation of the Danish series on which it is based. Over at The Daily Beast, you can read my latest feature, "How The Killing Went Wrong," in which I look at how The Killing has handled itself during its second season, and compare it to the stunning and electrifying original Danish series, Forbrydelsen , on which it is based. (I recently watched all 20 episodes of Forbrydelsen over a few evenings.) The original is a mind-blowing and gut-wrenching work of genius. It’s not necessary to rehash the anger that followed in the wake of the conclusion last June of the first season of AMC’s mystery drama The Killing, based on Søren Sveistrup’s landmark Danish show Forbrydelsen, which follows the murder of a schoolgirl and its impact on the people whose lives the investigation touches upon. What followed were irate reviews, burnished with the “burning intensity of 10,000 white-hot suns