[Televisionary]

I review Showtime’s fixer drama Ray Donovan , which begins Sunday night and stars Liev Schreiber as a Hollywood fixer whose South Boston past creates present-day troubles. At The Daily Beast, you can read my latest feature, " Ray Donovan : Is the Liev Schreiber–Led Showtime Drama The Next Sopranos ?" in which I review Showtime's fantastic new drama Ray Donovan , which premieres on Sunday night at 10 p.m. ET/PT. The specter of HBO’s still-mourned organized crime family drama The Sopranos, which arguably kicked off the latest golden age of television, can be glimpsed in the foundations of nearly every cable drama that has come since, ushering in an era of the male antihero that has permeated the popular culture. The Sopranos’s mischievous, malevolent spirit flits through Showtime’s outstanding new drama Ray Donovan, which premieres Sunday night at 10 p.m. Starring Liev Schreiber as the titular character, the show—created by Ann Biderman, who also created the gripping

From Stephen King and Steven Spielberg comes Under the Dome, a weird, scary, and potentially great excuse to stay inside this summer. I dissect tonight’s premiere. At The Daily Beast, you can read my latest feature, " Under the Dome Is One Eerie TV Show," in which I review CBS's eerie new drama Under the Dome , based on Stephen King's 2009 novel of the same name, which begins tonight at 10 p.m. ET/PT. In the not-too-distant future, the inhabitants of Chester’s Mill—a small and seemingly idyllic town in Anywhere, U.S.A.—suddenly discover their town is trapped inside an invisible barrier of unknown origin. Birds fall from the sky, numerous vehicles crash, and a blood-red handprint on this transparent dome becomes a sigil of awe and fear. This is the basis for CBS’s intriguing new “event” drama series, Under the Dome, which begins its 13-episode summer run tonight at 10 p.m. (While some have referred to it as a “miniseries,” it is most definitely an ongoing serie

James Gandolfini, the hulking star of HBO's acclaimed The Sopranos , has died. My piece on the legacy the actor and producer leaves behind. At The Daily Beast, you can read my latest feature, "James Gandolfini the Great," my appreciation of the late, great Sopranos star James Gandolfini, who passed away yesterday at age 51 while traveling in Italy. HBO has confirmed the unexpected death of actor and producer James Gandolfini, who passed away at age 51 while traveling in Italy. At press time, the cause of his death was unclear, with several outlets reporting a heart attack or a "sudden stroke." He was due to appear at the Taormina Film Festival in Sicily, where he was slated to paricipate in a panel discussion with director Gabriele Muccino. While Gandolfini appeared in countless film and television roles, ranging from comedies (like Armando Iannucci's wickedly skewering Washington satire In the Loop) to hard-hitting dramas like Kathryn Bigelow's

The truth of who Bob Benson is was finally revealed on Sunday’s episode of Mad Men . My take on the revelation and how it connects to Don Draper. Warning: spoilers ahead! At The Daily Beast, you can read my latest feature, " Mad Men : Who Is Bob Benson?" in which I offer my take on this week's episode of AMC's Mad Men and what the true identity of Bob Benson (James Wolk) means for the show and Don Draper. “I used to wonder how you were so expertly servile.” On Mad Men, James Wolk’s eager-to-please ad man Bob Benson—a sort of golden retriever in an impeccably preppy suit who was always ready with an extra cup of coffee or a deli platter for a funeral—offered one of the season’s most hotly discussed mysteries, second only to whether Jessica Paré’s Megan Draper would be murdered. Theories were rampant. Was the perpetually chipper up-and-comer, who inexplicably seemed to materialize at SCDP (later renamed SC&P), a spy from a rival agency, an undercover reporte

If you didn’t watch BBC America’s clone drama Orphan Black , you missed one of the year’s best dramatic performances. My take on why Tatiana Maslany deserves an Emmy nod. Over at The Daily Beast, you can read my latest feature, "Emmy Awards’ Dark Horse Nominee," in which I offer a look at one of the year's best television performances, that of Tatiana Maslany on BBC America's Orphan Black , and state why this dark horse deserves at least an Emmy nomination. If you don’t regularly tune in to shows about global conspiracies, illegal medical research, and genetically identical clones, you may be forgiven for not watching Orphan Black , the serpentine Canadian-American science fiction drama that wrapped up its first season earlier this month on BBC America. (Season 2 will air in 2014.) But not watching this compelling and surprisingly emotional cult drama—created by Graeme Manson and John Fawcett—means that you missed out on one of the year’s most intense and aston

Yes, that actually did just happen. My take on the latest shocking twist on HBO’s Game of Thrones , and why the disturbing outcome of the Red Wedding was crucial for the series. Spoilers abound! At The Daily Beast, you can read my latest feature, "The Red Wedding: HBO’s Game of Thrones Reveals Its Latest Twist," in which I offer my take on this week's shocking episode of Game of Thrones ("The Rains of Castamere") and why the twist was necessary for the longevity and narrative stakes of the series. And they partook of his salt and bread. Oaths are meant to be sacred: after all, a man is only as good as his word. But a world in which oaths are meaningless and void is a terrifying place without logic, justice, or order. On this week’s episode of HBO’s Game of Thrones (“The Rains of Castamere”), we see the ramifications of breaking one’s word. Just as Robb Stark (Richard Madden) betrayed his vow to Walder Frey (David Bradley), promising to marry his daughte

Get out of the sun—there’s recovering zombies, addictive serial-killer mysteries, and the Breaking Bad finale on TV. My take on what not to miss for this cool summer season. At The Daily Beast, you can read my latest feature, "17 Shows Worth Watching This Summer," in which I round up 17 shows worth watching during the sweltering months to come, from FX's The Bridge and BBC America's Broadchurch to ABC Family's Switched at Birth  and CBS's Under The Dome . (Plus, Showtime's Ray Donovan , which SHOULD NOT BE MISSED.) Summer isn’t the television wasteland that it used to be. While the broadcasters are still figuring out what to do with their real estate during these lazy months (original drama? reality competitions? burn-offs?), cable channels have long known the power of airing high-profile series throughout the heat, and there is quite a lot of original programming to be seen during these next sweltering months. CBS is launching the event ser

Fans eagerly awaited the return of Arrested Development , brought back from the TV graveyard by Netflix. Jace Lacob on why the show’s fourth season revival falls flat. At The Daily Beast, you can read my latest feature, " Arrested Development : Why Netflix’s Revival Failed," in which I review Season 4 of Netflix's Arrested Development revival, for which all 15 episodes were released yesterday. Unfortunately, despite my obsession with Arrested Development 's first few seasons, I didn't enjoy this at all. If you have an Internet connection, you know Arrested Development returned from the dead on Sunday, with all 15 episodes of the show’s fourth season available on Netflix on the same day. This strategy falls in line with the other original series rollouts that the streaming platform has launched this year, from House of Cards to the abysmal Hemlock Grove, given the belief that Netflix wants to offer the viewer “choice” as to how it consumes content: will yo

BBC Two’s The Fall , starring Gillian Anderson and Jamie Dornan, debuts on Netflix on May 28. My take on Anderson and Dornan’s searing performances and why you need to watch. At The Daily Beast, you can read my latest feature, "The Dark Lure of Gillian Anderson's The Fall ," in which I review BBC Two's serial killer drama The Fall , which stars Gillian Anderson and which makes its Stateside debut next week on Netflix. It is virtually impossible to talk about The Fall—BBC Two’s addictive and provocative serial killer drama, which begins streaming stateside on Netflix on May 28—without mentioning the ghost in the room: Prime Suspect. The allusion to Prime Suspect, a massive hit on both sides of the Atlantic, is well founded. For one, The Fall is the closest that television has come to capturing the taut alchemy of Prime Suspect: part police chase, part psychological portrait of the hunted and the hunter. At the time of its premiere in 1992, Prime Suspect captured

He pioneered the mockumentary on film. Now Christopher Guest is bringing his latest comedy, HBO’s Family Tree , to a TV landscape crowded with the format. My take on whether he succeeds. At The Daily Beast, you can read my latest feature, " Family Tree Brings Christopher Guest’s Mockumentary Style to HBO," in which I review HBO's latest comedy, Family Tree , which begins Sunday evening, and which stars Chris O'Dowd ( The IT Crowd ) and hails from the fertile mind of co-creator Christopher Guest ( Best in Show, Waiting for Guffman, A Mighty Wind ). Over the last few decades, the mockumentary format has become almost totally synonymous with Christopher Guest, the writer/director (and often actor) best known for films such as This Is Spinal Tap, Best in Show, Waiting for Guffman, A Mighty Wind , and For Your Consideration . Each film—to varying success—mined the documentary format for laughs, setting up its eccentric characters as the butts of the joke ... or the

British murder mystery Broadchurch , heading to the U.S. later this year on BBC America, is a worthy successor to Forbrydelsen . My take on ITV’s tantalizing thriller, which wraps up tonight in the U.K. Over at The Daily Beast, you can read my latest feature, " Broadchurch : This British Murder Mystery Will Be Your Next Television Obsession," in which I review ITV's sensational murder mystery Broadchurch , which stars David Tennant and Olivia Colman and which will head Stateside later this year on BBC America. Not to be missed! The British have an insatiable appetite for crime fiction, whether it appears in print or on television screens. Putting aside the twee tea cozy mysteries of Agatha Christie’s Miss Marple or Hercule Poirot, however, these thrillers are not only taut but also bleak depictions of the psychological fallout from murder: tracing, as novelist Ruth Rendell has done so well in her work, how crime affects not just the victim, but also those left behind

Netflix will today offer all 13 episodes of its latest original series, Eli Roth’s horror drama Hemlock Grove . My take on how Netflix has stumbled with this poisonous fare. At The Daily Beast, you can read my latest feature, " Hemlock Grove : Netflix’s Latest Original Show Is Scary Bad," in which I review Netflix's newest original series, Hemlock Grove , which is not only nonsensical and almost unwatchable, but also could signal a misstep for the streaming video platform. (A sample quote: "Roman’s mother, Olivia, played by Famke Janssen as though she is channeling Madeleine Stowe’s Victoria Grayson through a hazy, upside-down kaleidoscope, is some sort of supernatural creature as well, her darkness symbolized by her haughty indifference, cut-glass English accent, and penchant for wearing black lingerie.") Netflix has recently had a rather simple mandate: to fund their own original series under the auspices of well-known creative talent and use their stream

Sundance Channel’s ‘Rectify,’ which begins on Monday, is a weighty meditation on crime, punishment, beauty, and solitude. It is also insanely riveting television. Over at The Daily Beast, you can read my latest feature, "Sundance Channel’s Rectify is the Best New Show of 2013," in which I review Sundance Channel's Rectify , which begins Monday and which I name the best new show of 2013: "With Rectify , McKinnon creates a world of light and darkness, and of heaven and hell, one that exerts a powerful gravity from which it is impossible to escape." Sundance Channel, the indie-centric network that is closely aligned with corporate sibling AMC, is quickly ascending to a place of prominence in an increasingly fragmented television landscape. For the longest time, the network was identifiable as the home of independent films, repeats of Lisa Kudrow’s short-lived HBO mockumentary The Comeback , and some forgettable reality fare. It lacked a cohesive programming i

Windy sex scenes! Dumpster diving! Imaginary mommy meltdowns! Or as it says at the site: "A conflicted Jace Lacob and a hooked Anna Klassen debate the merits and flaws of A&E’s Psycho prequel, Bates Motel ." Over at The Daily Beast, you can read my latest feature, "The Great Bates Motel Debate: Sex Scenes, Mother Issues & Implausible Twists," in which Anna Klassen and I debate the merits and flaws of A&E's Bates Mote , which was recently renewed for a second season and approaches Season One's halfway point tonight. A&E’s Bates Motel , the Psycho prequel overseen by Carlton Cuse ( Lost ) and Kerry Ehrin ( Friday Night Lights ), hasn’t just attracted an audience—4.5 million viewers tuned into the pilot. It has already been renewed for a second season of Oedipal strife between Norman Bates (Freddie Highmore) and his overbearing mother, Norma (Vera Farmiga), set against the backdrop of a seemingly idyllic Pacific Northwest logging town th

Mad Men ’s Don Draper returns for his penultimate season on AMC Sunday—and he’s as down in the dumps as ever. I write about the dark mood hovering over the show’s brilliant sixth season. Over at The Daily Beast, you can read my latest feature, " Mad Men Season 6 Review: Triumphant, Lyrical, and Way Existential," in which I review the fantastic sixth season premiere of AMC's Mad Men , which returns on Sunday at 9 p.m. for its penultimate season: "Don isn’t so much a person as a reflection, a shadow, the wet ring left on a bar by a glass of Scotch." Spoilers are funny things. It’s tricky enough to write about a show without delving into the plot mechanics, and even more so when you can’t even touch upon certain aspects of the plot in even a cursory way. But that’s always been the case with AMC’s Mad Men , which returns for its sixth—and penultimate—season on Sunday at 9 p.m. Creator Matthew Weiner wants to ensure that even the most quotidian of details a

Food Network’s Chopped returns for its fifteenth season. I write about why sea cucumbers, speculoos, and lacinato kale--on the surface, ingredients which many of us have never heard of--matter. At The Daily Beast, you can read my latest feature, " Chopped : Why I’m Obsessed with Food Network’s Reality Competition Show," in which I I write about my insatiable obsession with Food Network's Chopped , and how the competition show brings a deeper and richer awareness of food and culinary diversity to the public at large. When the Food Network, the culinary-themed cable network available in approximately 99 million American homes and 150 countries around the globe, launched Chopped in 2009, no one could have imagined the eventual impact the show would have. And by no one, I mean me. I was initially less than enthusiastic about Chopped—a culinary competition show featuring four chefs squaring off by cooking an appetizer, entrée, and dessert from various mystery basket

Based on a 1,000-page novel, the third season of HBO’s ‘Game of Thrones’ is the best—and most complex—one we’ve seen yet. In this week's issue of Newsweek (and online at The Daily Beast), you can read my latest feature, "Here Be Dragons: Season 3 of HBO's Game of Thrones Reviewed," in which I review the first four episodes of Season 3 of HBO's Game of Thrones , which might just be the best season yet. When it launched in 2011, HBO’s fantasy drama Game of Thrones quickly became part of the global collective consciousness, an often brutally violent and staggeringly beautiful series that offered viewers an immersive television experience. Based on the gargantuan bestselling novel series A Song of Ice and Fire by George R.R. Martin, Game of Thrones depicts the bloody and vicious battle for control of the Iron Throne in the Seven Kingdoms of Westeros, a fictional world that bears a resemblance to medieval Europe ... if Europe had once been the home of magic,

How to choose from the slew of content about to hit the airwaves? From miniseries (Jane Campion’s Top of the Lake ) to returning favorites ( Game of Thrones ) and new offerings ( Rectify ), I makes my picks for what's worth watching on television this spring. Over at The Daily Beast, you can read my latest feature, " Game of Thrones, Mad Men, Bates Motel : 15 Shows Worth Watching This Spring," in which I offer up 15 television shows to check out in the coming months, from the tried-and-true to those off the beaten path. With the promise of warmer weather just around the corner, a slew of new and returning television shows are hitting the airwaves. HBO welcomes back Game of Thrones on March 31, AMC travels back in time for another season of Mad Men on April 7, and Sundance Channel offers two spellbinding new original dramas: Top of the Lake , a mystery series from co-creator Jane Campion, and Rectify , a searing drama that looks at what life is like after being rele

This week’s episode of Girls graphically depicted the results of a male character’s climax. Why the scene has outraged some, and why it’s a watershed moment for the HBO comedy. Over at The Daily Beast, you can read my latest feature, " Girls Gets Graphic," in which I write about Girls , viewer responses, graphic content, and why THAT scene from this week's episode was a watershed moment for the Lena Dunham comedy. HBO’s Girls has always been a lightning rod for critical reaction, whether it be allegations of nepotism, privilege, or racism. It’s impossible to imagine a week going by without someone, somewhere, having an adverse reaction to the Lena Dunham-created comedy. And that’s okay: art is meant to trigger emotional responses. I’d far rather watch a television show that stirred up feelings within its viewers—that challenged them to watch something complicated and often uncomfortable—than a show whose main goal was simply to please the most people, across all

Last year, Revenge was a thrill-a-minute vengeance fantasy but now, in its second season, it’s a convoluted mess. My take on the show’s head-scratching fall from grace. Over at The Daily Beast, you can read my latest feature, " Revenge : What Went Wrong with ABC’s Once-Daring Thriller?" In it, I ponder just what went wrong with ABC's Revenge that caused its shocking second-season drop in quality. What a difference a year makes, particularly in the life of a serialized television narrative. At this time last year, ABC’s Revenge —Mike Kelley’s modern-day retelling of Alexandre Dumas’s The Count of Monte Cristo , set among the Hamptons polo set—was a dazzling vengeance fantasy, reveling in its dark nature and the even darker journey of Emily Thorne (Emily VanCamp), a woman scorned who was out for payback against the wealthy clan who destroyed her life and shattered her family. It functioned on several levels and tapped into the zeitgeist of 2012; it could be seen