Skip to main content

Foodie Tune-In Reminder: "Top Chef: Las Vegas" Premiere, "Top Chef Masters" Finale, New Episode of "F Word"

Tonight is more or less a perfect storm of food-oriented television programming for foodies.

Just a quick reminder to tune in to tonight's season kick-off of Bravo's brand-defining culinary competition series Top Chef: Las Vegas, which joins the schedule at an earlier-than-usual time of 9 pm ET/PT before relocating to its normal timeslot at 10 pm ET/PT next week. (In the meantime, you can read my advance review of the first episode here.)

Plus, the super-sized season premiere of Top Chef leads right into the final showdown on Top Chef Masters at 10:15 pm as finalists Hubert Keller, Michael Chiarello, and Rock Bayless square off in the kitchen to see just which one of them will walk away with title of Top Chef Master. Just which of these master chefs will emerge the ultimate champion? Find out tonight.

And if that weren't enough culinary cravings for you, BBC America's own fascinating foodie magazine program F Word is brand new tonight as well, with an episode at 9 pm ET/PT (or 6 pm PT if you're on the West Coast) in which hotheaded chef Gordon Ramsay goes to work in a Chinese restaurant, soul singer Mica Paris brings her brigade into the F-Word kitchen, and comedian Jo Brand faces off with Ramsay in the recipe challenge.

So prepare yourself something delicious, settle down on the sofa, and be prepared to salivate for the three hours tonight. Your stomach will thank me in the morning.

Comments

Radha said…
I wish they were airing the Top Chef Masters finale and the new Top Chef on different nights. I love both shows but that's too much culinary stress for one night!

Popular posts from this blog

What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous season

Pilot Inspektor: CBS' "Smith"

I may just have to change my original "What I'll Be Watching This Fall" post, as I sat down and finally watched CBS' new crime drama Smith this weekend. (What? It's taken me a long time to make my way through the stack of pilot DVDs.) While it's on following Gilmore Girls and Veronica Mars on Tuesday nights (10 pm ET/PT, to be exact), I'm going to be sure to leave enough room on my TiVo to make sure that I catch this compelling, amoral drama. While one can't help but be impressed by what might just be the most marquee-friendly cast in primetime--Ray Liotta, Virginia Madsen, Jonny Lee Miller, Amy Smart, Simon Baker, and Franky G all star and Shohreh Aghdashloo has a recurring role--the pilot's premise alone earned major points in my book: it's a crime drama from the point of view of the criminals, who engage in high-stakes heists. But don't be alarmed; it's nothing like NBC's short-lived Heist . Instead, think of it as The Italian

The Daily Beast: "How The Killing Went Wrong"

While the uproar over the U.S. version of The Killing has quieted, the show is still a pale imitation of the Danish series on which it is based. Over at The Daily Beast, you can read my latest feature, "How The Killing Went Wrong," in which I look at how The Killing has handled itself during its second season, and compare it to the stunning and electrifying original Danish series, Forbrydelsen , on which it is based. (I recently watched all 20 episodes of Forbrydelsen over a few evenings.) The original is a mind-blowing and gut-wrenching work of genius. It’s not necessary to rehash the anger that followed in the wake of the conclusion last June of the first season of AMC’s mystery drama The Killing, based on Søren Sveistrup’s landmark Danish show Forbrydelsen, which follows the murder of a schoolgirl and its impact on the people whose lives the investigation touches upon. What followed were irate reviews, burnished with the “burning intensity of 10,000 white-hot suns