Skip to main content

Channel Surfing: Chuck's Renewal Chances Looking Up, Glee Circles Britney Spears Episode, Parks and Recreation, and More

Welcome to your Monday morning television briefing.

Entertainment Weekly's Michael Ausiello is reporting that a potential fourth season of NBC's Chuck is looking more and more likely. While we shouldn't breath a collective sigh of relief just yet, Ausiello speaks to an unnamed source close to the production who tells him that it's "looking good" that NBC will renew the Warner Bros. Television-produced action-comedy for another season, bumping the series' position on the Bubble Show Scorecard from "could go either way" to "safe bet." Still, it's important to note that a final decision about Chuck's ultimate fate at the network won't be made for several more weeks... (Entertainment Weekly's Ausiello Files)

Additionally, Ausiello also has a first-look video at the May 3rd episode of Chuck (entitled "Chuck Versus the Role Models"), which features an homage to Hart to Hart and features guest stars Fred Willard and Swoosie Kurtz as a spy couple who are tasked with training Chuck and Sarah. (Entertainment Weekly's Ausiello Files)

Glee co-creator Ryan Murphy has told Entertainment Weekly that he is considering creating an episode around the music of Britney Spears, following an idea floated by Spears' manager on Twitter. "I’m interested in the Britney Spears idea," said Murphy, who is also considering episodes based around Billy Joel, Led Zepplin, and Courtney Love. "I’ve always loved her. I’m entertaining it. I think young kids would like that." (Entertainment Weekly's Music Mix)

Universal Media Studios and NBC have signed Parks and Recreation co-creator Mike Schur to an overall deal that will keep him at the helm of NBC's Parks for several years to come and also develop new material down the line. "I'm an NBC nerd," Schur told Variety. "Every time NBC takes a hit in the press I get angry. They've been nothing but good to me. Their notes on scripts are good. This deal is about solidifying this show and me at NBC." (Variety)

Meanwhile, The Wrap's Josef Adalian reports on the real reason Rob Lowe is being added to the cast of Parks and Recreation: NBC Entertainment chief Angela Bromstad, who felt the series "could benefit from some added star wattage," according to Adalian, and that Lowe could provide the sort of element that Alec Baldwin provides to fellow Thursday night comedy 30 Rock. Still, producers weren't upset by the, er, request to add Lowe to the ensemble, though it did take some pitching from Jeff Gaspin in order for Mike Schur and Greg Daniels to envision how Lowe would fit into the world of Pawnee. "Some of the fans have expressed fears that he won't fit into the world (of Pawnee), but I think those fears will be allayed when they see him," said Schur. He's handsomer than everyone else, but he's also happy to be part of a large ensemble. He fits in because he's being really funny." While Adam Scott's contract locks him in for the long-term, Lowe's deal will be revisited down the line when the network and producers have a chance to see how he meshes with the comedy series. (The Wrap's TVMoJoe)

Meanwhile, you can catch a glimpse of Rob Lowe and Adam Scott on the set of NBC's Parks and Recreation below, courtesy of a new video released by the Peacock:



HBO has announced return dates for comedies Entourage and Hung, which will return with new seasons on June 27th. (Variety)

The Hollywood Reporter's James Hibberd has a breakdown of which pilots are currently looking like front-runners for series orders at the broadcast network, including CBS' Hawaii Five-O, NBC's Rockford Files and Undercovers, as well as David E. Kelley's Kindreds, Love Bites, Chase, This Little Piggy, Friends with Benefits, Next, Perfect Couples, and Outsources all looking good at the Peacock. CBS is said to be circling Chaos, Defenders, Bleep My Dad Says, Mike & Molly, True Love, and Hawaii Five-O. FOX is said to be high on Breakout Kings, Midland, Ride Along, Terra Nova, Security, Keep Hope Alive, and Most Likely to Succeed. ABC is keen for 187, Off the Map, Body of Evidence, No Ordinary Family, Wright Vs. Wrong, and Mr. Sunshine. At the CW, the network is particularly high on Nikita and Betwixt. (Hollywood Reporter)

Sorry Gina Torres fans, looks like the former Firefly star won't be popping up on Season Two of Syfy's Warehouse 13 after all. Torres has been replaced by Tia Carerre (Relic Hunter) on the sci-fi series, which returns on July 6th for its second season. Lindsay Wagner (Bionic Woman), meanwhile, will guest star as an "in-house doctor for Warehouse 13, home base for the secret storage facility that houses all sorts of strange phenomena being tracked down by agents (Eddie McClintock and Joanne Kelly)." (Hollywood Reporter)

The Wrap's Josef Adalian is reporting that Warner Bros. TV is still in "deep talks" to move Conan O'Brien's production company Conaco from NBC Universal to TBS, the cable network now home to O'Brien's upcoming latenight revival. Sources indicated that such a deal could be made by the end of the month. "The deal has been a no-brainer since the April 12 announcement that O'Brien was head to Turner's TBS, which, like WBTV, is part of the Time Warner family," wrote Adalian. "Turner chief Steve Koonin told TheWrap then that he wanted to do 'multiple projects together,' making it inevitable that there'd be a production deal with WBTV." (The Wrap's TVMoJoe)

The New York Times's Joe Rhodes has a feature about FOX's upcoming action-comedy series The Good Guys, starring Bradley Whitford and Colin Hanks and created by Matt Nix (Burn Notice). Series, produced by FTVS, was ordered to series without a pilot. "Matt walks in the door with not only a finished script and a pitch for what the whole season was going to be," Fox Entertainment president Kevin Reilly told Rhodes, "but with a willingness to deliver a network-quality show on a cable budget. We are getting a lot of bang for our buck, literally." (The New York Times)

Over at Los Angeles Times's Show Tracker site, Claire Zulkey talks to the latest winner of Project Runway. (Los Angeles Times's Show Tracker)

The cast of ABC's reality competition series Dancing with the Stars seems to be enjoying themselves more now that Kate Gosselin has been booted from the series. "It’s a whole new place around the set of DWTS this week!" an unnamed insider told Fancast's Kelly Will. "The cast and crew are working in an entirely new environment. Kate wasn’t the problem, it was the drama that followed her. It was like a cloud of energy everyday that changed the dynamics of the cast when they were filming segments. Now that Kate is out, it’s a quieter place to be. It was a media storm when Kate was around, not by her choice, but it was... Jon may not have been a cast member of the show, but every time he did something in public it quickly trickled down onto the set. If Kate was dealing with something difficult, people noticed, heard about it and had an opinion. The moms were supportive and the guys pretty much tried to avoid it. Bachelor Jake was always very nice to Kate – people liked her but she had so much to deal with besides the show. It was hard to really befriend her because of the media circus." (Fancast)

E! Online's Megan Masters talks with Gossip Girl's Billy Baldwin about his upcoming arc as Serena's father. "This is a good guy who has made some bad choices in his life," said Baldwin about Van der Woodsen, who he said "poses some interesting conflicts and problems for everybody." (E! Online's Watch with Kristin)

NBC is bumping this week's episode of Mercy to 9 pm (and filling the 8 pm timeslot with a repeat of Minute to Win It) in an effort to give the struggling freshman drama series a shot in the arm, hoping that it will have a better chance at luring viewers when it's not leading off the night. (The Wrap's TVMoJoe)

TV Squad's Chris Harnick has an interview with Nigella Lawson about her upcoming new series, Jamie Oliver, and KFC's Double Down. "I don't want to feel guilty every time I eat some potato chips," said Lawson, laughing. "But I do admire him for the work he's done. I have to say, he's a great boy." (TV Squad)

Showtime will offer a sneak-peek at the upcoming reality series The Real L Word tonight at 11 pm ET/PT, following new episodes of Nurse Jackie and United States of Tara. The series itself will launch on Sunday, June 20th at 10 pm ET/PT. (via press release)

The Hollywood Reporter has a recap of Friday night's Psych panel at the Paley Center. "Discovering, inventing or stealing a pill that reverses the aging process, kidnapping Barbara Hershey and watching Boxcar Bertha with her, convincing Gus to purchase one of those Japanese video games where you dance ... and possibly kissing Detective Juliet O'Hara on the mouth," said James Roday when asked about his character's five-year plan. (Hollywood Reporter)

CBS Television Studios has signed a two-year overall deal with former NUMB3RS executive producer Don McGill, under which he will come aboard CSI: Crime Scene Investigation as an executive producer next season and develop new projects for the studio. (Variety)

The Daytime Emmy Awards telecast is returning to CBS and will air during primetime on Sunday, June 27th. (Hollywood Reporter)

Pennsylvania labor officials has approved TLC's request to film Jon and Kate Gosselin's eight children for a series of Kate Plus 8 specials to air on the network, according to Entertainment Weekly's Lynette Rice, who reports that the kids will not be appearing in TLC's spin-off series Twist of Kate, which launches this summer. (Entertainment Weekly's Hollywood Insider)

Disney Channel has ordered a second season of I'm in the Band. (via press release)

Stay tuned.

Comments

David K. said…
I'm interested in about 90% of the pilots ordered for the network, hopefully some of them are bad so I don't have to stay up til 6am every night to catch up.

Popular posts from this blog

What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous season

Pilot Inspektor: CBS' "Smith"

I may just have to change my original "What I'll Be Watching This Fall" post, as I sat down and finally watched CBS' new crime drama Smith this weekend. (What? It's taken me a long time to make my way through the stack of pilot DVDs.) While it's on following Gilmore Girls and Veronica Mars on Tuesday nights (10 pm ET/PT, to be exact), I'm going to be sure to leave enough room on my TiVo to make sure that I catch this compelling, amoral drama. While one can't help but be impressed by what might just be the most marquee-friendly cast in primetime--Ray Liotta, Virginia Madsen, Jonny Lee Miller, Amy Smart, Simon Baker, and Franky G all star and Shohreh Aghdashloo has a recurring role--the pilot's premise alone earned major points in my book: it's a crime drama from the point of view of the criminals, who engage in high-stakes heists. But don't be alarmed; it's nothing like NBC's short-lived Heist . Instead, think of it as The Italian

The Daily Beast: "How The Killing Went Wrong"

While the uproar over the U.S. version of The Killing has quieted, the show is still a pale imitation of the Danish series on which it is based. Over at The Daily Beast, you can read my latest feature, "How The Killing Went Wrong," in which I look at how The Killing has handled itself during its second season, and compare it to the stunning and electrifying original Danish series, Forbrydelsen , on which it is based. (I recently watched all 20 episodes of Forbrydelsen over a few evenings.) The original is a mind-blowing and gut-wrenching work of genius. It’s not necessary to rehash the anger that followed in the wake of the conclusion last June of the first season of AMC’s mystery drama The Killing, based on Søren Sveistrup’s landmark Danish show Forbrydelsen, which follows the murder of a schoolgirl and its impact on the people whose lives the investigation touches upon. What followed were irate reviews, burnished with the “burning intensity of 10,000 white-hot suns