Skip to main content

FOX Slates June Start for Action-Comedy "Code 58" From Matt Nix

FOX has announced a start date for the thirteen-episode action-comedy Code 58 (formerly known as Jack and Dan), from creator Matt Nix (Burn Notice) and Fox Television Studios.

The series, which stars Bradley Whitford, Colin Hanks, Jenny Wade, and Diana Maria Riva, will officially launch on Monday, June 7th at 8 pm ET/PT but Code 58 will have "special previews" on Wednesday, May 12th and Wednesday, May 19th.

"I’m incredibly excited to be doing the show at FOX," said creator Matt Nix. "It’s a network that’s known for pushing limits, and that’s what we’re doing here. They’ve really embraced the quirkier, more unconventional aspects of the show, and even encouraged me to go further with them."

The full press release from FOX can be found below.

“CODE 58 (working title)” PREMIERES MONDAY, JUNE 7,
WITH SPECIAL PREVIEWS WEDNESDAY, MAY 12, AND
WEDNESDAY, MAY 19, ON FOX


New Series from Matt Nix Stars Bradley Whitford and Colin Hanks

CODE 58 (working title), the new action-comedy from Matt Nix (“Burn Notice”), will have special previews on two nights, Wednesday, May 12 (8:00-9:00 PM ET/PT) and Wednesday, May 19 (8:00-9:00 PM ET/PT), before making its series premiere Monday, June 7 (9:00-10:00 PM ET/PT) on FOX.

“I’m incredibly excited to be doing the show at FOX,” said Nix. “It’s a network that’s known for pushing limits, and that’s what we’re doing here. They’ve really embraced the quirkier, more unconventional aspects of the show, and even encouraged me to go further with them.”

CODE 58 (working title) is a comedic look at what happens when an old-school cop and a modern-day detective try to expose the big picture of small crime. DAN STARK (Bradley Whitford, “The West Wing”) was once a big-shot Dallas detective. Thirty years later, Dan Stark is a washed-up detective who spends most of his time drunk or re-hashing his glory days. Dan’s new partner, JACK BAILEY (Colin Hanks, “Mad Men,” “Numb3rs”), is an ambitious, by-the-book and overall promising detective, but is sometimes a bit too snarky for his own good. His habit of undermining himself has earned him a dead-end position in the department. Jack may not see it, but he has little chance of getting out of his situation; his knack for making enemies at the station has assured he is not going anywhere anytime soon.

Jack’s only ally is ASSISTANT DISTRICT ATTORNEY LIZ TOWNSEND (Jenny Wade, “Reaper”), a quick-witted former girlfriend whom Jack hasn’t quite gotten over and the one person he turns to for help with his current professional predicament. Not helping matters any is Jack and Dan’s boss, LIEUTENANT ANA RUIZ (Diana Maria Riva, “Side Order of Life,” “Castle”), who has committed herself to seeing that Jack and Dan spend the remainder of their days in the Property Crimes Division, assigned to investigate seemingly minor crimes in order to keep them – and the department – out of major trouble.

CODE 58 (working title) is produced by Fox Television Studios. Matt Nix and Mikkel Bondesen serve as executive producers. Tim Matheson will direct the pilot episode.

Comments

Popular posts from this blog

What's Done is Done: The Eternal Struggle Between Good and Evil on the Season Finale of "Lost"

Every story begins with thread. It's up to the storyteller to determine just how much they need to parcel out, what pattern they're making, and when to cut it short and tie it off. With last night's penultimate season finale of Lost ("The Incident, Parts One and Two"), written by Damon Lindelof and Carlton Cuse, we began to see the pattern that Lindelof and Cuse have been designing towards the last five seasons of this serpentine series. And it was only fitting that the two-hour finale, which pushes us on the road to the final season of Lost , should begin with thread, a loom, and a tapestry. Would Jack follow through on his plan to detonate the island and therefore reset their lives aboard Oceanic Flight 815 ? Why did Locke want to kill Jacob? What caused The Incident? What was in the box and just what lies in the shadow of the statue? We got the answers to these in a two-hour season finale that didn't quite pack the same emotional wallop of previous season

Pilot Inspektor: CBS' "Smith"

I may just have to change my original "What I'll Be Watching This Fall" post, as I sat down and finally watched CBS' new crime drama Smith this weekend. (What? It's taken me a long time to make my way through the stack of pilot DVDs.) While it's on following Gilmore Girls and Veronica Mars on Tuesday nights (10 pm ET/PT, to be exact), I'm going to be sure to leave enough room on my TiVo to make sure that I catch this compelling, amoral drama. While one can't help but be impressed by what might just be the most marquee-friendly cast in primetime--Ray Liotta, Virginia Madsen, Jonny Lee Miller, Amy Smart, Simon Baker, and Franky G all star and Shohreh Aghdashloo has a recurring role--the pilot's premise alone earned major points in my book: it's a crime drama from the point of view of the criminals, who engage in high-stakes heists. But don't be alarmed; it's nothing like NBC's short-lived Heist . Instead, think of it as The Italian

The Daily Beast: "How The Killing Went Wrong"

While the uproar over the U.S. version of The Killing has quieted, the show is still a pale imitation of the Danish series on which it is based. Over at The Daily Beast, you can read my latest feature, "How The Killing Went Wrong," in which I look at how The Killing has handled itself during its second season, and compare it to the stunning and electrifying original Danish series, Forbrydelsen , on which it is based. (I recently watched all 20 episodes of Forbrydelsen over a few evenings.) The original is a mind-blowing and gut-wrenching work of genius. It’s not necessary to rehash the anger that followed in the wake of the conclusion last June of the first season of AMC’s mystery drama The Killing, based on Søren Sveistrup’s landmark Danish show Forbrydelsen, which follows the murder of a schoolgirl and its impact on the people whose lives the investigation touches upon. What followed were irate reviews, burnished with the “burning intensity of 10,000 white-hot suns