Skip to main content

Off the Leash: "The Office" and "30 Rock" are the Perfect Antidote to a Day's Work

My name is Jace and I am addicted to NBC's Thursday night lineup.

Sure, there are some hiccups here and there (My Name is Earl is in dire need of help and Andy Barker P.I. was no replacement for the genius that is 30 Rock), but watching that "Comedy Done Right" lineup each week is one of the highlights of my viewing week.

Last night's installment was no exception with a back-to-the-basics episode of The Office and yet another hilarious episode of zany 30 Rock. On The Office ("Safety Training"), we saw a storyline that got the series back to its original leitmotif: the struggle of white collar office workers. Here, that initial conceit was juxtaposed with that of the plight of the blue collar warehouse workers, following an accident involving Darryl, a ladder, and a prank-loving Michael that resulted in Darryl being on crutches. The following safety training (performed first by Darryl in front of the baler in the warehouse and then by a monotone Toby upstairs) quickly escalated into a conflict of class as Kelly insulted Sea Monster and he turned around and told Ryan to shut his woman up. I'm not sure how many of us would have stood up to Sea Monster (easily a rather imposing figure) or backed off. But the conflict underscored just what works about the show: how it takes our insecurities, failings, and everyday foibles and turns them into art on a weekly basis.

The Watermelon. One of the funniest moments of the episode had to be Michael and Dwight throwing things off the roof onto a trampoline as a "test run" for Michael's "suicide" attempt. These two brain trust candidates throw a watermelon off the roof... which quickly bounces and smashes right onto Stanley's car. Without missing a beat, Michael quickly instructs Dwight to find out whose car it is and, if it is Stanley's, to contact a lawyer who deals with hate crimes. It was a subtle jab at racially offensive stereotypes that paid off with the brilliant button at the end of the episode: about five seconds of Stanley (Leslie David Baker) staring at his watermelon-caked vehicle in disgust. (That said, I thought the whole standing in the parking lot shouting into the megaphone bit dragged on for way too long and added nothing to the show; it was comedy completely thwarted.)

Andy Bernard. I was really worried about how Andy would fit into The Office, following his breakdown in "The Return," and return this week. But I have to say that the new Andy (a.k.a. "Drew") fits in better than I expected. The writers have (so far) wisely toned down his irritating personality; he's still socially awkward and weird but in a completely different, less manic, way. Loved the shun/unshun/reshun bit from Dwight as well.

Pam/Jim/Karen. Without making the love triangle the focus of the episode, writer B.J. Novak did manage to get one or two nice moments in there, as the betting gag begins with the counting of the jelly beans on Pam's desk. Jim guesses 50, which Kevin thinks is unfair, since he's spent so much time at Pam's desk over the years. Cut to Karen, who shrinks just a little bit in her own skin.

Creed. Can we please have more Creed every week? Loved the fact that they switched a potato for his apple and he didn't even blink. And that he seemed to be peeing right next to the bouncy castle right before everyone came out to the parking lot. Classic.

Meanwhile, over on 30 Rock (now conveniently on right after The Office), Liz found herself the third wheel in her own relationship with new boyfriend Floyd, thanks to a shaken Jack who, after learning that the microwave oven division would be taken away from him, clings to Floyd and begins to stalk the pair. ("The call is coming from inside the house!")

Guest stars. Rip Torn AND Emily Mortimer in one episode? What more can you say? 30 Rock has excelled at integrating unexpected guest stars into its episodes without making it feel contrived or gimmicky (like, say, Will & Grace). Still, last week's star turn by Will Arnett will forever remain the pinnacle of guest star achievement.

Phoebe. Can Emily Mortimer stick around for a while? I never thought that the show's writers could find Jack a female counterpart (or "Floydster" if you will) as self-absorbed as he is, yet with Christie's auction house employee Phoebe ("You probably don't remember me.") and her avian bone syndrome, they've struck the jackpot. I didn't expect Jack to propose like that but he's always willing to outdo Liz Lemon, especially given the state of his life at the moment, following the disaster of the Rockefeller Center Salute to Fireworks. But sweet that he would buy back his ex-wife's engagement ring from that "anonymous Arab" for Phoebe.

Tracy Jordan. I will just come out and say it: I think Tracy is one of the best comedy characters on television, given the fact that you just never know what is going to come out of his mouth. Favorite line of the night: "Can I offer you some grenadine or fried rice?" The Jefferson trailer was as hysterical as it was anachronistic (loved the fact that Grizz still had his bluetooth earpiece on and that half the scenes were shot in front of modern office towers as runners pass by in the background) and allowed Tracy to showcase his OTT acting and bizarro vision. And who can pass up the opportunity to star as a dog in something called "Fat Bitch"?

All in all, another fantastic episode. I might be one of the few people who find Tina Fey's Liz Lemon endearing and I love her fated-to-be-doomed relationship with the unfortunately named Floyd (SNL's Jason Sudeikis). Meanwhile, Jane Krakowski's Jenna is nowhere to be seen again. Something tells me the rarely lucky in love Liz would be rubbing her relationship with Floyd right in Jenna's face. But, ah, the nature of actors' episodic contracts...

Next week on 30 Rock ("Cleveland"), Floyd asks Liz if she would ever think about leaving Manhattan and moving with him to the Midwest, while Jack takes off with Phoebe for Paris and perhaps a quickie wedding?

What's On Tonight

8 pm: The Ghost Whisperer (CBS); Identity (NBC); WWE Friday Night SmackDown (CW; 8-10 pm); Grey's Anatomy (ABC); White Chicks (FOX; 8-10 pm)

9 pm: Shark (CBS); Raines (NBC); Wife Swap (ABC)

10 pm: NUMB3RS (CBS); Law & Order (NBC); 20/20 (ABC)

What I'll Be Watching

10 pm: Clatterford on BBC America (9 pm ET)

It's the sixth episode of Jennifer Saunders' new series Clatterford. On tonight's episode, the ladies get a visit from the Main Wheel of the Guild Lady Anne Crump, who could shut them down completely.

10:40 pm: Little Britain on BBC America (9:40 pm ET)

Another chance to catch the antics of David Walliams and Matt Lucas as they skewer stereotypes in this hilarious sketch comedy show.


Every time I bump into something from now on I'm saying, "Ow my bones."
Anonymous said…
Sigh, I wouldn't know.

Power was out all night.
Vance said…
I think at this point I would PAY to see the Thomas Jefferson movie starring Tracy Jordan, Tracy Jordan and Tracy Jordan.

Creed rocks!
Unknown said…
Oh ally, that's awful! Time to create an iTunes account and download it. (I would.) :)

I cringed along with Karen when Kevin commented on Jim being at Pam's desk "a lot." In real life, Jim would so have to find another job. (Fortunately, yes, I know this isn't real life.) As much as I don't look forward to the Jim/Karen implosion, I do like how the writers are sneaking up on it. We know it's coming, and we can see it coming, but we don't when or how.

I laughed the entire time Ryan was timing Kelly's NetFlix monologue while everyone put their lost bets on his desk.
Synd-e said…
Actually, I thought the parts with Michael's safety training were the weakest elements of the episode. Yes, Michael is annoying, a bit of a loser, and a rube, but that schtick is getting difficult to watch every week. However, the other thread of the episode - betting on office events - was completely hysterical, and I bet many viewers could relate to it, since we've all done stuff like that to keep sane at work. Loved Ryan's "Get Kelly to explain Netflix" bet.
Anonymous said…
I agree with Jace that having the "Office" workers shouting back and forth with Michael on the megaphone got boring but I really enjoyed the rest of the episode. The watermelon bouncing onto Stanley's car was priceless as was Michael's attempt to get Dwight to cover it up.

"30 Rock" was excellent! The "grenadine and fried rice" line will live on in my memory for years to come...
Anonymous said…
Jim actually guessed 49. It was Karen that guessed 51. Loser.

I love 30 Rock! I love it so much I want to take it back behind a middle school and get it pregnant.
Love your blog. One correction, Jim guessed "50", Karen followed up by guessing "51" (trying the old Price is Right trick of guessing one over the highest bid).
Anonymous said…
Oops. I realized my mistake after I posted it.
Shauna said…
You should probably do yourself a favour and check out the Will Arnett Research Project at
Anonymous said…
I disagree on the "more of Creed" thing. I think we're getting just the perfect amount of Creed. His weirdness could quickly get overwhelming and tiresome, but in the small doses that the show gives us, it's hilarious. Damn, THE OFFICE is a great show.
Anonymous said…
Hi! You have a nice blog.
Me said…
I did think Michael would jump.
Anonymous said…
Yup - two really good episodes!

I agree w/the one noter about Michael being the weakest part of the Office ep. Sad, but true. I also agree w/the noter who said the amount of Creed is just right. I think he is perfect in small doses. LOVED the netflix monologue. Mindy K is awesome.

30 Rock - another really strong ep. LOVED all the Tracy stuff. You are right - one of the funniest characters on tv.

And, I heart Emily Mortimer.
Anonymous said…
Um, you forgot about Scrubs.

Popular posts from this blog

Have a Burning Question for Team Darlton, Matthew Fox, Evangeline Lilly, or Michael Emerson?

Lost fans: you don't have to make your way to the island via Ajira Airways in order to ask a question of the creative team or the series' stars. Televisionary is taking questions from fans to put to Lost 's executive producers/showrunners Damon Lindelof and Carlton Cuse and stars Matthew Fox ("Jack Shephard"), Evangeline Lilly ("Kate Austen"), and Michael Emerson ("Benjamin Linus") for a series of on-camera interviews taking place this weekend. If you have a specific question for any of the above producers or actors from Lost , please leave it in the comments section below . I'll be accepting questions until midnight PT tonight and, while I can't promise I'll be able to ask any specific inquiry due to the brevity of these on-camera interviews, I am looking for some insightful and thought-provoking questions to add to the mix. So who knows: your burning question might get asked after all.

What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous season

Pilot Inspektor: CBS' "Smith"

I may just have to change my original "What I'll Be Watching This Fall" post, as I sat down and finally watched CBS' new crime drama Smith this weekend. (What? It's taken me a long time to make my way through the stack of pilot DVDs.) While it's on following Gilmore Girls and Veronica Mars on Tuesday nights (10 pm ET/PT, to be exact), I'm going to be sure to leave enough room on my TiVo to make sure that I catch this compelling, amoral drama. While one can't help but be impressed by what might just be the most marquee-friendly cast in primetime--Ray Liotta, Virginia Madsen, Jonny Lee Miller, Amy Smart, Simon Baker, and Franky G all star and Shohreh Aghdashloo has a recurring role--the pilot's premise alone earned major points in my book: it's a crime drama from the point of view of the criminals, who engage in high-stakes heists. But don't be alarmed; it's nothing like NBC's short-lived Heist . Instead, think of it as The Italian