Skip to main content

Channel Surfing: Bones Bounces Sabato, Sam Page Lands Gossip, SOA's Hunnam Talks Season 3, Victor Webster to Castle, and More

Welcome to your Monday morning television briefing.

TV Guide Magazine's Will Keck is reporting that Bones producers have turned lemons into lemonade with their upcoming Jersey Shore-inspired episode, following the breakdown in talks with The Situation. Instead, Bones has recruited Antonio Sabato Jr. to play a "guido bouncer at a Jersey Shore club that Brennan (Emily Deschanel) and Booth (David Boreanaz) visit to question someone involved with a murder." (TV Guide Magazine)

Mad Men's Sam Page is heading to the Upper East Side, according to Entertainment Weekly's Michael Ausiello, who reports that Page has been cast in a multiple-episode story arc on the CW's Gossip Girl, where he will play a new love interest for Blake Lively's Serena. He's first expected to turn up in an episode slated to air in October. (Entertainment Weekly's Ausiello Files)

The Chicago Tribune's Maureen Ryan--soon to be AOL's chief television critic--has an interview with Sons of Anarchy's Charlie Hunnam about just where Jax is going this season and how much of his journey will be influenced by reading John Teller's manuscript. "I think it informed the path that I'm trying to take," said Hunnam. "I think that was really always there, though, and it was reassuring me that I wasn't crazy for desiring these things. It pulled into focus exactly what I was [thinking about]. But I also think about the fact that, these were his wishes -- they were unrealized. Jax realizes how idealistic that was. I think I'm trying to figure out what I can actually change and be realistic and be happy with that. Obviously there are giant problems between Jax and Clay but I think all of that stuff, though it rears its head here and there, needs to be put on the back burner until we get Abel back and figure out what we're doing. There's also this big thing hanging over us [the gun charges the Sons face]." (Chicago Tribune's The Watcher)

Entertainment Weekly's Michael Ausiello is reporting that Victor Webster (Melrose Place) has been cast in a recurring role next season on ABC's Castle, where he will provide a new love interest for Stana Katic's Beckett. "There’s an element of mystery to him,” executive producer Andrew Marlowe told Ausiello. “He’s more of a motorcycle guy…A person that is going to intrigue Castle, because he’s going to see a different side of Beckett.” Ausiello also reports that Secret Life of the American Teenager's Ken Baumann will play a love interest for Castle's daughter Alexis, played by Molly Quinn. (Entertainment Weekly's Ausiello Files)

Kate Micucci (Scrubs)--better known as half of musical-comedy act Garfunkel & Oates (a Televisionary fave after seeing them open for The Thrilling Adventure Hour)--has been cast in a recurring role on FOX comedy Raising Hope, where she will play Shelly, the "owner of a baby and doggy day care center," a role that was created for her by executive producer/creator Greg Garcia after her original character was cut from the pilot. (Hollywood Reporter)

Bad news for fans of NBC's Persons Unknown--however many of you are still watching. According to The Futon Critic, NBC is pulling the eleventh episode ("Seven Sacrifices") from the linear broadcast and will make it available online before the series wraps its run with a two-hour finale on Saturday, August 28th. (Futon Critic)

The Hollywood Reporter's Leslie Bruce talks to Nurse Jackie star Edie Falco about her Showtime dark comedy and why she wouldn't rule out reprising her role as Carmela Soprano in a movie version of The Sopranos, should it ever get made. "Frankly, I think it's not going to materialize, but stranger things have happened," said Falco. "I would definitely be interested in being involved; I'm pretty good at rolling with the punches. I would be fine if it never happened, but I would also love to go back there and see all the people I love again. Who knows? I'm not the one making the decisions and I would jump at the chance to participate." (Hollywood Reporter)

Can't wait for next week's release of Lost: Season Six and Lost The Complete Series? E! Online's Watch with Kristin already has the sixth season blooper reel--which features Josh Holloway, Terry O'Quinn, Michael Emerson, Daniel Dae Kim, Yunjin Kim, Alan Dale, and Dominic Monaghan--and which you can watch online now, exclusively at the site. (E! Online's Watch with Kristin)

TV Guide Magazine's Will Keck reports that Mandy Moore will reprise her role as Mary on the sixth episode of the upcoming season of ABC's Grey's Anatomy. (TV Guide Magazine)

Deadline's Nellie Andreeva is reporting that former Paramount Film Group chief John Lesher has set up two projects at HBO, both based on books. The first is drama Keys to the City, based on Joel Kostman's memoir of his time as a Manhattan locksmith. Adapted by William Monahan, the project will revolve around a "New York locksmith and offers a view of people and sights glimpsed beyond the doors he unlocks." The second project is The Three Weissmans of Westport, to be written by Jenny Lumet (Rachel Getting Married), based on Cathleen Schine's novel, about "a woman's search for meaning after her husband of 48 years walks out on her" and how she "reconnects with her grown daughters who are also dealing with professional and familial irrelevance." (Deadline)

ABC has renewed reality series Wipeout for a fourth season, according to The Hollywood Reporter's James Hibberd, and will get some new obstacles next season. "I'm excited that a fourth season will give our team the opportunity to create bigger and funnier ways to wipe out contestants and thrill families across America," said creator and executive producer Matt Kunitz. (Hollywood Reporter)

ABC Family has ordered a script for drama pilot What Would Jane Do, about a "dateless high school outsider living a double life as a twentysomething career girl in the corporate world." Project hails from executive producer Gavin Polone and writer April Blair. (Hollywood Reporter)

Stay tuned.

Comments

Popular posts from this blog

What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous season

Pilot Inspektor: CBS' "Smith"

I may just have to change my original "What I'll Be Watching This Fall" post, as I sat down and finally watched CBS' new crime drama Smith this weekend. (What? It's taken me a long time to make my way through the stack of pilot DVDs.) While it's on following Gilmore Girls and Veronica Mars on Tuesday nights (10 pm ET/PT, to be exact), I'm going to be sure to leave enough room on my TiVo to make sure that I catch this compelling, amoral drama. While one can't help but be impressed by what might just be the most marquee-friendly cast in primetime--Ray Liotta, Virginia Madsen, Jonny Lee Miller, Amy Smart, Simon Baker, and Franky G all star and Shohreh Aghdashloo has a recurring role--the pilot's premise alone earned major points in my book: it's a crime drama from the point of view of the criminals, who engage in high-stakes heists. But don't be alarmed; it's nothing like NBC's short-lived Heist . Instead, think of it as The Italian

The Daily Beast: "How The Killing Went Wrong"

While the uproar over the U.S. version of The Killing has quieted, the show is still a pale imitation of the Danish series on which it is based. Over at The Daily Beast, you can read my latest feature, "How The Killing Went Wrong," in which I look at how The Killing has handled itself during its second season, and compare it to the stunning and electrifying original Danish series, Forbrydelsen , on which it is based. (I recently watched all 20 episodes of Forbrydelsen over a few evenings.) The original is a mind-blowing and gut-wrenching work of genius. It’s not necessary to rehash the anger that followed in the wake of the conclusion last June of the first season of AMC’s mystery drama The Killing, based on Søren Sveistrup’s landmark Danish show Forbrydelsen, which follows the murder of a schoolgirl and its impact on the people whose lives the investigation touches upon. What followed were irate reviews, burnished with the “burning intensity of 10,000 white-hot suns