Skip to main content

Channel Surfing: Sanada Gets "Lost," Jayma Mays Returns to "Heroes," NBC Crowns "Rex," and More

Welcome to your Monday morning television briefing.

Japanese actor Hiroyuki Sanada (Rush Hour 3) has joined the cast of ABC's Lost in a recurring role for its sixth and final season. Details of Sanada's character are being kept firmly under wraps as is the number of episodes that he'll ultimately appear in. Sanada's casting comes on the heels of the announcement that Deadwood's John Hawkes had signed on to the drama series as Lennon, the spokesperson and translator for a foreign conglomerate. Could these two roles be connected in any way, given Sanada's Japanese background? Hmmm.... (Hollywood Reporter)

Entertainment Weekly's Michael Ausiello is reporting that Jayma Mays (Glee) will return to NBC's Heroes, where she will reprise her role as Hiro's former love interest Charlie in one episode of the superpowered drama series. But didn't Charlie die? Yep. "As the dying time-traveler zips back and forth through the ages to accomplish his bucket list," writes Ausiello, "well, isn’t it safe to assume that saving his almost-sweetheart would be pretty high on the list?" (Entertainment Weekly's Ausiello Files)

NBC has given a pilot order to legal dramedy Rex Is Not Your Lawyer, about a lawyer with crippling panic attacks who begins coaching clients on how to represent themselves in court. Project, from writer/executive producer Andrew Leeds and David Lampson, BermanBraun, and Universal Media Studios, was originally pitched and sold to NBC in 2007 and then shut down by the writers strike. Barry Schindle (Law & Order) will server as showrunner on the project, which will be executive produced by Gail Berman and Lloyd Braun. (Hollywood Reporter)

Keith Carradine (Dexter) will guest star in two episodes of FOX's Dollhouse, where he will play Matthew Harding, described by Entertainment Weekly's Michael Ausiello as "a powerful businessman." No other details about Carradine's character are available and it's unclear whether he'll be a client of the Dollhouse or someone looking to take it down. (Entertainment Weekly's Ausiello Files)

TVGuide.com's Mickey O'Connor is reporting that Amalia Zinser (Cold Case) has been cast in the CW's 90210, where she will play tomboy surfer Ivy who serve as a potential love interest for both Dixon and Liam. Zinser's first appearance is slated for October. (TVGuide.com)

BET is said to be in talks with CBS Television Studios about ordering a new season of comedy series The Game, which was canceled in the spring by the CW. Should a deal be reached, however, new deals with the actors would have to be made as their options have now already lapsed. (Hollywood Reporter)

Cabler TLC has ordered a second season of docusoap The Little Couple, which follows married couple Bill Klein and Jen Arnold, who are both under four feet tall. Project, from LMNO Prods., will return this fall with eighteen new episodes. (Variety)

VH1 has cancelled reality dating series Megan Wants a Millionaire, after one contestant was charged with murdering a former model. (Hollywood Reporter)

UK satellite network Sky1 has commissioned a six-part mini-series adaptation of Chris Ryan's hostage crisis novel "Strike Back," which will star Richard Armitage, Andrew Lincoln, Jodhi May, Orla Brady, Nicola Stephenson, and Laura Greenwood. Project, written by Jed Mercurio and directed by Daniel Percival, will launch in Spring 2010. (Variety)

Sony Pictures Television has signed a two-year deal with Big Brother executive producers Allison Grodner and Rich Meehan, under which they will form a joint production company, Fly on the Wall Entertainment. Their shingle will develop and produce reality-based programming for the studio. (Variety)

Stay tuned.

Comments

Anonymous said…
Why is Jayma Mays going back to Heroes? That show should of been canned years ago.

Popular posts from this blog

What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous season

Pilot Inspektor: CBS' "Smith"

I may just have to change my original "What I'll Be Watching This Fall" post, as I sat down and finally watched CBS' new crime drama Smith this weekend. (What? It's taken me a long time to make my way through the stack of pilot DVDs.) While it's on following Gilmore Girls and Veronica Mars on Tuesday nights (10 pm ET/PT, to be exact), I'm going to be sure to leave enough room on my TiVo to make sure that I catch this compelling, amoral drama. While one can't help but be impressed by what might just be the most marquee-friendly cast in primetime--Ray Liotta, Virginia Madsen, Jonny Lee Miller, Amy Smart, Simon Baker, and Franky G all star and Shohreh Aghdashloo has a recurring role--the pilot's premise alone earned major points in my book: it's a crime drama from the point of view of the criminals, who engage in high-stakes heists. But don't be alarmed; it's nothing like NBC's short-lived Heist . Instead, think of it as The Italian

The Daily Beast: "How The Killing Went Wrong"

While the uproar over the U.S. version of The Killing has quieted, the show is still a pale imitation of the Danish series on which it is based. Over at The Daily Beast, you can read my latest feature, "How The Killing Went Wrong," in which I look at how The Killing has handled itself during its second season, and compare it to the stunning and electrifying original Danish series, Forbrydelsen , on which it is based. (I recently watched all 20 episodes of Forbrydelsen over a few evenings.) The original is a mind-blowing and gut-wrenching work of genius. It’s not necessary to rehash the anger that followed in the wake of the conclusion last June of the first season of AMC’s mystery drama The Killing, based on Søren Sveistrup’s landmark Danish show Forbrydelsen, which follows the murder of a schoolgirl and its impact on the people whose lives the investigation touches upon. What followed were irate reviews, burnished with the “burning intensity of 10,000 white-hot suns