Skip to main content

Channel Surfing: David Tennant Talks End of "Doctor Who" Run, Jeri Ryan Finds "Leverage," Noah Wylie to Battle Aliens for Spielberg and TNT, and More

Welcome to your Friday morning television briefing.

The Chicago Tribune's Maureen Ryan has an absolutely fantastic interview with Doctor Who star David Tennant on the eve of BBC America's airing of last Christmas' Doctor Who special "The Next Doctor." Among the topics of discussion: the end of his run on the legendary British sci-fi series, the truth behind the all-Doctors reunion rumors (false, says Tennant), and what's next for the actor (Poliakoff's Glorious 39), among other things. "I'm all finished," said Tenannt of his run on Doctor Who. "Three or four weeks ago, I filmed my last scene. So it's over. Still a long time to go before they're all broadcast, though, so I'm still clinging on for a bit. But yeah, it's done. It was very emotional, very exciting. We managed to go out with some of the best scripts I had in four years. So it was a real treat." (Chicago Tribune's The Watcher)

Jeri Ryan (Shark) has been cast in a recurring role on Season Two of TNT's drama series Leverage, where she will play "Tara, a smart-ass, street-wise con woman whom Sophie (Gina Bellman) calls on for help and who gets sucked into the Leverage family." (Hollywood Reporter)

It's official: Noah Wylie has signed on as the lead in TNT's untitled sci-fi pilot from executive producer Steven Spielberg and writer Robert Rodat. Project is set in a future where most of humanity has been wiped out by an alien incursion; Wylie will play the leader of a small human resistance force who are attempting to overthrow the occupying aliens. (Hollywood Reporter)

Former Privileged star Joanna Garcia has joined the cast of CW's Gossip Girl for a four-episode story arc next season, where she will play Bree Buckley, "an irreverent, slightly evil Miss America-type who hails from a conservative Southern family" who becomes romantically entangled with Chace Crawford's Nate Archibald. Garcia's first appearance on the series is set to air on September 14th. (Entertainment Weekly's Ausiello Files)

Flashpoint returns to CBS will new episodes on Friday, July 17th at 9 pm. The network ordered a third season of the Canadian co-production last month. (Futon Critic)

Meanwhile, CBS has teamed up with its affiliate stations to launch a marketing plan tied around the crucial 10 pm timeslot, which has been named Project LENO (that's, ahem, Late prime Enhanced News Opportunity). The network is offering affiliates at 10 pm "tool kit" including "sponsorable broadcast spots, Web banners and radio spots, as well as behind-the-scenes vignettes" and CBS is also offering "an affiliate swap spot to promote the 10 pm hour." (Variety)

NBC announced their fall premiere dates yesterday, with most series--except 30 Rock--launching in the two week period between September 14th and September 26th. The Peacock will roll out its comedies Saturday Night Live Weekend Update Thursday, Parks and Recreation, The Office, and Community on September 17th (30 Rock, which returns October 15th); The Biggest Loser will launch on September 15th; Heroes returns with a two-hour premiere on September 21st; Trauma kicks off on September 28th; Parenthood and Law & Order: Special Victims Unit debut on September 23rd; Southland and Law & Order will launch on September 25th, followed the next night by Saturday Night Live. (via press release)

BBC Worldwide and WGBH will co-produce a new Emma mini-series starring Atonement's Romola Garai, Michael Gambon, and Jonny Lee Miller and a sequel to Cranford that will star Judi Dench, Imelda Staunton, Francesca Annis, Eileen Atkins, Jonathan Pryce, Tim Curry, and Tom Hiddleston, both of which will air stateside on Masterpiece Classic next year. (More info on Cranford 2 can be found here.) Additionally, WGBH has partnerned with BBC on Framed, an adaptation of Frank Cottrell Boyce's children's book, and two-parter Small Island, based on Andrea Levy's novel about an ambitious Jamaican woman (Naomi Harris) in London after WWII. And the PBS affiliate also acquired three BBC productions: a remake of The 39 Steps starring Rupert Penry-Jones and Sharpe's Peril and Sharpe's Challenge, which star Sean Bean. (Variety)

The N will launch thirteen-episode original comedy series The Assistants, about four Hollywood assistants working for a high-profile producer, on July 10th at 8:30 pm. Series was ordered in November 2007 but the cable network hadn't been able to find a spot for the series on the schedule. (Variety)

Stay tuned.

Comments

wildhoney said…
Ugh. Why do we have to wait so long for more 30 Rock?!
Very happy about the Cranford sequel and intrigued by the Emma mini-series. Excellent cast but it will be tough to surpass the brilliance and wit of Douglas McGrath's film adaptation which is one of my all time favorites!

Popular posts from this blog

What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous season

Pilot Inspektor: CBS' "Smith"

I may just have to change my original "What I'll Be Watching This Fall" post, as I sat down and finally watched CBS' new crime drama Smith this weekend. (What? It's taken me a long time to make my way through the stack of pilot DVDs.) While it's on following Gilmore Girls and Veronica Mars on Tuesday nights (10 pm ET/PT, to be exact), I'm going to be sure to leave enough room on my TiVo to make sure that I catch this compelling, amoral drama. While one can't help but be impressed by what might just be the most marquee-friendly cast in primetime--Ray Liotta, Virginia Madsen, Jonny Lee Miller, Amy Smart, Simon Baker, and Franky G all star and Shohreh Aghdashloo has a recurring role--the pilot's premise alone earned major points in my book: it's a crime drama from the point of view of the criminals, who engage in high-stakes heists. But don't be alarmed; it's nothing like NBC's short-lived Heist . Instead, think of it as The Italian

The Daily Beast: "How The Killing Went Wrong"

While the uproar over the U.S. version of The Killing has quieted, the show is still a pale imitation of the Danish series on which it is based. Over at The Daily Beast, you can read my latest feature, "How The Killing Went Wrong," in which I look at how The Killing has handled itself during its second season, and compare it to the stunning and electrifying original Danish series, Forbrydelsen , on which it is based. (I recently watched all 20 episodes of Forbrydelsen over a few evenings.) The original is a mind-blowing and gut-wrenching work of genius. It’s not necessary to rehash the anger that followed in the wake of the conclusion last June of the first season of AMC’s mystery drama The Killing, based on Søren Sveistrup’s landmark Danish show Forbrydelsen, which follows the murder of a schoolgirl and its impact on the people whose lives the investigation touches upon. What followed were irate reviews, burnished with the “burning intensity of 10,000 white-hot suns