Skip to main content

Channel Surfing: Addison Returns to Seattle Grace, Ricky Gervais Considers "Office" Drop-in, "Knight Rider" Gets Retooled, and More

Welcome to your Monday morning television briefing. I hope you all tuned in to the launch of HBO's new comedy series Summer Heights High; I've already seen the series several times but tuned in once again (it's just that funny) and also caught upon Skins (how cute was Chris' drawing of him and Jal?) and The Amazing Race.

Kate Walsh's Addison Montgomery will return to Seattle Grace... at least as part of a multiple-episode crossover story between Grey's Anatomy and Private Practice that's scheduled to air during February sweeps. (TV Guide)

FOX has delayed the start of animated comedy The Cleveland Show, a spinoff of Family Guy, until next fall. But the network has also ordered an additional nine episodes for Cleveland, bring its episodic total to a full 22 for the 2009-10 season. If that weren't enough Cleveland-centric news, Arianna Huffington has been added to the cast. (Variety)

Less than four months after premiering, NBC's Knight Rider is already undergoing some major retooling, beginning with its tenth episode, scheduled to air in January. Among the changes to the series, look for original cast members Sydney Tamiia Poitier, Yancey Arias, and Bruce Davison to depart; the troika's options were not picked up beyond the original 13-episode order and the series will focus instead on the five core characters (Mike, Sarah, Billy, Zoe, and KITT). "It's a reboot," said executive producer/showrunner Gary Scott Thompson. "We're moving away from the terrorist-of-the-week formula and closer to the original, making it a show about a man and his car going out and helping more regular people, everymen." (Hollywood Reporter)

Ricky Gervais said he would like to appear in the American version of The Office and has suggested that he play Extras' struggling actor Andy Millman. (TV Guide)

Showtime and BBC are developing a contemporary retelling of Camelot with Michael Hirst and Morgan O'Sullivan (The Tudors) writing an executive producing Camelot with Douglas Rae. Showtime and BBC are co-financing the development of the scripts and, should the project be ordered to series, it would be produced by Eccose Films and Octagon Filmes. (Variety)

ABC has announced the return of Lost. Season Five will kick off on Wednesday, January 21st in a special three-hour event, with Lost premiering in its new official timeslot of 9 pm ET/PT the following week. (Televisionary)

Tori Spelling will reprise her role as gossip columnist/liquefying villain Linda Lake on CW's Smallville and is said to be in "preliminary talks" to reprise her role as Donna Martin on 90210. (Entertainment Weekly's Ausiello Files)

Michael Rapaport (Prison Break) has signed a development deal with CBS under which he will develop, star in, and produce an untitled drama project for the network. Said project, to be written by Bryan Goluboff (Basketball Diaries) and executive produced by Denis Leary and Jim Serpico, follows the lives of NYC social workers. Sony Pictures Television and CBS Paramount Network Television are behind the project. (Hollywood Reporter)

Tiffani Thiessen (Beverly Hills 90210) has been cast in USA's drama pilot White Collar opposite Matthew Bomer and Tim DeKay; she'll play Debbie, the "intelligent and supportive" wife of the head of FBI's white collar crime unit (DeKay) who works as an accountant. Elsewhere, Matthew Marsden (Transformers: Revenge of the Fallen) has been cast as the lead in Spike's two-hour backdoor pilot Madso's War from MGM; project follows the Irish mob in Boston; Marsden will play a thief with links to Boston racketeers who tries to leave the game when two of his men are murdered, only to realize that he's next on a hit list. Also cast: Kevin Chapman (Brotherhood). (Hollywood Reporter)

TV Guide talks to Jordana Brewster, who joins the cast of Chuck beginning tonight in a multiple-episode story arc where she plays iconic character Jill, Chuck's Stanford girlfriend who broke his heart. (TV Guide)

NBC has ordered a full season of crime procedural Life, bumping the sophomore series to a full 22 episode order. (Televisionary)

TV Land has ordered six episodes of hidden-camera reality series Make My Day, based on a successful British Channel 4 format that is being executive produced by Michael Davies (Who Wants to Be a Millionaire?) and Sony Pictures Television. Series follows people who are unknowingly put through a series of strange surprises and coincidences set up by their family and friends. Series is set to launch in 2009. (Variety)

FX has opted not to renew unscripted series 30 Days from executive producer Morgan Spurlock. The series, the last remaining reality title on the cabler, wrapped its third and final season this July. (Broadcasting & Cable)

FremantleMedia has signed a deal with Spike for the worldwide financing, marketing, and distribution of three upcoming series, including Jesse James Is a Dead Man, Deadliest Warrior, and Surviving Disaster, all set to launch in 2009. (Variety)

Stay tuned.


Anonymous said…
Loved Summer Heights High. I already can't wait for the next episode! Thanks for the recommendation!

Popular posts from this blog

Katie Lee Packs Her Knives: Breaking News from Bravo's "Top Chef"

The android has left the building. Or the test kitchen, anyway. Top Chef 's robotic host Katie Lee Joel, the veritable "Uptown Girl" herself (pictured at left), will NOT be sticking around for a second course of Bravo's hit culinary competition. According to a well-placed insider, Joel will "not be returning" to the show. No reason for her departure was cited. Unfortunately, the perfect replacement for Joel, Top Chef judge and professional chef Tom Colicchio, will not be taking over as the reality series' host (damn!). Instead, the show's producers are currently scouring to find a replacement for Joel. Top Chef 's second season was announced by Bravo last month, but no return date has been set for the series' ten-episode sophomore season. Stay tuned as this story develops. UPDATE (6/27): Bravo has now confirmed the above story .

BuzzFeed: Meet The TV Successor To "Serial"

HBO's stranger-than-fiction true crime documentary The Jinx   — about real estate heir Robert Durst — brings the chills and thrills missing since Serial   wrapped up its first season. Serial   obsessives: HBO's latest documentary series is exactly what you've been waiting for.   The Jinx: The Life and Deaths of Robert Durst , like Sarah Koenig's beloved podcast, sifts through old documents, finds new leads from fresh interviews, and seeks to determine just what happened on a fateful day in which the most foul murder was committed. And, also like  Serial  before it,  The Jinx may also hold no ultimate answer to innocence or guilt. But that seems almost beside the point; such investigations often remain murky and unclear, and guilt is not so easy a thing to be judged. Instead, this upcoming six-part tantalizing murder mystery, from director Andrew Jarecki ( Capturing the Friedmans ), is a gripping true crime story that unfolds with all of the speed of a page-turner; it

BuzzFeed: "The Good Wife Is The Best Show On Television Right Now"

The CBS legal drama, now in its sixth season, continually shakes up its narrative foundations and proves itself fearless in the process. Spoilers ahead, if you’re not up to date on the show. At BuzzFeed, you can read my latest feature, " The Good Wife Is The Best Show On Television Right Now," in which I praise CBS' The Good Wife and, well, hail it as the best show currently on television. (Yes, you read that right.) There is no need to be delicate here: If you’re not watching The Good Wife, you are missing out on the best show on television. I won’t qualify that statement in the least — I’m not talking about the best show currently airing on broadcast television or outside of cable or on premium or however you want to sandbox this remarkable show. No, the legal drama is the best thing currently airing on any channel on television. That The Good Wife is this perfect in its sixth season is reason to truly celebrate. Few shows embrace complexity and risk-taking in t