Skip to main content

Elephant in the Room: ABC Executive Session with Paul Lee

Appearing at the start of ABC's day on the Television Critics Association Summer Press Tour, Steven Brockman walked on the stage with a large pink elephant before saying of Steve McPherson, "Tuesday's statement still holds. It is literally all we are going to say on the subject."

It was perhaps an effort to address the elephant in the room--the sudden resignation of entertainment president Steve McPherson from the network last week amid allegations of an internal probe--but critics were already baying for blood.

The network's sacrificial lamb--newly installed ABC entertainment president Paul Lee--took to the stage after a session for ABC's new cop drama Detroit 1-8-7 was braced for an onslaught of questions about McPherson's resignation and that alleged probe.

"Really, this is my first course of duty," said Lee. "I've been on the job 36 hours."

But the Brit--an Oxford graduate who previously held positions at BBC One and Two, BBC America, and ABC Family--firmly refused to answer questions about Steve McPherson, instead attempting to disarm the crowd with his laid-back style, cut-glass accent, and polite deflection.

"I am, as you can guess, super unprepared," said Lee, after removing his suit jacket and addressing the crowd in his shirt-sleeves. The one thing he is sure about at this point? "I know that Modern Family should win the Emmy for best comedy this year."

Lee's presence on the stage today was a trial by fire for the executive who faced a ballroom filled with critics and reporters, each extremely curious about just what is going down at the Alphabet.

"There's a lot more people here than when we were launching Wildfire on ABC Family," he joked.

"I am a big fan of the network," said Lee, who said that he was already familiar with the network's programming and pilots from his role at ABC Family, given the cross-network promotional support that ABC series receive on the cabler.

"I've just been on vacation," said Lee, laughing genially. "I'm not answering your question! I've been dealing with my family. I can't really answer that." As for where Lee was on vacation--it had been widely reported he was in London--Lee was furtive about revealing details, other than saying alternately he was "on the beach," "a drive away," and "up the coast," before demurring that his wife would be angry if he revealed more. (His Irish wife, meanwhile, provided a convenient callback throughout the executive session.)

"I was very honored to be offered the job by Anne and to take it, but I can't talk about what happened with Steve," said Lee when pressed about the issue of his predecessor at the network.

"Quality storytelling is what it's all about," said Lee, naming a long list of ABC series that he admires, from comedies like Modern Family and dramas like Grey's Anatomy to reality programming like The Bachelor. "I think there's a whole lot of grand equity there."

His mission at ABC? "[To] take some risks, make some great shows, and still have some surprises... it's going to be great fun."

He also praised the quality of talent at the network, both in front of the camera and in the writers rooms. "There's an amazingly talented group of showrunners that go through the shows here... I think we've got a very strong lineup coming in."

Would Lee, following his experiences at ABC Family, look to rebuild TGIF or shift any specific programming from ABC Family? "They're different audiences... We went out of our way to identify a millennial audience and [ABC] is a key 18-49 demo... They are very different networks."

On testing: "I remember when we tested the British Office, it was the worst tested show I have ever seen in my whole career but that was because it took risks."

No Ordinary Family: "Genre shows over the history of broadcast have done extremely well... This is a family show. There are entry points for people of all ages."

"There's no question that this is a more difficult job than running ABC Family... We are all slaves to ratings," admits Paul Lee. "I had a show called Middleman that I loved. I adored that show. It was the wrong show for the network."

As for adding a second night of comedy to the lineup, it's not out of the question but won't be something htat will happen overnight. "I'd love to be in a position to add a second night [of comedy] but it's too soon," said Lee.

Still, there will be no changes prior to premiere week, as the ABC schedule is already "locked and loaded."

As for the state of ABC at the moment, here's what Lee had to say: "The reality is that we have had some real defining brands over the years, we have a really strong slate coming up... We do have our work cut out to do a lot. Everybody who sits in these jobs has to do that... I do think there's work."

"A deep gut is critical to this job. It's all about stories. And stories are about emotions."

While it can't have been easy for Lee to stare down the circling lions in the room, I do have to say that he acquitted himself quite handily, charming the audience with witty banter, an easy approachability, and casual savoir-faire. I'm curious to see just how Lee will put his own imprint on ABC in the months to come.


Popular posts from this blog

Have a Burning Question for Team Darlton, Matthew Fox, Evangeline Lilly, or Michael Emerson?

Lost fans: you don't have to make your way to the island via Ajira Airways in order to ask a question of the creative team or the series' stars. Televisionary is taking questions from fans to put to Lost 's executive producers/showrunners Damon Lindelof and Carlton Cuse and stars Matthew Fox ("Jack Shephard"), Evangeline Lilly ("Kate Austen"), and Michael Emerson ("Benjamin Linus") for a series of on-camera interviews taking place this weekend. If you have a specific question for any of the above producers or actors from Lost , please leave it in the comments section below . I'll be accepting questions until midnight PT tonight and, while I can't promise I'll be able to ask any specific inquiry due to the brevity of these on-camera interviews, I am looking for some insightful and thought-provoking questions to add to the mix. So who knows: your burning question might get asked after all.

What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous season

Pilot Inspektor: CBS' "Smith"

I may just have to change my original "What I'll Be Watching This Fall" post, as I sat down and finally watched CBS' new crime drama Smith this weekend. (What? It's taken me a long time to make my way through the stack of pilot DVDs.) While it's on following Gilmore Girls and Veronica Mars on Tuesday nights (10 pm ET/PT, to be exact), I'm going to be sure to leave enough room on my TiVo to make sure that I catch this compelling, amoral drama. While one can't help but be impressed by what might just be the most marquee-friendly cast in primetime--Ray Liotta, Virginia Madsen, Jonny Lee Miller, Amy Smart, Simon Baker, and Franky G all star and Shohreh Aghdashloo has a recurring role--the pilot's premise alone earned major points in my book: it's a crime drama from the point of view of the criminals, who engage in high-stakes heists. But don't be alarmed; it's nothing like NBC's short-lived Heist . Instead, think of it as The Italian